NAUGHTY TALES
FILE INFORMATION
FILENAME(S): NAUGHTY TALES
FILE TYPE(S): PRG
FILE SIZE: 26.2K
FIRST SEEN: 2025-12-02 23:23:10
APPEARS ON: 1 disk(s)
FILE HASH
07d1fdab8ad5d32e7b6de24c7436a8a4851821a8b075b637db6c4b5a48ec49f2
FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| ADVENTURE 2 | NAUGHTY TALES | PRG | swasti, dinkel | 9 | 1 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
> DETECTED: COMMODORE BASIC PROGRAM (LOAD ADDRESS $0801)
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00001850: 4F 57 49 4E 47 20 D3 54 4F 52 59 20 43 4F 4E 54 |OWING .TORY CONT|
00001860: 41 49 4E 53 20 4D 41 54 45 52 49 41 4C 3E E7 28 |AINS MATERIAL>.(|
00001870: 4F 46 20 41 20 48 49 47 48 4C 59 20 53 45 58 55 |OF A HIGHLY SEXU|
00001880: 41 4C 4C 59 20 45 58 50 4C 49 43 49 54 20 4E 41 |ALLY EXPLICIT NA|
00001890: 54 55 52 45 2E 20 C9 54 3C E7 25 4D 41 59 20 42 |TURE. .T<.%MAY B|
000018A0: 45 20 43 4F 4E 53 49 44 45 52 20 4F 46 46 45 4E |E CONSIDER OFFEN|
000018B0: 53 49 56 45 20 42 59 20 53 4F 4D 45 2E 20 C9 46 |SIVE BY SOME. .F|
000018C0: 3E E7 26 59 4F 55 20 44 4F 20 4E 4F 54 20 57 49 |>.&YOU DO NOT WI|
000018D0: 53 48 20 54 4F 20 43 4F 4E 54 49 4E 55 45 20 4E |SH TO CONTINUE N|
000018E0: 4F 57 20 49 53 20 54 48 45 3E E7 0E 54 49 4D 45 |OW IS THE>..TIME|
000018F0: 20 54 4F 20 53 54 4F 50 2E 2E 3E E7 2C 11 11 11 | TO STOP..>.,...|
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00001910: 45 59 20 54 4F 20 42 45 47 49 4E 20 59 4F 55 52 |EY TO BEGIN YOUR|
00001920: 20 53 54 4F 52 59 2E 2E 9E 3E 81 46 81 E8 02 52 | STORY...>.F...R|
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.A..! W A R N I N G !>..<.A..! W A R N I
N G !>...>.(.. THE FOLLOWING STORY CONT
AINS MATERIAL>.(OF A HIGHLY SEXUALLY EXP
LICIT NATURE. IT<.%MAY BE CONSIDER OFFEN
SIVE BY SOME. IF>.&YOU DO NOT WISH TO CO
NTINUE NOW IS THE>..TIME TO STOP..>.,...
... PRESS ANY KEY TO BEGIN YOUR STORY..
.>.F...R!).&............................
...(MORE).B..3C.>.$. IT IS A COLD, DARK
NIGHT. THE WIND>.$CHILLS YOU TO THE BONE
AS YOU LAY ON>.$THE PARK BENCH. YOU REA
LIZE NOW THAT>.%IT WAS A MISTAKE, THE BI
GGEST MISTAKE>.#OF YOUR LIFE, TO HAVE RU
N AWAY FROM>.'HOME. YOU FEEL A DROP OF W
ATER HIT YOUR>.%CHEEK. THE SKYS ARE BEGI
NNING TO LOOK>.&OMINOUS TO THE WEST. THE
CLOUDS ARE SO>.%BLACK THAT THEY STAND O
UT AGAINST THE>.$THE MOONLESS SKY. THE R
AIN IS BARELY>."A DRIZZLE BUT COULD GET
WORSE. YOU>.'RECALL THAT THERE IS AN OLD
EMPTY SHACK>.!DOWN TOWARD THE RAILROAD
TRACKS..>..>.... 1) STAY IN THE PARK>...
2) GO TO THE SHACK>.... SELECT NOW.>.PH
.......R#....#.'Y.)... THE RAIN STOPS SO
ON AFTER IT STARTED.>.(YOU HEAR FOOTSTEP
S COMING THRU THE PARK.<.#LYING VERY STI
LL YOU LISTEN TO HEAR>.'WHICH WAY THEY A
RE MOVING.....THEY SEEM>.#TO BE GOING AW
AY FROM YOU NOW.. YOU>..RELAX AND FALL A
SLEEP..>.# YOU DREAM OF HOME.. YOUR MOTH
ER IS>.#STANDING NEAR YOU.. YOU CAN SEE
HER>.%SMILE.. HEAR HER VOICE AS SHE TRYS
TO>. WAKE YOU ON A SATURDAY MORNING..>.
. 'WAKE UP'>.( HOW YOU HAVE LONGED TO HE
AR HER VOICE..<.. 'HEY KID.. WAKE UP..'>
.% YOU JUMP WITH A START AS YOU REALIZE>
.'THE VOICE ISN'T YOUR MOTHERS.. YOU OPE
N>.#YOUR EYES.. TWO BOYS A LITTLE OLDER>
..THAN YOURSELF STAND OVER YOU..>.>.P..)
.. THEY TELL YOU THAT THEY LIVE NEAR HER
E>.'AND CAN TELL BY LOOKING AT YOU THAT
YOU>.%MUST BE A RUNAWAY. THEY OFFER TO H
IDE>.$YOU OUT AT THERE CLUBHOUSE OVER NE
AR>.&NEAR THE RIVER.. BUT ONLY FOR A DAY
OR>.#TWO.. THEY SAY THEY WILL BRING FOO
D>..FOR YOU..>..... 1)GO WITH THE BOYS>.
.. 2)STAY IN THE PARK>.... SELECT NOW>.P
H.......R'E...*/0..+... YOU GET UP FROM
THE BENCH AND PULL YOUR<.%JACKET TIGHTER
AROUND YOUR BODY.. YOU>.%WALK SLOWLY AT
FIRST, BUT AS THE RAIN>.$BEGINS TO FALL
HARDER YOU BREAK INTO>.$A TROT FOR THE
TRACKS.. AS YOU REACH>.'THE SHACK YOU SL
OW DOWN.. ABOUT 50 FEET>.%FROM IT YOU ST
OP TO LOOK AND LISTEN..>.$ALL APPEARS QU
IET.. YOU APPROACH THE>.'DOOR TO THE SHA
CK.. THE RAIN IS LETTING>.'UP.. YOU BEGI
N TO RECONSIDER THE IDEA..>.$AFTERALL SO
MEONE MIGHT ALREADY BE IN>.%THERE.. THE
WIND BLOWING AGAINST YOUR>.&WET CLOTHING
IS EXTREMELY COLD.. THERE>.%ARE BLANKET
S IN THE SHACK.. A MATRESS>..TOO.. AS YO
U RECALL..>..... 1)ENTER THE SHACK>... 2
)RETURN TO THE PARK>... 3)NEITHER>.... S
ELECT NOW>.PH.......R*....2G9.:..)... YO
U EXCEPT THE BOYS OFFER AND SET OFF>.!TO
WARDS THE RIVER WITH THEM. THEY>.&TELL Y
OU THAT THERE NAMES ARE JOHN AND>.%PAUL,
AND YOU TELL THEM YOURS.. SINCE>.%IT IS
ONLY ABOUT 4AM YOU ASK WHY THEY>.%ARE U
P.. THEY EXPLAIN THAT THEY OFTEN>."CAMP
OUT AT THE CLUBHOUSE AND MANY>.$TIMES IT
GETS BORING AND THEY GO OUT>.&WALKING..
THEY BRAG THAT NOT ONCE HAVE>.'THE POLI
CE EVER CAUGHT THEM FOR CURFEW.>.( YOU F
INALLY REACH THE CLUBHOUSE AND THE<.$THR
EE OF YOU GO IN.. YOU LOOK AROUND>.!IN T
HE DIM LIGHT FROM A LONE LAMP>.$YOU SEE
THAT THERE ARE 4 COTS IN THE>.#ROOM.. YO
U ALSO SEE WHAT LOOKS LIKE>.&SEVERAL PAI
R OF HANDCUFFS HANGING ON A>.HOOK..>.".
'CLICK'., YOU HEAR A LOCK SNAP..>.#YOU J
UMP AT THE SUDDENESS OF IT AND>..SPIN TO
FACE THE BOYS..>.>.P..&... 'RELAX KID W
E ALWAYS LOCK THE DOOR>.#SO NO ONE WILL
BE ABLE TO GET IN..'>.& ONE OF THE BOYS
WALKS OVE TO A COOLER>.%AND PULLS OUT TH
REE CANS OF BEER.. HE>.%HANDS ONE TO HIS
FRIEND AND THE OTHER>.&TO YOU.. YOU WAT
CH AS THEY OPEN THEIRS>.#AND BEGIN TO DR
INK.. YOU HAVE NEVER>.%HAD ALCOHOL BEFOR
E, BUT DON'T WANT TO>.&TO LOOK LIKE A WI
MP.. SO YOU DRINK IT,>.!THE BITTER BEER
ALMOST GAGS YOU..>..JOHN AND PAUL LAUGH
A LITTLE.>.( AFTER YOU FINISH THE BEER Y
OU FEEL MUCH<."WARMER AND A LITTLE LIGHT
HEADED..>.%JOHN WALKS OVER AND SITS BES
IDE YOU..>.$HE STARTS TALKING TO YOU ABO
UT SEX..>.(SOME OF THE THINGS HE DESCRIB
ES YOU HAVE<.&NEVER HEARD OF..YOU CAN FE
EL YOUR COCK>.&BECOMING HARD.. IT PRESSE
S AGAINS YOUR>.&PANTS.. JOHN STANDS UP..
HE ORDERS YOU>.%TO TAKE OFF YOUR CLOTHE
S.. PAUL WALKS>.&OVER.. HE HAS AN EVIL G
RIN ON HIS FACE>.!AND A HUNTING KNIFE IN
HIS HAND..>.>.P......>... 1)REMOVE YOUR
CLOTHES>... 2)REFUSE AND FIGHT>... 3)WA
IT>.... SELECT NOW>.PH.......R0Z...D.N:S
%.%... YOU DECLINE THE BOYS OFFER.. THEY
>.$SHRUG AND HEAD OFF.. YOU FALL ASLEEP>
.%ONCE AGAIN.. BUT AGAIN ARE AWAKENED..>
.& A POLICE OFFICER STANDS OVER YOU.. HE
>.#HELPS YOU UP AND INTO HIS CRUISER..>.
'YOU BEGIN TO CRY AS YOU TELL OF HOW YOU
>..RAN AWAY FROM HOME..>.). 'WE WILL SEE
THAT YOU GET HOME SAFELY',<..HE SAYS...
>..... END OF STORY...>O.)... YOU OPEN T
HE SHACK DOOR.. IT IS STILL>.&EMPTY.. YO
U GO INSIDE.. THE MATRESS IS>.%IN THE CO
RNER.. YOU LIE DOWN AND PULL>.&BLANKETS
UP TO YOUR EARS.. YOU JUMP AS>.'YOU HEAR
MOVEMENT FROM THE FAR CORNER..>.&A HOBO
LUNGES TOWARD YOU WITH A PIPE..>.$YOU S
TRUGLE AS HE FALLS TO A SITTING>.&POSITI
ON ON YOUR CHEST.. HE RAISES THE>..PIPE
MENACINGLY..>.% 'WHAT ARE YOU DOING IN M
Y SHED?', HE>..DEMANDS..>.. YOU START TO
STUTTER..>.$THE HOBO BEGINS TO RUN HIS
HAND OVER>.&YOUR CHEEK.. YOU LOOK WIDE E
YED AT HIS>.#FACE.. SPIT FALLS HIS OPEN
GRIN AND>.%SPLATTERS ON YOUR NECK... HIS
FINGERS>.%SLIDE DOWN YOUR CHEEK AND ACR
OSS YOUR>.$NECK.. HE SLIDES BACKWARDS DO
WN YOUR>.&BODY TILL HE SITS ASTRIDE YOUR
WAIST..>.>.P..(... HE SHOVES A DIRTY HA
ND UP UNDER YOUR>.'SHIRT.. HE BEGINS TO
RUB YOUR STOMACH..>.&YOU SQUIRM AS HE DO
ES SO AND HE SWINGS>.$THE PIPE PAST YOUR
FACE MISSING BY A>..FRACTION OF AN INCH
..>.& 'MOVE AGAIN BOY AND I WILL NOT MIS
S!'>.'YOU LIE STILL AS HE SLIPS HIS HAND
DOWN>.&THE FRONT OF YOUR PANTS.. YOU ST
ART TO>.&FEEL STOMACH SICK AS HIS ROUGH
FINGERS>.$GLIDE OVER YOUR COCK AND CARES
S YOUR>.#BALLS.. HE LEANS CLOSER TOWARD
YOUR>.&FACE.. HE PRESSES HIS MOUTH TO YO
URS..>.%IN AN UNCONTROLABLE MOVE YOU BIT
E HIS>."LIP.. HE JERKS BACK.. YOU FEEL T
HE>.&PIPE BITE INTO YOUR SKULL.. YOU BEC
OME>..DIZZY, BUT DO NOT PASS OUT..>.% 'I
CAN PLAY ROUGH TOO..', HE GROWLS.>.>.P.
.*... HE UNFASTENS HIS BELT.. THEN YOURS
, HE>.$LIFTS HIS WEIGHT JUST LONG ENOUGH
TO>.#THROW YOU OVER ON YOUR STOMACH.. H
E>..RIPS YOUR PANTS DOWN...>.( YOU FEEL
A SEARING PAIN SHOOT THRU YOUR<.'ASS AS
HE FORCES HIS COCK DEEP INTO IT.>.#YOU C
RY OUT.. AND HE HITS YOU AGAIN>.&WITH TH
E PIPE.. YOU FEEL HIM THRUSTING>.'AGAINS
T YOU.. THE PAIN IS MORE THAN YOU>.%CAN
STAND.. YOU CRY OUT UNCONTROLABLY>.&YOU
FEEL THE PIPE BITE INTO YOUR SKULL>.%OVE
R AND OVER.. TILL YOU FEEL NOTHING>..ANY
MORE..>...... END OF STORY>O.'... YOU T
URN AND START TO WALK BACK THE>..WAY YOU
CAME..>.. 'HEY BOY..'>.'YOU TURN AND SE
E A HOBO STANDING IN THE>.%DOORWAY OF TH
E SHACK.. YOU BREAK INTO>..A RUN TOWARD
THE PARK..>.% WHEN YOU GET THERE YOU LIE
DOWN ON A>.$A BENCH AND THINK HOW CLOSE
YOU CAME>.'TO GOING INTO THAT SHACK.. Y
OU BEGIN TO>..CRY........... YOU FALL A
SLEEP>.1?.)... YOU STAND THERE TRYING TO
DECIDE WHAT>.$TO DO.. YOU HEAR MOVEMENT
INSIDE THE>.&SHACK.. YOU BREAK INTO A R
UN ALONG THE>.'TRACKS.. YOU RUN FOR WHAT
SEEMS LIKE AN>.$ETERNITY. SUDDENLY YOU
TRIP AND FALL>.$AN EMBANKMENT. YOU FEEL
A SHARP PAIN>.$IN YOUR HEAD.. THEN ALL G
OES BLACK..>.&. YOU AWAKEN IN STRANGE SU
RROUNDINGS..>.%YOU ARE LYING IN A VERY S
OFT BED WITH>.%SHEETS OF RED SATIN.. YOU
LOOK UP AND>.$SEE THAT THE CEILING IS C
OVERED WITH>..MIRRORS.. YOU CAN SEE THAT
YOUR>.#HEAD HAS BEEN BANDAGED AND THAT
YOU>.%HAVE BEEN WASHED.. YOU SMELL A SLI
GHT>.%PERFUME ODOR AND REALIZE IT IS COM
ING>.#FROM YOU.. YOU DECIDE TO GET UP AN
D>..FIND OUT WHAT IS GOING ON..>.>.P..).
.. WHEN YOU TURN THE COVERS BACK YOU SEE
>.$THAT YOU ARE AS NAKED AS THE DAY YOU>
.%WERE BORN.. YOU HEAR FOOTSTEPS COMING>
.&TOWARD THE ROOM.. QUICKLY YOU LIE BACK
>.'AND PULL THE COVERS UP.. YOU CLOSE YO
UR>.(EYES AND PRETEND TO BE ASLEEP.. THE
DOOR<.!OPENS.. YOU HEAR A FEMALE VOICE.
.>.(.. 'THE POOR LITTLE ANGEL.. DO YOU T
HINK>..HE WILL BE ALRIGHT DOLLY?'>.( A S
ECOND, OLDER, FEMALE VOICE RESPONDS.<.'
'I IMAGINE SO.. IT WAS A NASTY FALL HE>.
%TOOK.. BUT IT COULD HAVE BEEN WORSE..>.
>.P..&... YOU FEEL THE WEIGHT OF ONE OF
THEM>.$SITTING DOWN ON THE BED.. SHE PLA
CES>..HER HAND ON YOUR ARM...>.(. 'OH DO
LLY, THE POOR KID IS SO COLD.. I>.%DON'T
HAVE ANY MORE PATRONS TONIGHT..>.$WOULD
IT BE ALRIGHT IF I STAYED WITH>..HIM TO
KEEP HIM WARM..'>.'. 'HAHAHA, GOOD GOD
CANDY, HE IS JUST A>.$A CHILD.. OH WELL,
AFTER BATHING HIM>.%I WILL ADMIT HE IS
IS MORE OF A YOUNG>.%MAN THAT A BOY.. BU
T NOT A MAN.. WHAT>.&EVER TURNS YOU ON..
BUT MIND YOU IF HE>.'WAKES AND OBJECTS.
. YOU GET OUT OF THAT>.$BED.. OR FIND YO
URSELF A NEW HOUSE..>.( YOU HEAR THE DOO
R CLOSE.. THE GIRL GETS<..UP FROM THE BE
D..>.>.P..(... YOU CRACK ONE EYE JUST EN
OUGH TP SEE>.'THAT SHE HAS STOOD TO ROMO
VE HER DRESS.>.&BLACK SATIN DRESS SLIDES
DOWN OVER HER>.#SHOULDERS AND ACROSS HE
R BACK.. HER>.'WELL ROUNDED BUTTOCKS ARE
WHITE AS SNOW>.(AND AS SHE BENDS TO REM
OVE HER SHOES YOU<.#CATCH A QUICK GLANCE
AT THER CUNT..>.&YOUR COCK IS GETTING H
ARD AND YOU FEEL>. A RUSH OF BLOOD TO YO
UR CHEEKS..>.%.CLICK. THE LIGHT GOES OUT
.. YOU FEEL>.'HER SLIP UNDER THE SHEETS
AND PRESS HER>.&WARM BODY TO YOURS.. YOU
AUDIBLY GULP.>.%. 'OH YOU ARE AWAKE', S
HE SAYS AS SHE>.%SLIDES HER HAND UP THE
INSIDE OF YOUR>.&LEG.. 'SHALL I STAY OR
LEAVE SHE ASKS.>..... 1)ASK HER TO STAY>
... 2)ASK HER TO LEAVE>.... SELECT NOW>.
PH.......RDV...V.\..'... PAUL LOOKS AT Y
OU MENACINGLY.. JOHN>."AGAIN INSTRUCTS Y
OU TO REMOVE YOUR>.%CLOTHES.. YOU SEE TH
AT FIGHTING WOULD>.(BE IMMPOSSIBLE.. YOU
REMOVE YOUR JACKET.<." 'COME ON KID.. W
E HAVEN'T GOT ALL>..NIGHT', JOHN SAYS..>
.$ YOU BEGIN TO SHAKE AS YOU PULL YOUR>.
&SHIRT OFF.. JOHN MOVES ACROSS THE ROOM>
.(AND GETS A POLAROID CAMERA FROM A SHEL
F.>.% YOU BEND OVER AND UNTIE YOUR SHOES
..>.$YOU KICK THEM OFF.. YOU STAND UP AN
D>..UNDO YOUR BELT.. YOU PAUSE..>.. 'HUR
RAY UP!', PAUL SNAPS..>.% YOU LOOK AT TH
E KNIFE HE HOLDS.. YOU>.#UNFASTEN YOUR P
ANTS AND SLIP OUT OF>.'OF THEM. YOU SIT
BACK DOWN ON THE BED..>.( 'YOUR UNDERWEA
R TOO, KID..', JOHN SAYS.<.>.P..$... YOU
START TO OBJECT.. PAUL STEPS>."FORWARD
AND PUTS THE KNIFE TO YOUR>.&THROAT.. YO
U REACH DOWN AND SLIDE YOUR>.!UNDERWEAR
DOWN AND OFF YOUR FEET.>.% JOHN HANDS TH
E CAMERA TO PAUL.. THEN>.%KNEALS ON THE
FLOOR IN FRONT OF WHERE>.'YOU SIT.. HE R
EACHES OUT AND FORCES YOU>.$SPREAD YOUR
LEGS.. HE LEANS HIS FACE>.%FORWARD AND O
PENS HIS MOUTH TO ACCEPT>.%YOUR COCK.. H
IS MOUTH IS WARM AND WET>.'AGAINST YOUR
DICK.. AS MUCH AS YOU WISH>.%IT WOULDN'T
.. YOUR DICK BECOMES RIGID>.%AND HARD..
JOHN BEGINS TO ROCK GENTLY>.&BACK AND FO
RTH AS HE MOVES HIS HEAD IN>..A STEADY R
YTHM..>...FLASH .PAUL SNAPS A PICTURE..>
.>.P..'... YOU BEGIN TO SHAKE AS YOU FEE
L THAT>.'YOU ARE GETTING CLOSE TO CUMMIN
G.. JOHN>.&SENCES IT AND BEGINS TO SLOW
DOWN.. HE>..WORKS HIS TOUNGUE SLOWLY IN
THE>.$OPPOSITE DIRECTION OF WHICH HE MOV
ES>.$HIS HEAD.. YOUR WHOLE BODY BEGINS T
O>.%TENSE AS IT GETS CLOSER.. JOHN STOPS
.>.#HE STANDS AND TAKES THE CAMERA FORM>
.$PAUL.. PAUL KNEALS IN FRONT OF YOU..>.
$HE STICKS HIS TOUNGUE OUT AND GENTLY>."
LICKS AT THE TIP OF YOUR COCK.. HE>.&LEA
NS FORWARD AND TAKES IT HIS MOUTH..>.% Y
OU JUMP AS HE BITES DOWN ON IT.. HE>.%RE
LEASES HIS GRIP.. IT WAS ONLY LIGHT>.%BU
T STILL HURT.. HE BEGINS TO MOVE IN>.RYT
HM..>...FLASH.. FLASH...>.>.P..(... YOU
LOOK AT JOHN WHO GRINS AND TAKES>..MORE
PICTURES..>.! YOUR WHOLE BODY STARTS TO
THRUST>.$INVOLUNTARILY AS YOU COME CLOSE
R AND>.#AND CLOSER TO EJACULATION.. FINA
LLY>.#YOU THRUST FORWARD HARD IN ONE LAS
T>.%MOVE AS YOU EJACULATE.. PAUL SWALLOW
S>."AND AT THE SAME TIME PLANTS A FIST>.
$SQUARELY IN YOUR NUTS.. HE SITS BACK>.$
AS YOU DOUBLE OVER AND LAUGHS.. JOHN>.&T
ELLS PAUL TO COME ON.. THEY TAKE YOUR>..
CLOTHS AND LEAVE THE CABIN..>.# YOU LOOK
AROUND THE ROOM.. YOU SEE>..NOTHING TO
HIDE YOUR NUDITY..>..... 1)LEAVE THE CLU
BHOUSE>... 2)STAY HERE>.... SELECT NOW>.
PH.......RN&...`5AQ.'... YOU LOOK AT JOH
N AND THEN AT PAUL..>.&EACH ONE IS A GOO
D 6 INCHES TALLER AND>. AND 30 POUNDS HE
AVIER THAN YOU..>.% THEY HAVE A KNIFE..
BUT YOU THINK IF>.#YOU HIT JOHN FAST YOU
MIGHT BE ABLE>.%TO KNOCK HIM INTO PAUL
AND MAKE A RUN>..FOR IT..>.& 'I SAID OUT
OF THE CLOTHS KID!', JOHN>.SNAPS..>.% Y
OU LUNGE FORWARD AND THROW YOURSELF>.'AT
JOHN WITH ALL YOUR WEIGHT.. HE FALLS>.#
INTO PAUL KNOCKING THEM BOTH TO THE>.FLO
OR..>.' 'HOLY SHIT!' JOHN SCREAMS AS THE
KNIFE>..DIGS INTO HIS ARM..>.# YOU YANK
FRANTICALLY AT THE DOOR..>..IT IS LOCKE
D TIGHT..>.>.P...... YOU SLOWLY TURN AND
SEE>.$JOHN AND PAUL STANDING THERE LOOK
ING>.!AT YOU.. BEFORE YOU CAN MOVE PAUL>
.#TACKLES YOU TO THE FLOOR.. HE ROLLS>.&
OVER ON HIS BACK HOLDING YOU ON TOP OF>.
"HIM, YOUR BACK TO HIM, HE HAS YOUR>.#AR
MS PINNED TO YOUR SIDES.. AND HAS>.$HOOK
ED YOUR LEGS WITH HIS, AND HOLDS>.$YOU S
PREAD EAGLE.. JOHN LOOKS AT HIS>..BLEEDI
NG ARM THEN AT YOU..>.% 'YOU ARE GETTING
IT NOW YOU FAGGOT..>.( HE BENDS DOWN AN
D YANKS YOUR PANTS DOWN<.&TO YOUR KNEES.
. YOU TENSE AS HE PLACES>.#THE POINT OF
THE KNIFE AGAINST YOUR>.$SCROTUM... A SE
ARING PAIN RACKS YOUR>.#ABDOMEN AS HE SH
OVES THE KNIFE HARD>.#BETWEEN YOUR LEGS.
. YOU ROLL OFF OF>.%PAUL AND DIE A SLOW
AGONIZING DEATH..>..... END OF STORY>O.%
... YOU WAIT AND LOOK AT THE KNIFE IN>.#
PAULS HAND.. JOHN SEES IT AND TELLS>.'PA
UL TO PUT IT AWAY.. YOU BEGIN TO CRY.>.#
JOHN TURNS TO PAUL.. 'I CAN NOT GO>.$TH
OUGH WITH THIS.. I JUST AM NOT CUT>.!OUT
TO BE A RAPIST.. HE TURNS AND>..UNLOCKS
THE DOOR.. AND LEAVES..>.% 'AWW FUCK!'
PAUL SNAPS.. 'KID I WILL>. GIVE YOU $5 F
OR A BLOW JOB.. $10>.'IF YOU LET ME BLOW
YOU TOO... HOW ABOUT>.IT?'>.' YOU CONSI
DER THE OFFER, AFTER ALL THAT>.%MONEY WO
ULD BE OF GREAT USE.. YOU ASK>.'IF HE WI
LL PUT THE MONEY UP FRONT.. AND>.#GET RI
D OF THE KNIFE.. HE SAYS YES,>.%GOES TO
THE DOOR AND THROWS THE KNIFE>..INTO THE
RIVER..>.>.P....... 1)ACCEPT THE $5 OFF
ER>... 2)ACCEPT THE $10 OFFER>... 3)DECL
INE BOTH OFFERS>.... SELECT NOW>.PH.....
..RU....I-L|N..*... YOU FEEL HER WARMTH
AGAINST YOUR SKIN.>.%YOU THINK ONLY AN I
DIOT WOULD ASK HER>.#TO LEAVE.. SO YOU A
SK HER TO STAY..>.( SHE CARESSES YOUR BO
DY WITH WARM KISSES<.%HER HAND COMES UP
YOUR LEG AND GENTLY>.%MASSAGES YOUR BALL
S.. YOUR DICK IS SO>.&HARD IT FEELS LIKE
IT WILL BURST.. SHE>.%ROLLS ON TO HER B
ACK AND YOU CLIMB ON>.$ON TOP OF HER.. Y
OUR FACE PRESSED TO>.&HER LARGE, ROUND B
REASTS.. SHE REACHES>.'AROUND YOU AND SQ
UEEZES YOUR ASS IN HER>.#HANDS.. SHE PUL
LS YOU DOWN ON HER..>.'WHILE WITH ONE HA
ND SHE REACHES BETWEEN>.'YOU TO GUIDE YO
UR PENIS TO IT'S TARGET.>.& YOUR ROD SLI
PS EASILY INTO THE JUICY,>..HOT, PARTED
LIPS OF HER PUSSY..>.>.P..%... YOU HAVE
NEVER FELT ANYTHING LIKE>.!THIS BEFORE..
YOU BEGIN TO THRUST>.%HAND OVER YOUR BU
TT AND LETS A FINGER>.'SLIP INTO YOUR CR
ACK.. SHE MAKES GENTLE>.$CIRCLES AROUND
YOUR ASSHOLE WITH HER>.&FINGER.. SHE STO
PS ONLY LONG ENOUGH TO>.#GET A GLOB OF V
ASALINE.. HER FINGER>.!RETURNS AND GENTL
Y PUSHES AGAINST>.&THE MUSCLES OF YOUR O
PENING.. YOU FEEL>.%MORE EXCITED THAN YO
U EVER HAVE.. YOU>.&THRUST HARDER AS SHE
PUSHES HER FINGER>.%INTO YOUR ASSHOLE A
ND BEGINS A THRUST>..RYTHM OF HER OWN..>
. THE MUSCLES OF HER CUNT START A>.#SQU
EEZING, CLENCHING ACTION AGAINST>."YOUR
PENIS.. HER BREATHING BECOMES>..FAST AND
HEAVY...>.>.P..&... AS HER FINGER PROBE
S THE DEPTHS OF>.%YOUR ASSHOLE, YOU MAKE
ONE FINAL HARD>."THRUST AND CUM LIKE YO
U NEVER HAVE>.%BEFORE.. YOUR LEGS GO WEA
K AND NUMB..>.&YOU LAY ON TOP OF HER YOU
R COCK BURIED>.%AND THROBING IN HER CUNT
.. YOU SHIVER>.(AS HER PUSSY CONTINUES T
O CLENCH AT YOUR<.&ROD.. FINALLY YOU EAS
E YOURSELF OFF OF>."HER AND LAY THERE IN
HER ARMS FAST>..ASLEEP...>.>.P..]..)...
'VERY WELL' SHE SAYS. 'I UNDERSTAND..>.
"YOU ARE YOUNG AND NERVOUS.. I WILL>..LE
AVE YOU SO YOU CAN SLEEP..'>.& SHE GETS
UP AND DRESSES AND YOU WATCH>.%HER AS SH
E LEAVES.. YOU THINK WHAT AN>.%ASS YOU A
RE FOR ASKING HER TO GO.. OH>.%OH WELL,
TOO LATE NOW.. YOU ROLL OVER>..AND GO TO
SLEEP..>.>.P..)... IN THE MORNING CANDY
SHAKES YOU AWAKE>.&AND LEADS YOU DOWNST
AIRS.. YOU LOOK AT>.$ALL THE GAUDY DRAPE
S AND FURNITURE..>.&YOU ALWAYS WONDERED
WHAT A FANCY WHORE>. HOUSE LOOKED LIKE N
OW YOU KNOW..>.' SHE TAKES YOU TO THE KI
TCHEN AND FEEDS>.%YOU A LARGE BREAKFAST.
. SHE SMILES AT>.&YOU.. TAKES YOU TO THE
DOOR AND KISSES>.%YOUR CHEEK... 'YOU BE
TTER RUN HOME TO>.$YOUR MAMA BEFORE SHE
DIES OF WORRY..>.( YOU BEGIN TO CRY AS Y
OU EXPLAIN HOW YOU<.%RAN AWAY.. 'WAIT HE
RE' SHE SAYS.. SHE>.&RETURNS A MINUTE LA
TER AND PUTS A $100>.#BILL IN YOUR HAND.
. 'GET A BUS HOME>..ANGEL.', SHE SAYS>.)
.YOU SMILE AND THANK HER AND SAY GOODBYE
.<..... END OF STORY>O.&... YOU STUMBLE
NAKED INTO THE NIGHT..>.#CRYING AND SOBB
ING YOU DON'T NOTICE>.&YOU HAVE WANDERED
DANGEROUSLY CLOSE TO>.'THE RIVER BANK..
YOU SLIP AND FALL OVER>.$THE EDGE.. AS
YOU GO UNDER THE WATER>.$YOU REMEMBER HO
W YOUR MOM HAD BEGGED>.#YOU TAKE SWIMMIN
G LESSONS.. TOO BAD>..YOU DIDN'T.....>..
... END OF STORY>O.'... YOU DECIDE TO ST
AY IN THE CLUBHOUSE>.!TILL YOU CAN THINK
OF SOMETHING..>.$ YOU LIE BACK ON A COT
AND FEEL YOUR>..THROBBING NUTS..>.# YOU
FALL ASLEEP.. AFTER A TIME YOU>..AWAKEN
.. YOU OPEN YOUR EYES..>.' 'DAMN..' YOU
MUTTER.. FOR YOU SEE THAT>.%JOHN AND PAU
L HAVE RETURNED.. YOU SIT>.&UP... .WOOF!
... YOU SEE THAT THEY HAVE>.'BROUGHT A C
OLLIE WITH THEM.. JOHN JERKS>..THE COT O
UT FROM UNDER YOU..>.% 'COME ON KID.. MO
RE FUN.. YOU GET TO>..SCREW THE DOGGIE..
'>.$ YOU LOOK AT JOHN AND THEN THE DOG..
>.%JOHN FORCES YOU ONTO YOU KNEES BEHIND
>. THE DOG.. 'FUCK HER!' HE SNAPS..>.& Y
OU MOVE FORWARD TOWARD THE DOG.. SHE>.'J
UST STANDS THERE.. JOHN KICKS YOU HARD>.
$IN THE ASS.. YOU REACH UNDER THE DOG>.#
FEELING FOR HER PUSSY.. YOU FIND IT>.>.P
..(... JOHN AND PAUL HAVE TAKEN THE LIBE
RTY>.#LUBRICATING IT FOR YOU IN ADVANCE.
.>.&YOU FEEL THE KNIFE AGAINST YOUR BACK
..>.%SO YOU SLIP YOUR COCK INSIDE THE DO
GS>.$HOT CUNT... IT IS TIGHT AT FIRST AN
D>.&SQUEEZES HARD ON YOUR COCK.. YOU BEG
IN>.&A SLOW RYTHM... YOU HEAR JOHN REMOV
ING>.&HIS CLOTHS.. HE KNEALS BEHIND YOU.
. HE>.$MOVES CLOSE UP BEHIND YOU.. YOU F
EEL>.%HIS GREASED, HARD COCK PRESS INTO
THE>.$CRACK OF YOUR ASS... YOU TRY TO MO
VE>.#FORWARD AWAY FROM HIM.. HE PUTS THE
>.&KNIFE TO YOUR THROAT.. YOU SETTLE BAC
K>..AGAINST HIS BODY..>.( 'KEEP YOUR RYT
HM WITH THE DOG,' HE SAYS<.$ YOU BEGIN T
O THRUST INTO THE COLLIE>.&AGAIN.. YOU F
EEL A SHARP PAIN AS JOHNS>."DICK SLIDES
INTO YOUR ASS, BUT THE>.$KNIFE IS STILL
AT YOUR THROAT SO YOU>.!IGNORE THE PAIN
AS BEST YOU CAN..>.>.P..%... JOHN BEGINS
THRUSTING OPPOSITE OF>.#YOUR MOVEMENT..
WHEN YOU GO FORWARD>.&INTO THE DOG.. HE
PULLS BACK FROM YOU,>.(AND WHEN YOU PUL
L BACK HE COMES FORWARD.<.. PAUL BEGINS
TO TAKE PICTURES..>.( AFTER SEVERAL MINU
TES YOU AND JOHN BOTH<.&CUM.. ALMOST SIM
UTANEOUSLY.. THEY GIVE>.&YOU YOUR CLOTHS
AND TELL YOU TO LEAVE.>.$YOU MAKE YOUR
WAY BACK TO THE PARK..>.(YOU LIE DOWN ON
A BENCH AND CRY TILL YOU<.$FALL ASLEEP,
SOON YOU ARE AWAKENED..>.>.P.....>.1G.)
... YOU TELL PAUL THAT YOU WILL DO IT FO
R>.%$5, HE REACHS IN HIS POCKET AND PULL
S>.&OUT 5 TATTERED DOLLAR BILLS.. YOU TA
KE>.$THEM AND STUFF THEM IN YOUR POCKET.
.>.& HE UNZIPS HIS PANTS AND PULLS OUT H
IS>.&COCK.. YOU LOOK AT AND THEN KNEAL D
OWN>.&IN FRONT OF HIM.. YOU SLIDE YOUR M
OUTH>.'ONTO IT.. PAUL RUNS HIS HANDS THR
U YOUR>.(HAIR AS YOU BEGIN TO MOVE BACK
AND FORTH<.#ON HIS PENIS.. YOU WORK YOUR
TONGUE>.&AROUND IT.. HE THRUSTS INTO YO
UR MOUTH>.(AND IN ONE FAST THRUST REEASE
S HIS LOAD.<.%YOU STAND UP AND WATCH AS
HE ZIPS HIS>.&PANTS.. YOU THEN TURN AND
WALK OUT THE>.DOOR..>.>.P..%... YOU WALK
ALONG THE RIVER TILL YOU>.'COME TO THE
ROAD.. YOU SIT DOWN.. AFTER>.$A FEW MINU
TES A POLICE CRUISER PULLS>. UP.. THE OF
FICER SAYS HE DOESN'T>.#RECOGNIZE YOU..
YOU BEGIN TO CRY AS>.&YOU TELL HIM YOUR
STORY.. HE HELPS YOU>..INTO HIS CRUISER.
.>.1..+... YOU TELL PAUL YOU WILL ACCEPT
THE $10..>.%PAUL HANDS YOU THE MONEY AN
D ASKS WHO>.&WILL DO WHO FIRST.. YOU SUG
EST THAT IF>."HE WERE TO LIE DOWN ON THE
COT YOU>.#COULD GET ON TOP AND YOU COUL
D BOTH>."DO IT AT THE SAME TIME.. PAUL G
ETS>.$EXCITED AND TAKES OFF HIS PANTS..
HE>.'LIES DOWN ON THE CLOSEST COT.. YOU
GRAB>.'HIS PANTS AND MAKE A RUN FOR THE
DOOR..>.&YOU THROW HIS PANTS INTO THE RI
VER AND>.#TAKE OFF LAUGHING.. AT THE RAI
LROAD>.%TRACKS YOU TURN AND GO PAST THE
SHED.>.>.P..&YOU RUN ALONG THE TRACKS TI
LL SUDDENLY>.$YOU LOOSE YOUR FOOTING AND
SLIP OVER>.;E.%... YOU TELL PAUL THAT N
O WAY ARE YOU>.#GOING TO SUCK HIS DICK..
BUT HE CAN>.#SUCK YOURS FOR $100.. PAUL
GETS MAD>.&AND TAKES A SWING AT YOU, BU
T YOU DUCK>."IT AND MAKE A BREAK FOR THE
DOOR..>.$BEFORE YOU CAN MAKE IT HOWEVER
, PAUL>.(TACKLES YOU FORCES YOU ONTO YOU
R STOMACH<.% HE MANAGES TO GET YOUR PANT
S DOWN TO>.'YOUR KNEES.. YOU SCREAM AS H
E STARTS TO>..THRUST HIS DICK UP YOUR AS
S..>.%JOHN COMES BACK IN AND YANKS PAUL
OFF>.&OF YOU.. YOU MAKE A RUN FOR THE DO
OR..>.&YOU MAKE IT OUT INTO THE DAWNING
DAY..>.>.P..KY.A.F...RPH..A.F...RPH.1D.O
T......KY.....M......CL.....KY.....
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