NEW-ARTS.CP.4
FILE INFORMATION
FILENAME(S): NEW-ARTS.CP.4
FILE TYPE(S): PRG
FILE SIZE: 6.9K
FIRST SEEN: 2025-11-30 21:10:31
APPEARS ON: 1 disk(s)
FILE HASH
2759b70d931dc18201dbd95c2de682393f7b00f964c12c9b8bc594b40c24654b
FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| MUSIC PROGRAMMAS | NEW-ARTS.CP.4 | PRG | DuncanTwain | 17 | 5 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
00000000: 93 1F 48 71 CF 74 CF 74 9F 1F CA 1F CB 1F F4 10 |..Hq.t.t........| 00000010: 01 DA AA 00 00 BA 10 01 53 47 00 27 BA 10 01 50 |........SG.'...P| 00000020: 5A 00 29 BA 10 01 50 00 00 2B BA 10 01 50 59 00 |Z.)...P..+...PY.| 00000030: 2D BA 10 01 41 44 00 2F 16 FF B0 A8 90 50 21 00 |-...AD./.....P!.| 00000040: 00 17 B2 A8 90 50 20 00 00 17 B1 E0 7F 1A 1F E4 |.....P .........| 00000050: 19 20 A8 E7 20 93 98 20 20 20 20 20 20 20 20 43 |. .. .. C| 00000060: 48 4F 52 44 2D 50 4F 57 45 52 20 46 4F 52 20 47 |HORD-POWER FOR G| 00000070: 55 49 54 41 52 3E E7 27 98 20 C4 C4 C4 C4 C4 C4 |UITAR>.'. ......| 00000080: C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 |................| 00000090: C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 3E |...............>| 000000A0: E7 24 9B 20 20 20 2A 2A 20 43 48 4F 52 44 20 46 |.$. ** CHORD F| 000000B0: 4F 52 4D 55 4C 41 20 43 4F 4E 53 54 52 55 43 54 |ORMULA CONSTRUCT| 000000C0: 49 4F 4E 20 2A 2A 3E E7 12 98 11 20 20 20 20 20 |ION **>.... | 000000D0: 20 20 20 20 20 20 50 41 47 45 3A 3C A0 7F 3C ED | PAGE:<..<.| 000000E0: 4F 46 20 31 38 3E E7 27 98 20 C0 C0 C0 C0 C0 C0 |OF 18>.'. ......| 000000F0: C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 |................| 00000100: C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 C0 3E |...............>| 00000110: A0 7F B1 07 E0 7F 1D E7 24 11 9B 20 20 20 43 48 |........$.. CH| 00000120: 45 43 4B 20 43 4F 4D 4D 41 4E 44 53 2E 2E 2E 20 |ECK COMMANDS... | 00000130: 54 48 45 4E 20 43 4F 4E 54 49 4E 55 45 3E 3F 3F |THEN CONTINUE>??| 00000140: 3F E7 28 98 11 11 11 20 20 20 20 50 52 45 53 53 |?.(.... PRESS| 00000150: 20 9B 5F 98 20 28 42 41 43 4B 20 41 52 52 4F 57 | ._. (BACK ARROW| 00000160: 29 20 54 4F 20 52 45 54 55 52 4E 3E E7 19 20 54 |) TO RETURN>.. T| 00000170: 4F 20 54 48 49 53 20 53 43 52 45 45 4E 20 28 50 |O THIS SCREEN (P| 00000180: 41 47 45 20 31 29 2E 3E E7 25 11 20 20 20 20 50 |AGE 1).>.%. P| 00000190: 52 45 53 53 49 4E 47 9B 20 46 36 98 20 57 49 4C |RESSING. F6. WIL| 000001A0: 4C 20 52 45 54 55 52 4E 20 59 4F 55 20 54 4F 3E |L RETURN YOU TO>| 000001B0: E7 0F 20 54 48 45 20 4D 41 49 4E 20 4D 45 4E 55 |.. THE MAIN MENU| 000001C0: 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 22 73 A0 |.>.!`......;."s.| 000001D0: 7F F3 04 52 21 EC E7 3E 98 13 11 11 11 11 11 11 |...R!..>........| 000001E0: 11 11 11 11 11 11 11 11 11 11 11 11 11 11 20 12 |.............. .| 000001F0: 50 52 45 53 53 20 5F 20 54 4F 20 52 45 54 55 52 |PRESS _ TO RETUR| 00000200: 4E 20 54 4F 20 50 41 47 45 20 31 20 4F 46 20 53 |N TO PAGE 1 OF S| 00000210: 45 43 54 49 4F 4E 3E E7 3E 13 11 11 11 11 11 11 |ECTION>.>.......| 00000220: 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 20 |............... | 00000230: 12 20 4F 52 2C 53 50 41 43 45 2C 4F 52 20 46 36 |. OR,SPACE,OR F6| 00000240: 20 54 4F 20 52 45 54 55 52 4E 20 54 4F 20 4D 41 | TO RETURN TO MA| 00000250: 49 4E 20 4D 45 4E 55 3E 19 22 2F E7 40 13 11 11 |IN MENU>."/.@...| 00000260: 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 |................| 00000270: 11 11 11 11 11 20 12 50 52 45 53 53 20 53 50 41 |..... .PRESS SPA| 00000280: 43 45 20 54 4F 20 43 4F 4E 54 2E 2C 5F 3D 20 50 |CE TO CONT.,_= P| 00000290: 47 2E 20 31 2C 46 36 3D 20 4D 41 49 4E 3E B0 A6 |G. 1,F6= MAIN>..| 000002A0: C6 17 98 46 98 E8 02 52 22 33 98 E9 5F 02 1F 0A |...F...R"3.._...| 000002B0: B1 E0 80 B0 A6 C6 17 1D 98 E9 20 02 1F 0A B3 E0 |.......... .....| 000002C0: 80 B0 A6 C6 17 1D 98 A6 8B 33 02 1F 0A B2 E0 80 |.........3......| 000002D0: B0 A6 C6 17 1D 19 22 2F 1A 1F E4 B0 A6 C6 17 19 |......"/........| 000002E0: 22 33 1A 1F E4 E7 24 20 20 20 20 54 48 45 52 45 |"3....$ THERE| 000002F0: 20 41 52 45 20 54 57 4F 20 53 43 41 4C 45 53 20 | ARE TWO SCALES | 00000300: 57 45 20 4E 45 45 44 20 54 4F 20 3E E7 0C 20 4B |WE NEED TO >.. K| 00000310: 4E 4F 57 20 41 42 4F 55 54 2E 3E E7 1A 11 9B 20 |NOW ABOUT.>.... | 00000320: 20 20 20 20 20 20 20 2D 43 48 52 4F 4D 41 54 49 | -CHROMATI| 00000330: 43 20 53 43 41 4C 45 3E E7 15 20 20 20 20 20 20 |C SCALE>.. | 00000340: 20 20 2D 4D 41 4A 4F 52 20 53 43 41 4C 45 98 3E | -MAJOR SCALE.>| 00000350: E7 25 11 20 20 20 20 54 48 45 20 9B 43 48 52 4F |.%. THE .CHRO| 00000360: 4D 41 54 49 43 20 53 43 41 4C 45 98 20 49 53 20 |MATIC SCALE. IS | 00000370: 4D 41 44 45 20 55 50 3E E7 26 20 4F 46 20 31 32 |MADE UP>.& OF 12| 00000380: 20 44 49 46 46 45 52 45 4E 54 20 4E 4F 54 45 53 | DIFFERENT NOTES| 00000390: 2C 20 42 45 46 4F 52 45 20 52 45 50 45 41 54 2D |, BEFORE REPEAT-| 000003A0: 3E E7 21 20 49 4E 47 20 4F 4E 45 20 4F 43 54 41 |>.! ING ONE OCTA| 000003B0: 56 45 20 48 49 47 48 45 52 20 4F 52 20 4C 4F 57 |VE HIGHER OR LOW| 000003C0: 45 52 2E 20 3E E7 25 11 20 54 48 49 53 20 53 43 |ER. >.%. THIS SC| 000003D0: 41 4C 45 20 44 4F 45 53 20 4E 4F 54 20 53 4B 49 |ALE DOES NOT SKI| 000003E0: 50 20 41 4E 59 20 4E 4F 54 45 53 2E 3E E7 27 11 |P ANY NOTES.>.'.| 000003F0: 20 20 20 20 54 48 45 20 44 49 53 54 41 4E 43 45 | THE DISTANCE| 00000400: 20 42 45 54 57 45 45 4E 20 54 48 45 53 45 20 4E | BETWEEN THESE N| 00000410: 4F 54 45 53 20 20 3E E7 25 20 49 53 20 43 41 4C |OTES >.% IS CAL| 00000420: 4C 45 44 20 41 20 48 41 4C 46 20 53 54 45 50 2E |LED A HALF STEP.| 00000430: 20 20 45 41 43 48 20 4E 4F 54 45 20 49 53 3E E7 | EACH NOTE IS>.| 00000440: 10 20 31 2F 32 20 53 54 45 50 20 41 50 41 52 54 |. 1/2 STEP APART| 00000450: 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 23 F0 1A |.>.!`......;.#..| 00000460: 1F E4 E7 24 20 20 20 20 54 48 45 9B 20 4D 41 4A |...$ THE. MAJ| 00000470: 4F 52 20 53 43 41 4C 45 98 20 49 53 20 4D 41 44 |OR SCALE. IS MAD| 00000480: 45 20 55 50 20 4F 46 20 3E E7 26 20 37 20 44 49 |E UP OF >.& 7 DI| 00000490: 46 46 45 52 45 4E 54 20 4E 4F 54 45 53 2E 20 20 |FFERENT NOTES. | 000004A0: 54 48 49 53 20 53 43 41 4C 45 20 49 53 20 54 48 |THIS SCALE IS TH| 000004B0: 45 3E E7 26 20 53 54 41 4E 44 41 52 44 20 52 45 |E>.& STANDARD RE| 000004C0: 46 45 52 45 4E 43 45 20 46 4F 52 20 4E 41 4D 49 |FERENCE FOR NAMI| 000004D0: 4E 47 20 43 48 4F 52 44 53 2E 3E E7 27 20 11 20 |NG CHORDS.>.' . | 000004E0: 20 20 41 20 57 48 4F 4C 45 20 53 54 45 50 20 49 | A WHOLE STEP I| 000004F0: 4E 20 54 48 49 53 20 53 43 41 4C 45 20 49 53 20 |N THIS SCALE IS | 00000500: 4D 41 44 45 3E E7 25 20 55 50 20 4F 46 20 32 20 |MADE>.% UP OF 2 | 00000510: 48 41 4C 46 20 53 54 45 50 53 20 49 4E 20 54 48 |HALF STEPS IN TH| 00000520: 45 20 43 48 52 4F 4D 41 54 49 43 20 3E E7 24 20 |E CHROMATIC >.$ | 00000530: 53 43 41 4C 45 2E 20 20 48 41 4C 46 20 53 54 45 |SCALE. HALF STE| 00000540: 50 53 20 41 52 45 20 54 48 45 20 53 41 4D 45 20 |PS ARE THE SAME | 00000550: 49 4E 20 3E E7 0E 20 42 4F 54 48 20 53 43 41 4C |IN >.. BOTH SCAL| 00000560: 45 53 2E 20 3E E7 23 11 20 46 4F 52 4D 55 4C 41 |ES. >.#. FORMULA| 00000570: 20 46 4F 52 20 54 48 45 20 9B 4D 41 4A 4F 52 20 | FOR THE .MAJOR | 00000580: 53 43 41 4C 45 98 20 49 53 3A 3E E7 20 11 20 9B |SCALE. IS:>. . .| 00000590: 20 20 20 32 20 57 48 4F 4C 45 20 53 54 45 50 53 | 2 WHOLE STEPS| 000005A0: 2C 20 31 20 48 41 4C 46 20 53 54 45 50 3E E7 1F |, 1 HALF STEP>..| 000005B0: 20 20 20 20 33 20 57 48 4F 4C 45 20 53 54 45 50 | 3 WHOLE STEP| 000005C0: 53 2C 20 31 20 48 41 4C 46 20 53 54 45 50 98 3E |S, 1 HALF STEP.>| 000005D0: E7 12 11 20 54 4F 54 41 4C 9B 20 37 98 20 4E 4F |... TOTAL. 7. NO| 000005E0: 54 45 53 2E 3E E7 24 20 4E 4F 54 45 53 20 4B 45 |TES.>.$ NOTES KE| 000005F0: 59 20 4F 46 20 43 3A 20 28 9B 43 20 44 20 45 20 |Y OF C: (.C D E | 00000600: 46 20 47 20 41 20 42 20 43 98 29 3E 1A 21 60 A0 |F G A B C.)>.!`.| 00000610: 80 1B 08 1F DB 3B 01 25 AA 1A 1F E4 E7 1F 20 20 |.....;.%...... | 00000620: 20 20 54 48 49 53 20 46 4F 52 4D 55 4C 41 9B 20 | THIS FORMULA. | 00000630: 32 2C 31 2F 32 2C 33 2C 31 2F 32 98 20 3E E7 29 |2,1/2,3,1/2. >.)| 00000640: 20 53 45 54 53 20 54 48 45 20 53 54 52 55 43 54 | SETS THE STRUCT| 00000650: 55 52 45 20 46 4F 52 20 54 48 45 20 9B 4D 41 4A |URE FOR THE .MAJ| 00000660: 4F 52 20 53 43 41 4C 45 98 3E E7 27 98 20 49 4E |OR SCALE.>.'. IN| 00000670: 20 52 45 4C 41 54 49 4F 4E 20 54 4F 20 54 48 45 | RELATION TO THE| 00000680: 20 9B 43 48 52 4F 4D 41 54 49 43 20 53 43 41 4C | .CHROMATIC SCAL| 00000690: 45 2E 98 3E E7 1E 11 20 20 20 20 54 48 49 53 20 |E..>... THIS | 000006A0: 41 50 50 4C 49 45 53 20 54 4F 20 41 4C 4C 20 4B |APPLIES TO ALL K| 000006B0: 45 59 53 2E 3E E7 27 11 20 4F 4E 20 54 48 45 20 |EYS.>.'. ON THE | 000006C0: 43 48 4F 52 44 20 44 49 53 50 4C 41 59 20 53 43 |CHORD DISPLAY SC| 000006D0: 52 45 45 4E 20 54 48 45 20 43 48 4F 52 44 3E E7 |REEN THE CHORD>.| 000006E0: 1C 20 46 4F 52 4D 55 4C 41 53 20 2C 20 41 4C 4F |. FORMULAS , ALO| 000006F0: 4E 47 20 57 49 54 48 20 54 48 45 49 52 3E E7 23 |NG WITH THEIR>.#| 00000700: 20 43 4F 52 52 45 53 50 4F 4E 44 49 4E 47 20 4E | CORRESPONDING N| 00000710: 4F 54 45 53 20 41 52 45 20 44 49 53 50 4C 41 59 |OTES ARE DISPLAY| 00000720: 45 44 2E 3E E7 22 11 20 20 20 20 54 48 49 53 20 |ED.>.". THIS | 00000730: 48 41 53 20 54 52 45 4D 45 4E 44 4F 55 53 20 56 |HAS TREMENDOUS V| 00000740: 41 4C 55 45 20 49 4E 20 3E E7 25 20 41 4C 4C 4F |ALUE IN >.% ALLO| 00000750: 57 49 4E 47 20 59 4F 55 20 54 4F 20 53 45 45 20 |WING YOU TO SEE | 00000760: 54 48 45 20 52 45 4C 41 54 49 4F 4E 53 48 49 50 |THE RELATIONSHIP| 00000770: 3E E7 25 20 42 45 54 57 45 45 4E 20 41 20 43 48 |>.% BETWEEN A CH| 00000780: 4F 52 44 20 4E 41 4D 45 2C 20 54 48 45 20 4E 4F |ORD NAME, THE NO| 00000790: 54 45 53 20 54 48 41 54 3E E7 21 20 4D 41 4B 45 |TES THAT>.! MAKE| 000007A0: 20 55 50 20 54 48 45 20 43 48 4F 52 44 2C 20 41 | UP THE CHORD, A| 000007B0: 4E 44 20 54 48 45 20 43 48 4F 52 44 3E E7 23 20 |ND THE CHORD>.# | 000007C0: 46 4F 52 4D 55 4C 41 2E 20 20 20 54 48 49 53 20 |FORMULA. THIS | 000007D0: 49 4E 46 4F 52 4D 41 54 49 4F 4E 20 20 57 49 4C |INFORMATION WIL| 000007E0: 4C 20 3E E7 0D 20 42 45 4E 45 46 49 54 20 59 4F |L >.. BENEFIT YO| 000007F0: 55 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 27 91 |U.>.!`......;.'.| 00000800: 1A 1F E4 E7 18 20 20 20 20 53 55 4D 4D 41 52 59 |..... SUMMARY| 00000810: 20 4F 46 20 42 45 4E 45 46 49 54 53 3A 3E E7 1B | OF BENEFITS:>..| 00000820: 9B 20 20 2D 20 20 48 41 52 4D 4F 4E 45 59 20 43 |. - HARMONEY C| 00000830: 4F 4E 53 54 52 55 43 54 49 4F 4E 3E E7 14 98 20 |ONSTRUCTION>... | 00000840: 20 20 20 20 20 20 20 49 4E 53 54 52 55 4D 45 4E | INSTRUMEN| 00000850: 54 53 3E E7 0E 20 20 20 20 20 20 20 20 56 4F 49 |TS>.. VOI| 00000860: 43 45 53 3E E7 1C 11 9B 20 20 2D 20 20 42 55 49 |CES>.... - BUI| 00000870: 4C 44 20 59 4F 55 52 20 4F 57 4E 20 43 48 4F 52 |LD YOUR OWN CHOR| 00000880: 44 53 3E E7 27 98 20 20 20 20 20 20 20 20 45 56 |DS>.'. EV| 00000890: 45 4E 20 49 46 20 59 4F 55 20 46 4F 52 47 45 54 |EN IF YOU FORGET| 000008A0: 20 48 4F 57 20 54 4F 20 50 4C 41 59 3E E7 25 20 | HOW TO PLAY>.% | 000008B0: 20 20 20 20 20 20 20 41 20 43 48 4F 52 44 2E 20 | A CHORD. | 000008C0: 20 59 4F 55 20 57 49 4C 4C 20 42 45 20 41 42 4C | YOU WILL BE ABL| 000008D0: 45 20 54 4F 3E E7 22 20 20 20 20 20 20 20 20 46 |E TO>." F| 000008E0: 49 47 55 52 45 20 4F 55 54 20 48 4F 57 20 54 4F |IGURE OUT HOW TO| 000008F0: 20 50 4C 41 59 20 54 48 45 3E E7 20 20 20 20 20 | PLAY THE>. | 00000900: 20 20 20 20 43 48 4F 52 44 2C 20 42 45 43 41 55 | CHORD, BECAU| 00000910: 53 45 20 59 4F 55 20 57 49 4C 4C 20 3E E7 21 20 |SE YOU WILL >.! | 00000920: 20 20 20 20 20 20 20 55 4E 44 45 52 53 54 41 4E | UNDERSTAN| 00000930: 44 20 57 48 41 54 20 49 53 20 42 45 49 4E 47 20 |D WHAT IS BEING | 00000940: 3E E7 29 20 20 20 20 20 20 20 20 45 58 50 52 45 |>.) EXPRE| 00000950: 53 53 45 44 20 42 59 20 9B 45 31 33 2D 35 20 98 |SSED BY .E13-5 .| 00000960: 20 4F 52 20 9B 43 4D 53 55 53 98 2E 3E E7 1B 11 | OR .CMSUS..>...| 00000970: 9B 20 20 2D 20 20 42 55 49 4C 44 20 59 4F 55 52 |. - BUILD YOUR| 00000980: 20 4F 57 4E 20 53 4F 4C 4F 53 3E E7 24 98 20 20 | OWN SOLOS>.$. | 00000990: 20 20 20 20 20 20 4B 4E 4F 57 49 4E 47 20 54 48 | KNOWING TH| 000009A0: 45 20 43 48 4F 52 44 A0 53 54 52 55 43 54 55 52 |E CHORD.STRUCTUR| 000009B0: 45 3E E7 23 20 20 20 20 20 20 20 20 57 48 45 4E |E>.# WHEN| 000009C0: 20 54 48 45 20 52 59 54 48 45 4D 20 49 53 20 50 | THE RYTHEM IS P| 000009D0: 4C 41 59 49 4E 47 20 3E E7 27 20 20 20 20 20 20 |LAYING >.' | 000009E0: 20 20 44 49 4D 37 2C 20 41 55 47 35 2C 20 53 55 | DIM7, AUG5, SU| 000009F0: 53 32 20 45 54 43 2E 20 49 53 20 50 4F 57 45 52 |S2 ETC. IS POWER| 00000A00: 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 29 A0 1A |.>.!`......;.)..| 00000A10: 1F E4 E7 16 20 20 20 20 42 45 4E 45 46 49 54 53 |.... BENEFITS| 00000A20: 20 43 4F 4E 54 49 4E 55 45 44 3E E7 18 9B 11 20 | CONTINUED>.... | 00000A30: 20 20 2D 20 20 53 4F 4C 49 44 20 46 4F 55 4E 44 | - SOLID FOUND| 00000A40: 41 54 49 4F 4E 3E E7 24 20 20 20 20 20 20 20 98 |ATION>.$ .| 00000A50: 54 48 49 53 20 45 58 50 4F 53 55 52 45 20 43 41 |THIS EXPOSURE CA| 00000A60: 4E 20 45 4E 43 4F 55 52 41 47 45 20 3E E7 21 20 |N ENCOURAGE >.! | 00000A70: 20 20 20 20 20 20 59 4F 55 20 54 4F 20 42 55 49 | YOU TO BUI| 00000A80: 4C 44 20 59 4F 55 52 20 4D 55 53 49 43 41 4C 20 |LD YOUR MUSICAL | 00000A90: 3E E7 24 20 20 20 20 20 20 20 45 58 50 52 45 53 |>.$ EXPRES| 00000AA0: 53 49 4F 4E 20 41 4E 44 20 55 4E 44 45 52 53 54 |SION AND UNDERST| 00000AB0: 41 4E 44 49 4E 47 2E 3E E7 29 11 11 11 20 4E 4F |ANDING.>.)... NO| 00000AC0: 57 20 4C 45 54 53 20 47 45 54 20 49 4E 54 4F 20 |W LETS GET INTO | 00000AD0: 54 48 45 20 43 48 4F 52 44 20 46 4F 52 4D 55 4C |THE CHORD FORMUL| 00000AE0: 41 53 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 2A |AS.>.!`......;.*| 00000AF0: 82 1A 1F E4 E7 14 20 4C 45 54 53 20 42 45 47 49 |...... LETS BEGI| 00000B00: 4E 20 57 49 54 48 20 54 48 45 3E E7 13 11 20 20 |N WITH THE>... | 00000B10: 20 20 9B 20 4D 41 4A 4F 52 20 54 52 49 41 44 98 | . MAJOR TRIAD.| 00000B20: 3E E7 1B 11 20 49 54 27 53 20 46 4F 52 4D 55 4C |>... IT'S FORMUL| 00000B30: 41 20 49 53 9B 20 20 31 20 33 20 35 20 98 3E E7 |A IS. 1 3 5 .>.| 00000B40: 27 11 20 54 48 49 53 20 49 53 20 54 48 45 20 53 |'. THIS IS THE S| 00000B50: 54 41 52 54 49 4E 47 20 50 4F 49 4E 54 20 46 52 |TARTING POINT FR| 00000B60: 4F 4D 20 57 48 49 43 48 3E E7 11 20 41 4C 4C 20 |OM WHICH>.. ALL | 00000B70: 45 4C 53 45 20 42 55 49 4C 44 53 2E 3E E7 12 11 |ELSE BUILDS.>...| 00000B80: 20 20 20 20 9B 4D 49 4E 4F 52 20 54 52 49 41 44 | .MINOR TRIAD| 00000B90: 98 3E E7 1B 11 20 49 54 27 53 20 46 4F 52 4D 55 |.>... IT'S FORMU| 00000BA0: 4C 41 20 49 53 9B 20 20 31 20 2D 33 20 35 98 3E |LA IS. 1 -3 5.>| 00000BB0: E7 23 11 20 20 20 41 4C 4C 20 4D 49 4E 4F 52 20 |.#. ALL MINOR | 00000BC0: 43 48 4F 52 44 53 20 57 49 4C 4C 20 48 41 56 45 |CHORDS WILL HAVE| 00000BD0: 20 54 48 45 20 3E E7 0C 20 33 52 44 20 46 4C 41 | THE >.. 3RD FLA| 00000BE0: 54 45 44 2E 3E 3F 1A 21 60 A0 80 1B 08 1F DB 3B |TED.>?.!`......;| 00000BF0: 01 2B 84 1A 1F E4 E7 10 98 20 20 43 4F 4E 54 49 |.+....... CONTI| 00000C00: 4E 55 49 4E 47 2E 2E 2E 3E E7 1C 20 20 9B 4D 41 |NUING...>.. .MA| 00000C10: 4A 4F 52 20 53 49 58 54 48 20 20 20 20 20 20 20 |JOR SIXTH | 00000C20: 31 20 33 20 35 20 36 3E E7 1C 11 20 20 4D 41 4A |1 3 5 6>... MAJ| 00000C30: 4F 52 20 53 45 56 45 4E 54 48 20 20 20 20 20 31 |OR SEVENTH 1| 00000C40: 20 33 20 35 20 37 3E E7 1E 11 20 20 4D 41 4A 4F | 3 5 7>... MAJO| 00000C50: 52 20 4E 49 4E 54 48 20 20 20 20 20 20 20 31 20 |R NINTH 1 | 00000C60: 33 20 35 20 37 20 39 3E E7 1E 11 20 20 53 49 58 |3 5 7 9>... SIX| 00000C70: 2D 4E 49 4E 45 20 20 20 20 20 20 20 20 20 20 31 |-NINE 1| 00000C80: 20 33 20 35 20 36 20 39 3E E7 1C 11 20 20 41 44 | 3 5 6 9>... AD| 00000C90: 44 20 4E 49 4E 45 20 20 20 20 20 20 20 20 20 20 |D NINE | 00000CA0: 31 20 33 20 35 20 39 3E E7 28 11 20 20 4D 41 4A |1 3 5 9>.(. MAJ| 00000CB0: 4F 52 20 31 33 54 48 20 20 20 20 20 20 20 20 31 |OR 13TH 1| 00000CC0: 20 33 20 35 20 37 20 28 39 29 20 28 31 31 29 20 | 3 5 7 (9) (11) | 00000CD0: 31 33 3E E7 1D 11 98 20 20 20 20 28 58 29 20 49 |13>.... (X) I| 00000CE0: 4E 44 49 43 41 54 45 53 20 4F 50 54 49 4F 4E 41 |NDICATES OPTIONA| 00000CF0: 4C 2E 3E E7 26 20 59 4F 55 20 57 49 4C 4C 20 4E |L.>.& YOU WILL N| 00000D00: 4F 54 49 43 45 20 54 48 41 54 20 4E 4F 54 20 41 |OTICE THAT NOT A| 00000D10: 4C 4C 20 50 4F 53 53 49 42 4C 45 3E E7 23 20 4E |LL POSSIBLE>.# N| 00000D20: 4F 54 45 53 20 49 4E 20 41 20 46 4F 52 4D 55 4C |OTES IN A FORMUL| 00000D30: 41 20 57 49 4C 4C 20 42 45 20 50 4C 41 59 45 44 |A WILL BE PLAYED| 00000D40: 2E 3E 1A 21 60 A0 80 1B 08 1F DB 3B 01 2C E0 1A |.>.!`......;.,..| 00000D50: 1F E4 E7 23 98 20 20 20 20 53 4F 4D 45 20 52 45 |...#. SOME RE| 00000D60: 41 53 4F 4E 53 20 57 48 59 20 41 4C 4C 20 4E 4F |ASONS WHY ALL NO| 00000D70: 54 45 53 20 41 52 45 3E E7 0C 20 4E 4F 54 20 50 |TES ARE>.. 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-CHROMATIC SCALE>.. -MAJOR
SCALE.>.%. THE .CHROMATIC SCALE. IS
MADE UP>.& OF 12 DIFFERENT NOTES, BEFORE
REPEAT->.! ING ONE OCTAVE HIGHER OR LOW
ER. >.%. THIS SCALE DOES NOT SKIP ANY NO
TES.>.'. THE DISTANCE BETWEEN THESE N
OTES >.% IS CALLED A HALF STEP. EACH N
OTE IS>.. 1/2 STEP APART.>.!` .....;.#..
...$ THE. MAJOR SCALE. IS MADE UP OF
>.& 7 DIFFERENT NOTES. THIS SCALE IS TH
E>.& STANDARD REFERENCE FOR NAMING CHORD
S.>.' . A WHOLE STEP IN THIS SCALE IS
MADE>.% UP OF 2 HALF STEPS IN THE CHROMA
TIC >.$ SCALE. HALF STEPS ARE THE SAME
IN >.. BOTH SCALES. >.#. FORMULA FOR THE
.MAJOR SCALE. IS:>. . . 2 WHOLE STEPS
, 1 HALF STEP>.. 3 WHOLE STEPS, 1 HAL
F STEP.>... TOTAL. 7. NOTES.>.$ NOTES KE
Y OF C: (.C D E F G A B C.)>.!` .....;.%
...... THIS FORMULA. 2,1/2,3,1/2. >.)
SETS THE STRUCTURE FOR THE .MAJOR SCALE
.>.'. IN RELATION TO THE .CHROMATIC SCAL
E..>... THIS APPLIES TO ALL KEYS.>.'.
ON THE CHORD DISPLAY SCREEN THE CHORD>.
. FORMULAS , ALONG WITH THEIR>.# CORRESP
ONDING NOTES ARE DISPLAYED.>.". THIS
HAS TREMENDOUS VALUE IN >.% ALLOWING YOU
TO SEE THE RELATIONSHIP>.% BETWEEN A CH
ORD NAME, THE NOTES THAT>.! MAKE UP THE
CHORD, AND THE CHORD>.# FORMULA. THIS
INFORMATION WILL >.. BENEFIT YOU.>.!` .
....;.'...... SUMMARY OF BENEFITS:>..
. - HARMONEY CONSTRUCTION>... I
NSTRUMENTS>.. VOICES>.... - BUI
LD YOUR OWN CHORDS>.'. EVEN IF YO
U FORGET HOW TO PLAY>.% A CHORD.
YOU WILL BE ABLE TO>." FIGURE OU
T HOW TO PLAY THE>. CHORD, BECAU
SE YOU WILL >.! UNDERSTAND WHAT I
S BEING >.) EXPRESSED BY .E13-5 .
OR .CMSUS..>.... - BUILD YOUR OWN SOL
OS>.$. KNOWING THE CHORD STRUCTUR
E>.# WHEN THE RYTHEM IS PLAYING >
.' DIM7, AUG5, SUS2 ETC. IS POWER
.>.!` .....;.) ..... BENEFITS CONTINU
ED>.... - SOLID FOUNDATION>.$ .
THIS EXPOSURE CAN ENCOURAGE >.! YO
U TO BUILD YOUR MUSICAL >.$ EXPRES
SION AND UNDERSTANDING.>.)... NOW LETS G
ET INTO THE CHORD FORMULAS.>.!` .....;.*
...... LETS BEGIN WITH THE>... . MAJO
R TRIAD.>... IT'S FORMULA IS. 1 3 5 .>.
'. THIS IS THE STARTING POINT FROM WHICH
>.. ALL ELSE BUILDS.>... .MINOR TRIAD
.>... IT'S FORMULA IS. 1 -3 5.>.#. AL
L MINOR CHORDS WILL HAVE THE >.. 3RD FLA
TED.>?.!` .....;.+....... CONTINUING...
>.. .MAJOR SIXTH 1 3 5 6>... MAJ
OR SEVENTH 1 3 5 7>... MAJOR NINTH
1 3 5 7 9>... SIX-NINE 1
3 5 6 9>... ADD NINE 1 3 5 9>
.(. MAJOR 13TH 1 3 5 7 (9) (11)
13>.... (X) INDICATES OPTIONAL.>.& YO
U WILL NOTICE THAT NOT ALL POSSIBLE>.# N
OTES IN A FORMULA WILL BE PLAYED.>.!` ..
...;.,.....#. SOME REASONS WHY ALL NO
TES ARE>.. NOT PLAYED.>.%. -THE NOTE'S
TONE MAY NOT ALTER THE>." MAIN CHORD S
OUND TO ANY DEGREE.>.& YOU WILL SEE TH
AT THE .1.,. 3., .5.>." AND .-7. ARE A
LSO NOT PLAYED IN>.. MANY CHORDS.>.(.
-THERE ARE ONLY 6 STRINGS ON THE NECK>.
%. -THE POSITION OF THE NOTES MAY NOT>.
. BE PLAYABLE.>.#. -TWO NOTES MAY BE
ON SAME STRING>.!` .....;..]..... CONTIN
UING...>.. .SUS2 1 2 5>.. SU
S4 1 4 5>.. MAJ7-5 1
3 -5 7>.. 7TH (C7) 1 3 5 -7>.$..
THE 7TH IS FLAT, IF NOT MAJOR.>... .
MINOR 7TH 1 -3 5 -7>.. MINOR 9TH
1 -3 5 -7 9>.! MINOR 11TH 1 -3
5 -7 (9) 11>.. MINOR SIXTH 1 -3 5 6>
.. MINOR SIX-NINE 1 -3 (5) 6 9>.& MINO
R 13TH 1 -3 5 -7 (9) (11) 13>.. DIM
7TH 1 -3 -5 =7>.(.
(=) DOUBLE FLAT>.!` .....;.0 .
... CONT.>.... MINOR MAJOR 7 1 -3 5 7>
.. NINTH 1 3 5 -7 9>. ELEVEN
TH 1 3 5 -7 (9) 11>.% THIRTEENTH
1 3 5 -7 (9) (11) 13>.. 7TH FLAT 5
1 3 -5 -7>.. 7TH SHARP 5 1 3 #5
-7>.. AUG 7TH 1 3 #5 -7>.. 7TH
FLAT 9 1 3 5 -7 -9>.. 7TH SHARP 9
1 3 5 -7 #9>.. 7TH FLAT 5>.. FLA
T 9 1 3 -5 -7 -9>.!` .....;.1......
CONT.>.. ..NO5 1 3>.. NO3
1 5>.. DIMINISHED 1 -3 -5>.&..
NOTE DIFFERENCE BETWEEN DIM 7TH.>.... D
IM 7TH 1 -3 -5 =7>.".. THE DIMINISHED
SEVENTH FLATS AN>.. ALREADY FLAT 7TH.>.
(... SEE HOW EASY IT IS, YOU WILL HAVE I
T>.. MEMORIZED IN NO TIME.>.!` .....;.2.
....&. IN 11TH AND MINOR 11TH CHORDS
THE>.& 9TH IS PLAYED IN THE CHORD. HOWE
VER,>.. THE 9TH IS OPTIONAL.>.%... AS
YOU USE THIS PROGRAM THESE>.& STRUCTUR
ES WILL BECOME SECOUD NATURE.>.!` .....;
.3L....$ BEFORE WE CONCLUDE THIS SECT
ION,>.$ SOME COMMENTS ON THE PLAYING OF
THE>.. CHORDS.>.$. THERE ARE MANY CHO
RDS THAT HAVE>.# DUPLICATE NOTES IN THEM
. THEY ARE>.! SHOWN,IN SOME CASES, EVEN
IF YOU>.! CANNOT ALWAYS PLAY BOTH AT ON
CE,>.. BECAUSE OF THE CHORD FORM.>.$.
IT IS UP TO YOU TO DECIDE WHICH>.. CHOR
D SOUND YOU PREFER.>.(. IN FACT, MANY
CHORDS HAVE DUPLICATE>.$ NOTES IN THEM.
REALIZING THIS, YOU>.% CAN SIMPLIFY HO
W YOU PLAY THE CHORD.>.!` .....;.5D.....
CONT.>.&. LOOK FOR NOTES THAT ARE
OVER EACH>.# OTHER WHEN DISPLAYED ON TH
E GUITAR>.% FRETBOARD. YOU MAY BE ABLE
TO PLAY>.# THESE NOTES WITH ONE FINGER
PLACED>.$ ACROSS THEM. THIS IS CALLED A
BAR.>.'. THIS CAN ALSO SIMPLIFY THE
PLAYING>.. OF CHORDS.>.!` .....;.6\...."
THIS PROGRAM HAS BEEN DESIGNED>.& AR
OUND THE FACT THAT THERE ARE 5 MAIN>.$ M
OVEABLE CHORD FORMS ON THE GUITAR.>...
THEY ARE .A,C,D,E,G..>.$. YOU CAN EITH
ER SELECT A CHORD FORM>.& WITH F1 FUNCTI
ON KEY OR LET THE CHORD>.' DEFAULT TO IT
'S OWN FORM. SOME CHORDS>.' TAKE ON THE
FORM OF ANOTHER AS DOES F.>.. F DEFU
ALTS TO THE E FORM.>.. B DEFUALTS TO
THE A FORM.>?.% TO CLEAR THE CHORD FO
RM, SO THAT,>.& CHORDS DEFUALT. PRESS R
ETURN WITH NO>.. CHORD NAME ON INPUT LIN
E.>.!` .....;.8Q..... THE PROGRAM WAS
DESIGNED TO>." PROVIDE FLEXIBILITY IN T
HE NAMING>.. OF CHORDS.>?.% THE E FOR
M HAS THE MOST POWERFULL>." CHORD BUILDI
NG LOGIC. IF YOU ARE>.# WANTING TO EXPE
RIMENT WITH UNUSUAL>.. CHORD NAMES, YOU
MAY USE ALL>.# FORMS. HOWEVER, IF YOU D
O NOT GET>.& WHAT YOU WANT, THEN TRY TO
SEE IF YOU>.$ CAN GET THE CHORD YOU WANT
WITH THE>.. E FORM.>.$. DO TRY TO US
E THE MOST STANDARD>. CHORD NAMES TO AC
HIEVE THE BEST>.. RESULTS.>.!` .....;.:!
....'.. GREAT!. YOU HAVE COMPLETED
THIS>... SECTION!!!>.... BE SURE DISK D
RIVE IS ON>.& AND THE CHORD-POWER DISK
IS INSERTED>.. TO RETURN TO MAIN MENU..
>.&... PRESS ONE OF THE KEYS INDICATE
D>. BELOW.>.!` .....;.;........ LOADI
NG MAIN MENU...>...NEW-ARTS.CP.1].O
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