00000000: C1 53 20 59 4F 55 20 46 49 4E 4E 49 53 48 20 53 |.S YOU FINNISH S|
00000010: 50 45 41 4B 49 4E 47 2C 20 C4 49 44 49 27 53 20 |PEAKING, .IDI'S |
00000020: 45 59 45 53 20 20 20 20 46 4C 55 54 54 45 52 20 |EYES FLUTTER |
00000030: 4F 50 45 4E 2E 20 D9 41 57 4E 49 4E 47 2C 20 53 |OPEN. .AWNING, S|
00000040: 48 45 20 4C 4F 4F 4B 53 20 41 42 4F 55 54 20 20 |HE LOOKS ABOUT |
00000050: 48 45 52 20 41 4E 44 20 41 53 4B 53 2C 20 22 C8 |HER AND ASKS, ".|
00000060: 4F 57 20 44 49 44 20 C9 20 47 45 54 20 48 45 52 |OW DID . GET HER|
00000070: 45 3F 22 20 20 20 20 20 20 20 20 20 20 20 20 20 |E?" |
00000080: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 | |
00000090: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 | |
000000A0: C2 52 49 45 46 4C 59 2C 20 59 4F 55 20 45 58 50 |.RIEFLY, YOU EXP|
000000B0: 4C 41 49 4E 2E 20 D9 4F 55 20 41 4C 53 4F 20 54 |LAIN. .OU ALSO T|
000000C0: 45 4C 4C 20 48 45 52 20 54 48 41 54 20 54 48 45 |ELL HER THAT THE|
000000D0: 52 45 20 44 4F 45 53 4E 27 54 20 53 45 45 4D 20 |RE DOESN'T SEEM |
000000E0: 54 4F 20 42 45 20 41 4E 59 20 57 41 59 20 54 4F |TO BE ANY WAY TO|
000000F0: 47 45 54 20 4F 55 54 20 4F 46 20 54 48 49 53 20 |GET OUT OF THIS |
00000100: 52 4F 4F 4D 2E 20 20 20 20 20 20 20 20 20 20 20 |ROOM. |
00000110: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 | |
00000120: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 | |
00000130: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 | |
00000140: 22 CE 4F 4E 53 45 4E 53 45 21 22 20 53 48 45 20 |".ONSENSE!" SHE |
00000150: 52 45 50 4C 49 45 53 2E 20 22 C9 20 57 41 53 20 |REPLIES. ". WAS |
00000160: 44 52 45 41 4D 49 4E 47 41 42 4F 55 54 20 4C 45 |DREAMINGABOUT LE|
00000170: 41 56 49 4E 47 20 41 20 52 4F 4F 4D 2E 2E 2E 20 |AVING A ROOM... |
00000180: C9 20 42 45 54 20 C9 20 4B 4E 4F 57 20 48 4F 57 |. BET . KNOW HOW|
00000190: 54 4F 20 47 45 54 20 4F 55 54 21 22 20 D3 48 45 |TO GET OUT!" .HE|
000001A0: 20 53 4C 49 44 45 53 20 4F 46 46 20 54 48 45 20 | SLIDES OFF THE |
000001B0: 41 4C 54 41 52 20 20 20 41 4E 44 20 50 55 53 48 |ALTAR AND PUSH|
000001C0: 45 53 20 54 48 45 20 4D 41 52 42 4C 45 20 53 4C |ES THE MARBLE SL|
000001D0: 41 42 20 41 57 41 59 20 46 52 4F 4D 20 54 48 45 |AB AWAY FROM THE|
000001E0: 42 41 53 45 2E 20 D4 48 45 20 53 4C 41 42 20 4D |BASE. .HE SLAB M|
000001F0: 4F 56 45 53 20 45 41 53 49 4C 59 3B 20 45 56 45 |OVES EASILY; EVE|
00000200: 4E 20 C4 49 44 49 20 20 49 53 20 53 55 52 50 52 |N .IDI IS SURPR|
00000210: 49 53 45 44 20 42 59 20 48 45 52 20 53 54 52 45 |ISED BY HER STRE|
00000220: 47 4E 54 48 2E 20 CF 4E 43 45 20 54 48 45 20 20 |GNTH. .NCE THE |
00000230: 53 4C 41 42 20 49 53 20 41 57 41 59 2C 20 59 4F |SLAB IS AWAY, YO|
00000240: 55 20 46 49 4E 44 20 54 48 41 54 20 54 48 45 20 |U FIND THAT THE |
00000250: 42 41 53 45 20 4F 46 20 54 48 45 20 41 4C 54 41 |BASE OF THE ALTA|
00000260: 52 20 49 53 20 48 4F 4C 4C 4F 57 2E 20 D0 45 52 |R IS HOLLOW. .ER|
00000270: 48 41 50 53 20 46 49 46 54 45 45 4E 20 20 20 20 |HAPS FIFTEEN |
00000280: 46 45 45 54 20 42 45 4C 4F 57 2C 20 59 4F 55 20 |FEET BELOW, YOU |
00000290: 53 45 45 20 54 48 45 20 45 44 47 45 20 4F 46 20 |SEE THE EDGE OF |
000002A0: 41 20 20 20 20 20 20 20 46 4F 52 52 45 53 54 20 |A FORREST |
000002B0: 41 4E 44 20 41 20 52 4F 41 44 2E 20 C4 49 44 49 |AND A ROAD. .IDI|
000002C0: 20 55 4E 48 45 53 49 54 41 54 49 4E 47 4C 59 20 | UNHESITATINGLY |
000002D0: 43 4C 49 4D 42 53 20 49 4E 54 4F 20 54 48 45 20 |CLIMBS INTO THE |
000002E0: 42 41 53 45 20 4F 46 20 54 48 45 20 41 4C 54 41 |BASE OF THE ALTA|
000002F0: 52 2C 20 20 20 20 20 20 51 55 49 43 4B 4C 59 20 |R, QUICKLY |
00000300: 46 4F 4C 4C 4F 57 45 44 20 42 59 20 59 4F 55 20 |FOLLOWED BY YOU |
00000310: 2D 20 4D 4F 53 54 4C 59 20 42 45 43 41 55 53 45 |- MOSTLY BECAUSE|
00000320: C4 49 44 49 20 49 53 20 48 41 4E 47 49 4E 47 20 |.IDI IS HANGING |
00000330: 4F 4E 54 4F 20 59 4F 55 52 20 52 4F 42 45 2E 0D |ONTO YOUR ROBE..|
AS YOU FINNISH SPEAKING, DIDI'S EYES
FLUTTER OPEN. YAWNING, SHE LOOKS ABOUT
HER AND ASKS, "HOW DID I GET HERE?"
BRIEFLY, YOU EXPLAIN. YOU ALSO TELL HER
THAT THERE DOESN'T SEEM TO BE ANY WAY TO
GET OUT OF THIS ROOM.
"NONSENSE!" SHE REPLIES. "I WAS DREAMING
ABOUT LEAVING A ROOM... I BET I KNOW HOW
TO GET OUT!" SHE SLIDES OFF THE ALTAR
AND PUSHES THE MARBLE SLAB AWAY FROM THE
BASE. THE SLAB MOVES EASILY; EVEN DIDI
IS SURPRISED BY HER STREGNTH. ONCE THE
SLAB IS AWAY, YOU FIND THAT THE BASE OF
THE ALTAR IS HOLLOW. PERHAPS FIFTEEN
FEET BELOW, YOU SEE THE EDGE OF A
FORREST AND A ROAD. DIDI UNHESITATINGLY
CLIMBS INTO THE BASE OF THE ALTAR,
QUICKLY FOLLOWED BY YOU - MOSTLY BECAUSE
DIDI IS HANGING ONTO YOUR ROBE..
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