SIDPLAYER TIPS2
FILE INFORMATION
FILENAME(S): SIDPLAYER TIPS2
FILE TYPE(S): SEQ
FILE SIZE: 8.6K
FIRST SEEN: 2025-11-30 16:59:39
APPEARS ON: 1 disk(s)
FILE HASH
605edcbe2255588eea7969a6345f340fd6cce109247aa831f9926ab8e430292c
FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| DOCS | SIDPLAYER TIPS2 | SEQ | High Voltage Complete C64 Collection | 1 | 13 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
00000000: D3 C9 C4 CE D0 32 2E C4 CF C3 20 D3 49 44 50 4C |.....2.... .IDPL| 00000010: 41 59 45 52 20 CE 45 57 53 20 23 34 20 50 41 52 |AYER .EWS #4 PAR| 00000020: 54 20 54 57 4F 2E 2E 2E 0D 0D CD C9 D3 C3 C5 CC |T TWO...........| 00000030: CC C1 CE C5 CF D5 D3 0D 31 2E 20 C2 45 20 56 45 |........1. .E VE| 00000040: 52 59 20 43 41 52 45 46 55 4C 20 54 4F 20 4E 45 |RY CAREFUL TO NE| 00000050: 56 45 52 20 4C 45 54 20 54 57 4F 20 56 4F 49 43 |VER LET TWO VOIC| 00000060: 45 53 20 55 53 49 4E 47 20 54 48 45 20 53 41 4D |ES USING THE SAM| 00000070: 45 20 57 41 56 45 46 4F 52 4D 20 50 4C 41 59 20 |E WAVEFORM PLAY | 00000080: 4E 4F 54 45 53 0D 4F 46 20 54 48 45 20 45 58 41 |NOTES.OF THE EXA| 00000090: 43 54 20 53 41 4D 45 20 50 49 54 43 48 20 41 54 |CT SAME PITCH AT| 000000A0: 20 54 48 45 20 56 45 52 59 20 53 41 4D 45 20 54 | THE VERY SAME T| 000000B0: 49 4D 45 2E 20 20 D7 48 45 4E 20 54 48 49 53 20 |IME. .HEN THIS | 000000C0: 49 53 20 41 4C 4C 4F 57 45 44 20 54 4F 0D 48 41 |IS ALLOWED TO.HA| 000000D0: 50 50 45 4E 2C 20 41 20 50 48 45 4E 4F 4D 45 4E |PPEN, A PHENOMEN| 000000E0: 4F 4E 20 4B 4E 4F 57 4E 20 41 53 20 22 44 45 53 |ON KNOWN AS "DES| 000000F0: 54 52 55 43 54 49 56 45 20 48 41 52 4D 4F 4E 49 |TRUCTIVE HARMONI| 00000100: 43 20 49 4E 54 45 52 46 45 52 45 4E 43 45 22 20 |C INTERFERENCE" | 00000110: 43 41 4E 20 4F 43 43 55 52 2C 0D 57 48 49 43 48 |CAN OCCUR,.WHICH| 00000120: 20 49 4E 20 4E 4F 20 57 41 59 20 44 41 4D 41 47 | IN NO WAY DAMAG| 00000130: 45 53 20 59 4F 55 52 20 43 4F 4D 50 55 54 45 52 |ES YOUR COMPUTER| 00000140: 20 42 55 54 20 43 41 4E 20 43 41 55 53 45 20 54 | BUT CAN CAUSE T| 00000150: 48 45 20 54 57 4F 20 56 4F 49 43 45 53 20 54 4F |HE TWO VOICES TO| 00000160: 20 43 41 4E 43 45 4C 0D 45 41 43 48 20 4F 54 48 | CANCEL.EACH OTH| 00000170: 45 52 20 4F 55 54 20 41 4E 44 20 42 45 20 49 4E |ER OUT AND BE IN| 00000180: 41 55 44 49 42 4C 45 2E 20 20 D4 48 45 20 45 46 |AUDIBLE. .HE EF| 00000190: 46 45 43 54 20 48 41 50 50 45 4E 53 20 52 41 4E |FECT HAPPENS RAN| 000001A0: 44 4F 4D 4C 59 20 41 4E 44 20 49 53 20 4E 4F 54 |DOMLY AND IS NOT| 000001B0: 0D 41 4C 57 41 59 53 20 4E 4F 54 49 43 45 41 42 |.ALWAYS NOTICEAB| 000001C0: 4C 45 2E 20 20 D4 48 45 20 4F 4E 4C 59 20 54 49 |LE. .HE ONLY TI| 000001D0: 4D 45 20 54 48 41 54 20 54 57 4F 20 56 4F 49 43 |ME THAT TWO VOIC| 000001E0: 45 53 20 53 48 4F 55 4C 44 20 53 49 4D 55 4C 54 |ES SHOULD SIMULT| 000001F0: 41 4E 45 4F 55 53 4C 59 20 50 4C 41 59 0D 54 48 |ANEOUSLY PLAY.TH| 00000200: 45 20 45 58 41 43 54 20 53 41 4D 45 20 50 49 54 |E EXACT SAME PIT| 00000210: 43 48 45 53 20 49 4E 20 54 48 45 20 53 41 4D 45 |CHES IN THE SAME| 00000220: 20 4F 43 54 41 56 45 20 57 49 54 48 20 54 48 45 | OCTAVE WITH THE| 00000230: 20 53 41 4D 45 20 57 41 56 45 46 4F 52 4D 20 49 | SAME WAVEFORM I| 00000240: 53 20 57 48 45 4E 20 54 48 45 0D 56 4F 49 43 45 |S WHEN THE.VOICE| 00000250: 53 20 41 52 45 20 42 45 49 4E 47 20 44 45 54 55 |S ARE BEING DETU| 00000260: 4E 45 44 2E 0D 32 2E 20 C9 46 20 54 57 4F 20 4E |NED..2. .F TWO N| 00000270: 4F 54 45 53 20 4F 46 20 54 48 45 20 53 41 4D 45 |OTES OF THE SAME| 00000280: 20 50 49 54 43 48 20 41 52 45 20 54 49 45 44 20 | PITCH ARE TIED | 00000290: 54 4F 47 45 54 48 45 52 2C 20 49 54 20 49 53 20 |TOGETHER, IT IS | 000002A0: 41 20 47 4F 4F 44 20 50 52 41 43 54 49 43 45 20 |A GOOD PRACTICE | 000002B0: 54 4F 0D 50 55 54 20 54 48 45 20 53 48 4F 52 54 |TO.PUT THE SHORT| 000002C0: 45 52 20 4E 4F 54 45 20 46 49 52 53 54 2E 20 20 |ER NOTE FIRST. | 000002D0: D4 48 49 53 20 49 53 20 42 45 43 41 55 53 45 20 |.HIS IS BECAUSE | 000002E0: 41 20 4E 4F 54 45 20 54 49 45 44 20 54 4F 20 41 |A NOTE TIED TO A| 000002F0: 4E 4F 54 48 45 52 20 4E 4F 54 45 20 44 4F 45 53 |NOTHER NOTE DOES| 00000300: 0D 4E 4F 54 20 52 45 4C 45 41 53 45 2E 20 20 C9 |.NOT RELEASE. .| 00000310: 46 20 54 48 45 20 4C 4F 4E 47 45 52 20 4E 4F 54 |F THE LONGER NOT| 00000320: 45 20 49 53 20 50 55 54 20 46 49 52 53 54 2C 20 |E IS PUT FIRST, | 00000330: 54 48 45 20 52 45 4C 45 41 53 45 20 43 41 4E 4E |THE RELEASE CANN| 00000340: 4F 54 20 42 45 47 49 4E 20 55 4E 54 49 4C 0D 54 |OT BEGIN UNTIL.T| 00000350: 48 45 20 53 48 4F 52 54 45 52 20 4E 4F 54 45 20 |HE SHORTER NOTE | 00000360: 53 54 41 52 54 53 20 50 4C 41 59 49 4E 47 2C 20 |STARTS PLAYING, | 00000370: 41 4E 44 20 49 4E 20 53 4F 4D 45 20 43 41 53 45 |AND IN SOME CASE| 00000380: 53 20 54 48 45 20 52 45 4C 45 41 53 45 20 57 4F |S THE RELEASE WO| 00000390: 55 4C 44 20 4E 4F 52 4D 41 4C 4C 59 0D 42 45 47 |ULD NORMALLY.BEG| 000003A0: 49 4E 20 53 4F 4F 4E 45 52 2E 20 20 D4 48 49 53 |IN SOONER. .HIS| 000003B0: 20 49 53 20 45 53 50 45 43 49 41 4C 4C 59 20 54 | IS ESPECIALLY T| 000003C0: 52 55 45 20 57 48 45 4E 20 4C 41 52 47 45 52 20 |RUE WHEN LARGER | 000003D0: 52 45 4C 45 41 53 45 20 50 4F 49 4E 54 53 20 41 |RELEASE POINTS A| 000003E0: 52 45 20 55 53 45 44 2E 0D D0 55 54 54 49 4E 47 |RE USED...UTTING| 000003F0: 20 54 48 45 20 53 48 4F 52 54 45 52 20 4E 4F 54 | THE SHORTER NOT| 00000400: 45 20 42 45 46 4F 52 45 20 54 48 45 20 4C 4F 4E |E BEFORE THE LON| 00000410: 47 45 52 20 4E 4F 54 45 20 45 4E 53 55 52 45 53 |GER NOTE ENSURES| 00000420: 20 54 48 41 54 20 54 48 45 20 52 45 4C 45 41 53 | THAT THE RELEAS| 00000430: 45 20 57 49 4C 4C 0D 42 45 47 49 4E 20 41 54 20 |E WILL.BEGIN AT | 00000440: 54 48 45 20 41 50 50 52 4F 50 52 49 41 54 45 20 |THE APPROPRIATE | 00000450: 50 4C 41 43 45 2E 0D 33 2E 20 D7 48 45 4E 20 41 |PLACE..3. .HEN A| 00000460: 20 47 52 41 43 45 20 4E 4F 54 45 20 49 53 20 50 | GRACE NOTE IS P| 00000470: 4C 41 59 45 44 2C 20 52 45 4D 45 4D 42 45 52 20 |LAYED, REMEMBER | 00000480: 54 48 41 54 20 54 48 45 20 44 55 52 41 54 49 4F |THAT THE DURATIO| 00000490: 4E 20 46 4F 52 20 54 48 45 20 47 52 41 43 45 20 |N FOR THE GRACE | 000004A0: 4E 4F 54 45 0D 53 48 4F 55 4C 44 20 43 4F 4D 45 |NOTE.SHOULD COME| 000004B0: 20 4F 55 54 20 4F 46 20 54 48 45 20 44 55 52 41 | OUT OF THE DURA| 000004C0: 54 49 4F 4E 20 46 4F 52 20 54 48 45 20 50 52 45 |TION FOR THE PRE| 000004D0: 43 45 44 49 4E 47 20 4E 4F 54 45 2E 20 20 D4 48 |CEDING NOTE. .H| 000004E0: 49 53 20 57 41 59 2C 20 54 48 45 20 4E 4F 54 45 |IS WAY, THE NOTE| 000004F0: 0D 46 4F 4C 4C 4F 57 49 4E 47 20 54 48 45 20 47 |.FOLLOWING THE G| 00000500: 52 41 43 45 20 4E 4F 54 45 20 57 49 4C 4C 20 42 |RACE NOTE WILL B| 00000510: 45 47 49 4E 20 52 49 47 48 54 20 4F 4E 20 54 48 |EGIN RIGHT ON TH| 00000520: 45 20 42 45 41 54 2C 20 41 53 20 49 54 20 53 48 |E BEAT, AS IT SH| 00000530: 4F 55 4C 44 2C 20 49 4E 53 54 45 41 44 0D 4F 46 |OULD, INSTEAD.OF| 00000540: 20 54 48 45 20 47 52 41 43 45 20 4E 4F 54 45 2E | THE GRACE NOTE.| 00000550: 20 20 C9 54 20 4D 41 59 20 42 45 20 4E 45 43 45 | .T MAY BE NECE| 00000560: 53 53 41 52 59 20 54 4F 20 55 53 45 20 55 54 49 |SSARY TO USE UTI| 00000570: 4C 49 54 59 20 44 55 52 41 54 49 4F 4E 53 20 46 |LITY DURATIONS F| 00000580: 4F 52 20 42 4F 54 48 20 54 48 45 0D 47 52 41 43 |OR BOTH THE.GRAC| 00000590: 45 20 4E 4F 54 45 20 41 4E 44 20 54 48 45 20 4E |E NOTE AND THE N| 000005A0: 4F 54 45 20 50 52 45 43 45 44 49 4E 47 20 49 54 |OTE PRECEDING IT| 000005B0: 2E 0D 34 2E 20 CB D0 CC C1 D9 20 41 4E 44 20 CD |..4. ..... AND .| 000005C0: D0 CC C1 D9 20 41 4E 44 20 54 48 45 20 4F 54 48 |.... AND THE OTH| 000005D0: 45 52 20 50 4C 41 59 45 52 53 20 45 4E 44 20 41 |ER PLAYERS END A| 000005E0: 20 53 4F 4E 47 20 52 49 47 48 54 20 57 48 45 4E | SONG RIGHT WHEN| 000005F0: 20 54 48 45 20 4C 41 53 54 0D 44 55 52 41 54 49 | THE LAST.DURATI| 00000600: 4F 4E 20 49 53 20 43 4F 4D 50 4C 45 54 45 2C 20 |ON IS COMPLETE, | 00000610: 45 56 45 4E 20 49 46 20 53 4F 4D 45 20 4F 46 20 |EVEN IF SOME OF | 00000620: 54 48 45 20 56 4F 49 43 45 53 20 41 52 45 20 4E |THE VOICES ARE N| 00000630: 4F 54 20 44 4F 4E 45 20 52 45 4C 45 41 53 49 4E |OT DONE RELEASIN| 00000640: 47 2E 20 20 D4 4F 0D 4C 45 54 20 45 41 43 48 20 |G. .O.LET EACH | 00000650: 56 4F 49 43 45 20 46 41 44 45 20 4F 55 54 20 41 |VOICE FADE OUT A| 00000660: 4E 44 20 46 49 4E 49 53 48 20 43 4F 4D 50 4C 45 |ND FINISH COMPLE| 00000670: 54 45 4C 59 2C 20 49 54 20 49 53 20 41 20 4E 49 |TELY, IT IS A NI| 00000680: 43 45 20 54 4F 55 43 48 20 54 4F 20 50 55 54 20 |CE TOUCH TO PUT | 00000690: 41 0D 52 45 53 54 20 41 46 54 45 52 20 54 48 45 |A.REST AFTER THE| 000006A0: 20 4C 41 53 54 20 4E 4F 54 45 20 49 4E 20 45 41 | LAST NOTE IN EA| 000006B0: 43 48 20 56 4F 49 43 45 2E 0D 35 2E 20 D2 45 4D |CH VOICE..5. .EM| 000006C0: 45 4D 42 45 52 20 54 48 41 54 20 57 48 45 4E 20 |EMBER THAT WHEN | 000006D0: 59 4F 55 20 41 52 45 20 43 52 45 41 54 49 4E 47 |YOU ARE CREATING| 000006E0: 20 41 20 56 45 52 59 20 4C 4F 4E 47 20 53 4F 4E | A VERY LONG SON| 000006F0: 47 2C 20 49 54 20 49 53 20 4D 55 43 48 20 45 41 |G, IT IS MUCH EA| 00000700: 53 49 45 52 20 54 4F 0D 42 52 45 41 4B 20 54 48 |SIER TO.BREAK TH| 00000710: 45 20 53 4F 4E 47 20 49 4E 54 4F 20 50 41 52 54 |E SONG INTO PART| 00000720: 53 2C 20 45 4E 54 45 52 20 41 4E 44 20 45 44 49 |S, ENTER AND EDI| 00000730: 54 20 45 41 43 48 20 50 41 52 54 20 53 45 50 41 |T EACH PART SEPA| 00000740: 52 41 54 45 4C 59 2C 20 41 4E 44 20 54 48 45 4E |RATELY, AND THEN| 00000750: 0D 43 4F 4D 42 49 4E 45 20 54 48 45 4D 20 55 53 |.COMBINE THEM US| 00000760: 49 4E 47 20 54 48 45 20 CD C5 D2 C7 C5 20 55 54 |ING THE ..... UT| 00000770: 49 4C 49 54 59 20 46 4F 55 4E 44 20 4F 4E 20 50 |ILITY FOUND ON P| 00000780: 41 47 45 20 33 36 39 2E 20 20 D4 48 49 53 20 55 |AGE 369. .HIS U| 00000790: 54 49 4C 49 54 59 20 43 41 4E 20 41 4C 53 4F 0D |TILITY CAN ALSO.| 000007A0: 42 45 20 55 53 45 44 20 54 4F 20 43 52 45 41 54 |BE USED TO CREAT| 000007B0: 45 20 53 4F 4E 47 53 20 4C 41 52 47 45 52 20 54 |E SONGS LARGER T| 000007C0: 48 41 4E 20 57 48 41 54 20 54 48 45 20 C5 44 49 |HAN WHAT THE .DI| 000007D0: 54 4F 52 20 43 41 4E 20 48 4F 4C 44 20 49 4E 20 |TOR CAN HOLD IN | 000007E0: 4D 45 4D 4F 52 59 2E 0D 36 2E 20 D4 48 45 20 CC |MEMORY..6. .HE .| 000007F0: C9 D3 D4 C5 D2 20 55 54 49 4C 49 54 59 20 4F 4E |..... UTILITY ON| 00000800: 20 50 41 47 45 20 33 36 35 2C 20 4F 52 20 54 48 | PAGE 365, OR TH| 00000810: 45 20 52 45 56 49 53 45 44 20 56 45 52 53 49 4F |E REVISED VERSIO| 00000820: 4E 20 43 41 4C 4C 45 44 20 D0 D2 C9 CE D4 C5 D2 |N CALLED .......| 00000830: 20 57 48 49 43 48 0D 50 52 49 4E 54 53 20 49 4E | WHICH.PRINTS IN| 00000840: 20 54 48 52 45 45 20 43 4F 4C 55 4D 4E 53 20 4F | THREE COLUMNS O| 00000850: 4E 4C 59 20 54 4F 20 41 20 50 52 49 4E 54 45 52 |NLY TO A PRINTER| 00000860: 2C 20 43 41 4E 20 42 45 20 55 53 45 44 20 54 4F |, CAN BE USED TO| 00000870: 20 46 49 4E 44 20 44 55 52 41 54 49 4F 4E 20 42 | FIND DURATION B| 00000880: 55 47 53 0D 49 4E 20 53 4F 4E 47 53 2E 20 20 D3 |UGS.IN SONGS. .| 00000890: 45 45 20 D3 C9 C4 CE C5 D7 D3 23 31 20 46 4F 52 |EE .......#1 FOR| 000008A0: 20 49 4E 46 4F 52 4D 41 54 49 4F 4E 20 4F 4E 20 | INFORMATION ON | 000008B0: 54 48 45 20 D0 D2 C9 CE D4 C5 D2 20 55 54 49 4C |THE ....... UTIL| 000008C0: 49 54 59 2E 0D 37 2E 20 D7 48 45 4E 45 56 45 52 |ITY..7. .HENEVER| 000008D0: 20 50 4F 53 53 49 42 4C 45 2C 20 50 4C 45 41 53 | POSSIBLE, PLEAS| 000008E0: 45 20 54 52 59 20 4E 4F 54 20 54 4F 20 55 53 45 |E TRY NOT TO USE| 000008F0: 20 54 48 45 20 44 45 46 41 55 4C 54 20 57 41 56 | THE DEFAULT WAV| 00000900: 45 46 4F 52 4D 20 41 4E 44 20 45 4E 56 45 4C 4F |EFORM AND ENVELO| 00000910: 50 45 2E 0D D4 48 45 20 44 45 46 41 55 4C 54 20 |PE...HE DEFAULT | 00000920: 53 45 54 54 49 4E 47 53 20 57 45 52 45 20 43 48 |SETTINGS WERE CH| 00000930: 4F 53 45 4E 20 42 45 43 41 55 53 45 20 54 48 45 |OSEN BECAUSE THE| 00000940: 59 20 47 49 56 45 20 41 20 53 49 4D 50 4C 45 2C |Y GIVE A SIMPLE,| 00000950: 20 4E 45 55 54 52 41 4C 20 57 41 56 45 46 4F 52 | NEUTRAL WAVEFOR| 00000960: 4D 0D 41 4E 44 20 45 4E 56 45 4C 4F 50 45 20 57 |M.AND ENVELOPE W| 00000970: 48 49 43 48 20 43 41 4E 20 42 45 20 4D 4F 44 49 |HICH CAN BE MODI| 00000980: 46 49 45 44 20 45 41 53 49 4C 59 2E 20 20 D0 4C |FIED EASILY. .L| 00000990: 41 59 49 4E 47 20 41 4C 4C 20 54 48 52 45 45 20 |AYING ALL THREE | 000009A0: 56 4F 49 43 45 53 20 57 49 54 48 20 54 48 45 0D |VOICES WITH THE.| 000009B0: 44 45 46 41 55 4C 54 20 53 51 55 41 52 45 20 57 |DEFAULT SQUARE W| 000009C0: 41 56 45 20 41 4E 44 20 4F 52 47 41 4E 2D 54 59 |AVE AND ORGAN-TY| 000009D0: 50 45 20 45 4E 56 45 4C 4F 50 45 2C 20 48 4F 57 |PE ENVELOPE, HOW| 000009E0: 45 56 45 52 2C 20 43 41 4E 20 4D 41 4B 45 20 41 |EVER, CAN MAKE A| 000009F0: 4E 59 20 53 4F 4E 47 2C 20 45 56 45 4E 0D 41 20 |NY SONG, EVEN.A | 00000A00: 56 45 52 59 20 47 4F 4F 44 20 4F 4E 45 2C 20 53 |VERY GOOD ONE, S| 00000A10: 4F 55 4E 44 20 50 52 45 54 54 59 20 42 4C 41 48 |OUND PRETTY BLAH| 00000A20: 2E 0D 38 2E 20 C4 4F 4E 27 54 20 4F 56 45 52 4C |..8. .ON'T OVERL| 00000A30: 4F 4F 4B 20 54 48 45 20 53 55 42 54 4C 45 20 42 |OOK THE SUBTLE B| 00000A40: 55 54 20 53 49 47 4E 49 46 49 43 41 4E 54 20 45 |UT SIGNIFICANT E| 00000A50: 46 46 45 43 54 53 20 54 48 41 54 20 44 49 46 46 |FFECTS THAT DIFF| 00000A60: 45 52 45 4E 54 20 45 4E 56 45 4C 4F 50 45 0D 53 |ERENT ENVELOPE.S| 00000A70: 45 54 54 49 4E 47 53 20 43 41 4E 20 48 41 56 45 |ETTINGS CAN HAVE| 00000A80: 20 4F 4E 20 41 20 53 4F 4E 47 2E 20 20 C5 4E 56 | ON A SONG. .NV| 00000A90: 45 4C 4F 50 45 53 20 53 45 45 4D 20 54 4F 20 42 |ELOPES SEEM TO B| 00000AA0: 45 20 4F 4E 45 20 4F 46 20 54 48 45 20 4D 4F 53 |E ONE OF THE MOS| 00000AB0: 54 20 49 47 4E 4F 52 45 44 0D 41 53 50 45 43 54 |T IGNORED.ASPECT| 00000AC0: 53 20 4F 46 20 53 4F 4E 47 53 2E 0D 0D CD C1 D3 |S OF SONGS......| 00000AD0: D4 C5 D2 20 C3 CF CD D0 CF D3 C5 D2 20 D3 D9 CE |... ........ ...| 00000AE0: C4 D2 CF CD C5 0D C9 54 20 48 41 53 20 42 45 45 |.......T HAS BEE| 00000AF0: 4E 20 4F 42 53 45 52 56 45 44 20 54 48 41 54 20 |N OBSERVED THAT | 00000B00: 50 45 4F 50 4C 45 20 57 48 4F 20 46 4F 52 4D 45 |PEOPLE WHO FORME| 00000B10: 52 4C 59 20 55 53 45 44 20 54 48 45 20 CD 41 53 |RLY USED THE .AS| 00000B20: 54 45 52 20 C3 4F 4D 50 4F 53 45 52 20 4D 55 53 |TER .OMPOSER MUS| 00000B30: 49 43 0D 53 59 53 54 45 4D 20 41 4E 44 20 4E 4F |IC.SYSTEM AND NO| 00000B40: 57 20 55 53 45 20 D3 49 44 50 4C 41 59 45 52 20 |W USE .IDPLAYER | 00000B50: 45 58 48 49 42 49 54 20 41 20 53 54 52 4F 4E 47 |EXHIBIT A STRONG| 00000B60: 20 54 45 4E 44 45 4E 43 59 20 54 4F 20 55 53 45 | TENDENCY TO USE| 00000B70: 20 41 20 48 45 41 56 59 20 44 4F 53 45 20 4F 46 | A HEAVY DOSE OF| 00000B80: 0D 56 49 42 52 41 54 4F 20 41 4E 44 20 50 55 4C |.VIBRATO AND PUL| 00000B90: 53 45 20 57 49 44 54 48 20 53 57 45 45 50 49 4E |SE WIDTH SWEEPIN| 00000BA0: 47 20 49 4E 20 54 48 45 49 52 20 53 4F 4E 47 53 |G IN THEIR SONGS| 00000BB0: 2E 20 20 D0 52 45 53 55 4D 41 42 4C 59 20 54 48 |. .RESUMABLY TH| 00000BC0: 49 53 20 49 53 20 42 45 43 41 55 53 45 0D 54 48 |IS IS BECAUSE.TH| 00000BD0: 45 53 45 20 41 52 45 20 54 57 4F 20 45 41 53 59 |ESE ARE TWO EASY| 00000BE0: 2D 54 4F 2D 55 53 45 20 46 45 41 54 55 52 45 53 |-TO-USE FEATURES| 00000BF0: 20 54 48 41 54 20 41 52 45 20 4E 4F 54 20 46 4F | THAT ARE NOT FO| 00000C00: 55 4E 44 20 4F 4E 20 CD 41 53 54 45 52 20 C3 4F |UND ON .ASTER .O| 00000C10: 4D 50 4F 53 45 52 2E 20 20 C9 46 0D 59 4F 55 20 |MPOSER. .F.YOU | 00000C20: 4D 49 47 48 54 20 42 45 20 53 55 43 48 20 41 20 |MIGHT BE SUCH A | 00000C30: 50 45 52 53 4F 4E 2C 20 57 45 20 55 52 47 45 20 |PERSON, WE URGE | 00000C40: 59 4F 55 20 54 4F 20 43 4F 4E 54 52 4F 4C 20 59 |YOU TO CONTROL Y| 00000C50: 4F 55 52 20 46 41 53 43 49 4E 41 54 49 4F 4E 20 |OUR FASCINATION | 00000C60: 57 49 54 48 20 54 48 45 53 45 0D 46 45 41 54 55 |WITH THESE.FEATU| 00000C70: 52 45 53 20 41 4E 44 20 55 53 45 20 54 48 45 4D |RES AND USE THEM| 00000C80: 20 53 50 41 52 49 4E 47 4C 59 2E 20 20 D4 48 41 | SPARINGLY. .HA| 00000C90: 4E 4B 20 59 4F 55 21 0D 0D D4 C8 C5 20 C2 C1 D3 |NK YOU!..... ...| 00000CA0: C5 C2 C1 CC CC 20 C3 C1 D2 C4 20 D0 C8 C5 CE CF |..... .... .....| 00000CB0: CD C5 CE CF CE 0D D3 4F 4D 45 20 4D 55 53 49 43 |.......OME MUSIC| 00000CC0: 20 53 59 53 54 45 4D 53 20 4D 41 59 20 4D 41 4B | SYSTEMS MAY MAK| 00000CD0: 45 20 53 4F 4E 47 53 20 53 4F 55 4E 44 20 42 45 |E SONGS SOUND BE| 00000CE0: 54 54 45 52 20 54 48 41 4E 20 4F 54 48 45 52 20 |TTER THAN OTHER | 00000CF0: 4D 55 53 49 43 20 53 59 53 54 45 4D 53 2C 20 42 |MUSIC SYSTEMS, B| 00000D00: 55 54 0D 54 48 45 20 51 55 41 4C 49 54 59 20 4F |UT.THE QUALITY O| 00000D10: 46 20 41 20 53 4F 4E 47 20 44 45 50 45 4E 44 53 |F A SONG DEPENDS| 00000D20: 20 4A 55 53 54 20 41 53 20 4D 55 43 48 2C 20 49 | JUST AS MUCH, I| 00000D30: 46 20 4E 4F 54 20 4D 4F 52 45 20 53 4F 2C 20 4F |F NOT MORE SO, O| 00000D40: 4E 20 54 48 45 20 54 49 4D 45 20 41 4E 44 0D 43 |N THE TIME AND.C| 00000D50: 41 52 45 20 54 41 4B 45 4E 20 42 59 20 54 48 45 |ARE TAKEN BY THE| 00000D60: 20 50 45 52 53 4F 4E 20 45 4E 54 45 52 49 4E 47 | PERSON ENTERING| 00000D70: 20 54 48 45 20 53 4F 4E 47 2E 20 20 D7 48 49 4C | THE SONG. .HIL| 00000D80: 45 20 49 54 20 49 53 20 4E 49 43 45 20 54 4F 20 |E IT IS NICE TO | 00000D90: 48 41 56 45 20 4C 4F 54 53 20 4F 46 0D 53 4F 4E |HAVE LOTS OF.SON| 00000DA0: 47 53 20 54 4F 20 43 4F 4C 4C 45 43 54 20 41 4E |GS TO COLLECT AN| 00000DB0: 44 20 54 52 41 44 45 2C 20 49 54 20 49 53 20 41 |D TRADE, IT IS A| 00000DC0: 4C 53 4F 20 49 4D 50 4F 52 54 41 4E 54 20 54 4F |LSO IMPORTANT TO| 00000DD0: 20 4B 45 45 50 20 54 48 45 20 51 55 41 4C 49 54 | KEEP THE QUALIT| 00000DE0: 59 20 4C 45 56 45 4C 0D 48 49 47 48 20 49 4E 20 |Y LEVEL.HIGH IN | 00000DF0: 4F 52 44 45 52 20 54 4F 20 4D 41 49 4E 54 41 49 |ORDER TO MAINTAI| 00000E00: 4E 20 49 4E 54 45 52 45 53 54 20 49 4E 20 54 48 |N INTEREST IN TH| 00000E10: 45 20 53 4F 4E 47 53 2E 20 20 D7 45 20 57 4F 55 |E SONGS. .E WOU| 00000E20: 4C 44 20 50 52 45 46 45 52 20 54 4F 20 45 4E 43 |LD PREFER TO ENC| 00000E30: 4F 55 52 41 47 45 0D 50 45 4F 50 4C 45 20 54 4F |OURAGE.PEOPLE TO| 00000E40: 20 45 4D 50 48 41 53 49 5A 45 20 51 55 41 4C 49 | EMPHASIZE QUALI| 00000E50: 54 59 20 4F 56 45 52 20 51 55 41 4E 54 49 54 59 |TY OVER QUANTITY| 00000E60: 2E 0D 0D D3 C9 C4 D0 CC C1 D9 C5 D2 20 CF CE 20 |............ .. | 00000E70: D9 CF D5 D2 20 D3 D4 C5 D2 C5 CF 0D C9 46 20 59 |.... ........F Y| 00000E80: 4F 55 20 44 4F 4E 27 54 20 48 41 56 45 20 59 4F |OU DON'T HAVE YO| 00000E90: 55 52 20 43 4F 4D 50 55 54 45 52 20 48 4F 4F 4B |UR COMPUTER HOOK| 00000EA0: 45 44 20 55 50 20 54 4F 20 41 20 53 54 45 52 45 |ED UP TO A STERE| 00000EB0: 4F 2C 20 59 4F 55 27 52 45 20 4F 4E 4C 59 20 47 |O, YOU'RE ONLY G| 00000EC0: 45 54 54 49 4E 47 0D 50 41 52 54 20 4F 46 20 54 |ETTING.PART OF T| 00000ED0: 48 45 20 53 54 4F 52 59 20 57 48 45 4E 20 59 4F |HE STORY WHEN YO| 00000EE0: 55 20 50 4C 41 59 20 41 20 53 4F 4E 47 2E 20 20 |U PLAY A SONG. | 00000EF0: D0 4C 41 59 49 4E 47 20 53 4F 4E 47 53 20 4F 56 |.LAYING SONGS OV| 00000F00: 45 52 20 41 20 53 54 45 52 45 4F 20 47 49 56 45 |ER A STEREO GIVE| 00000F10: 53 20 59 4F 55 0D 46 55 4C 4C 45 52 20 42 41 53 |S YOU.FULLER BAS| 00000F20: 53 20 4C 49 4E 45 53 20 41 4E 44 20 54 52 49 41 |S LINES AND TRIA| 00000F30: 4E 47 4C 45 20 57 41 56 45 46 4F 52 4D 53 2C 20 |NGLE WAVEFORMS, | 00000F40: 41 4E 44 20 52 45 56 45 41 4C 53 20 4F 54 48 45 |AND REVEALS OTHE| 00000F50: 52 20 54 48 49 4E 47 53 20 59 4F 55 20 4E 45 56 |R THINGS YOU NEV| 00000F60: 45 52 0D 4B 4E 45 57 20 57 45 52 45 20 54 48 45 |ER.KNEW WERE THE| 00000F70: 52 45 2E 20 20 D3 45 45 20 D3 C9 C4 CE C5 D7 D3 |RE. .EE .......| 00000F80: 23 31 20 46 4F 52 20 49 4E 53 54 52 55 43 54 49 |#1 FOR INSTRUCTI| 00000F90: 4F 4E 53 20 4F 4E 20 48 4F 57 20 54 4F 20 48 4F |ONS ON HOW TO HO| 00000FA0: 4F 4B 20 59 4F 55 52 20 43 4F 4D 50 55 54 45 52 |OK YOUR COMPUTER| 00000FB0: 0D 55 50 20 54 4F 20 41 20 53 54 45 52 45 4F 2E |.UP TO A STEREO.| 00000FC0: 0D 0D D3 CF CD C5 20 C1 C4 D6 C1 CE C3 C5 C4 20 |...... ........ | 00000FD0: D4 C5 C3 C8 CE C9 D1 D5 C5 D3 20 D4 CF 20 D0 CF |.......... .. ..| 00000FE0: CE C4 C5 D2 0D 31 2E 20 D4 48 45 20 53 59 4E 43 |.....1. .HE SYNC| 00000FF0: 20 4D 4F 44 45 20 49 53 20 4E 4F 54 20 55 53 45 | MODE IS NOT USE| 00001000: 44 20 56 45 52 59 20 4F 46 54 45 4E 20 42 45 43 |D VERY OFTEN BEC| 00001010: 41 55 53 45 20 49 54 20 52 45 51 55 49 52 45 53 |AUSE IT REQUIRES| 00001020: 20 54 57 4F 20 56 4F 49 43 45 53 2C 0D 4C 45 41 | TWO VOICES,.LEA| 00001030: 56 49 4E 47 20 4F 4E 4C 59 20 4F 4E 45 20 56 4F |VING ONLY ONE VO| 00001040: 49 43 45 20 46 52 45 45 2E 20 20 D4 48 45 20 4D |ICE FREE. .HE M| 00001050: 4F 44 45 20 4F 46 46 45 52 53 20 41 20 57 48 4F |ODE OFFERS A WHO| 00001060: 4C 45 20 56 41 52 49 45 54 59 20 4F 46 20 4E 45 |LE VARIETY OF NE| 00001070: 57 20 54 4F 4E 45 0D 54 59 50 45 53 2C 20 48 4F |W TONE.TYPES, HO| 00001080: 57 45 56 45 52 2C 20 41 4E 44 20 49 53 20 44 45 |WEVER, AND IS DE| 00001090: 46 49 4E 49 54 45 4C 59 20 57 4F 52 54 48 20 49 |FINITELY WORTH I| 000010A0: 4E 56 45 53 54 49 47 41 54 49 4E 47 2E 20 20 D4 |NVESTIGATING. .| 000010B0: 52 59 20 54 48 45 20 53 59 4E 43 20 4D 4F 44 45 |RY THE SYNC MODE| 000010C0: 20 57 49 54 48 0D 44 49 46 46 45 52 45 4E 54 20 | WITH.DIFFERENT | 000010D0: 43 4F 4D 42 49 4E 41 54 49 4F 4E 53 20 4F 46 20 |COMBINATIONS OF | 000010E0: 57 41 56 45 46 4F 52 4D 53 20 41 4E 44 20 D4 D0 |WAVEFORMS AND ..| 000010F0: D3 20 56 41 4C 55 45 53 2C 20 41 53 20 44 45 4D |. VALUES, AS DEM| 00001100: 4F 4E 53 54 52 41 54 45 44 20 42 59 20 54 48 45 |ONSTRATED BY THE| 00001110: 0D 53 4F 4E 47 20 D4 D0 C9 23 31 34 2E 0D 32 2E |.SONG ...#14..2.| 00001120: 20 D3 45 45 20 50 41 47 45 20 33 33 37 20 46 4F | .EE PAGE 337 FO| 00001130: 52 20 41 20 44 49 53 43 55 53 53 49 4F 4E 20 4F |R A DISCUSSION O| 00001140: 46 20 55 53 49 4E 47 20 53 59 4E 43 20 41 4E 44 |F USING SYNC AND| 00001150: 20 52 49 4E 47 20 4D 4F 44 55 4C 41 54 49 4F 4E | RING MODULATION| 00001160: 20 41 54 20 54 48 45 20 53 41 4D 45 0D 54 49 4D | AT THE SAME.TIM| 00001170: 45 2E 20 20 D7 49 54 48 20 54 48 49 53 20 54 45 |E. .ITH THIS TE| 00001180: 43 48 4E 49 51 55 45 2C 20 59 4F 55 20 43 41 4E |CHNIQUE, YOU CAN| 00001190: 20 53 4F 4D 45 54 49 4D 45 53 20 47 45 54 20 54 | SOMETIMES GET T| 000011A0: 4F 4E 45 53 20 54 48 41 54 20 53 4F 55 4E 44 20 |ONES THAT SOUND | 000011B0: 4C 49 4B 45 20 54 48 45 59 0D 41 52 45 20 42 45 |LIKE THEY.ARE BE| 000011C0: 49 4E 47 20 46 49 4C 54 45 52 45 44 2C 20 45 56 |ING FILTERED, EV| 000011D0: 45 4E 20 54 48 4F 55 47 48 20 54 48 45 59 20 41 |EN THOUGH THEY A| 000011E0: 52 45 20 4E 4F 54 2E 0D 33 2E 20 C1 4E 4F 54 48 |RE NOT..3. .NOTH| 000011F0: 45 52 20 50 4F 53 53 49 42 49 4C 49 54 59 20 49 |ER POSSIBILITY I| 00001200: 53 20 54 4F 20 55 53 45 20 50 4F 52 54 41 4D 45 |S TO USE PORTAME| 00001210: 4E 54 4F 20 57 49 54 48 20 54 48 45 20 53 59 4E |NTO WITH THE SYN| 00001220: 43 20 4D 4F 44 45 2E 20 20 D4 48 49 53 20 49 53 |C MODE. .HIS IS| 00001230: 20 44 4F 4E 45 0D 42 59 20 50 55 54 54 49 4E 47 | DONE.BY PUTTING| 00001240: 20 41 4E 20 41 42 53 4F 4C 55 54 45 20 53 45 54 | AN ABSOLUTE SET| 00001250: 20 43 4F 4D 4D 41 4E 44 20 4F 46 20 41 20 44 49 | COMMAND OF A DI| 00001260: 46 46 45 52 45 4E 54 20 50 49 54 43 48 20 42 45 |FFERENT PITCH BE| 00001270: 46 4F 52 45 20 45 41 43 48 20 4E 4F 54 45 20 54 |FORE EACH NOTE T| 00001280: 48 41 54 0D 49 53 20 50 4C 41 59 45 44 2E 20 20 |HAT.IS PLAYED. | 00001290: D7 48 45 4E 20 54 48 49 53 20 49 53 20 44 4F 4E |.HEN THIS IS DON| 000012A0: 45 20 4F 4E 20 54 48 45 20 53 59 4E 43 48 52 4F |E ON THE SYNCHRO| 000012B0: 4E 49 5A 45 44 20 56 4F 49 43 45 20 57 48 49 43 |NIZED VOICE WHIC| 000012C0: 48 20 41 44 44 53 20 54 48 45 0D 48 41 52 4D 4F |H ADDS THE.HARMO| 000012D0: 4E 49 43 53 2C 20 41 4E 20 49 4E 54 45 52 45 53 |NICS, AN INTERES| 000012E0: 54 49 4E 47 20 22 57 41 48 22 20 45 46 46 45 43 |TING "WAH" EFFEC| 000012F0: 54 20 49 53 20 50 52 4F 44 55 43 45 44 2C 20 41 |T IS PRODUCED, A| 00001300: 53 20 49 4E 20 54 48 45 20 53 4F 4E 47 20 C5 D4 |S IN THE SONG ..| 00001310: C1 CC 2E 0D 34 2E 20 D3 4F 4D 45 20 50 45 4F 50 |....4. .OME PEOP| 00001320: 4C 45 20 48 41 56 45 20 47 4F 54 54 45 4E 20 49 |LE HAVE GOTTEN I| 00001330: 4E 54 45 52 45 53 54 49 4E 47 20 52 45 53 55 4C |NTERESTING RESUL| 00001340: 54 53 20 42 59 20 55 53 49 4E 47 20 54 48 45 20 |TS BY USING THE | 00001350: 53 59 4E 43 20 4F 52 20 52 49 4E 47 0D 4D 4F 44 |SYNC OR RING.MOD| 00001360: 55 4C 41 54 49 4F 4E 20 4D 4F 44 45 53 20 57 49 |ULATION MODES WI| 00001370: 54 48 20 4E 4F 4E 53 54 41 4E 44 41 52 44 20 43 |TH NONSTANDARD C| 00001380: 4F 4E 46 49 47 55 52 41 54 49 4F 4E 53 2E 0D 35 |ONFIGURATIONS..5| 00001390: 2E 20 C1 42 53 4F 4C 55 54 45 20 53 45 54 20 43 |. .BSOLUTE SET C| 000013A0: 4F 4D 4D 41 4E 44 53 20 43 41 4E 20 42 45 20 50 |OMMANDS CAN BE P| 000013B0: 4C 41 43 45 44 20 42 45 54 57 45 45 4E 20 52 45 |LACED BETWEEN RE| 000013C0: 53 54 53 20 46 4F 4C 4C 4F 57 49 4E 47 20 41 20 |STS FOLLOWING A | 000013D0: 4E 4F 54 45 20 57 49 54 48 20 41 0D 4C 41 52 47 |NOTE WITH A.LARG| 000013E0: 45 20 D2 CC D3 20 56 41 4C 55 45 20 54 4F 20 4D |E ... VALUE TO M| 000013F0: 41 4B 45 20 41 20 4E 4F 54 45 20 53 4C 4F 57 4C |AKE A NOTE SLOWL| 00001400: 59 20 46 41 44 45 20 41 57 41 59 20 57 48 49 4C |Y FADE AWAY WHIL| 00001410: 45 20 43 48 41 4E 47 49 4E 47 20 50 49 54 43 48 |E CHANGING PITCH| 00001420: 2E 20 20 D4 48 49 53 0D 54 45 43 48 4E 49 51 55 |. .HIS.TECHNIQU| 00001430: 45 20 57 41 53 20 55 53 45 44 20 49 4E 20 54 48 |E WAS USED IN TH| 00001440: 45 20 53 4F 4E 47 20 D3 D4 D5 CE D4 CD C1 CE 2E |E SONG .........| 00001450: 0D 36 2E 20 C1 20 53 55 42 54 4C 45 20 54 45 43 |.6. . SUBTLE TEC| 00001460: 48 4E 49 51 55 45 20 49 53 20 54 4F 20 55 53 45 |HNIQUE IS TO USE| 00001470: 20 54 48 45 20 41 42 53 4F 4C 55 54 45 20 53 45 | THE ABSOLUTE SE| 00001480: 54 20 43 4F 4D 4D 41 4E 44 20 57 49 54 48 20 44 |T COMMAND WITH D| 00001490: 45 54 55 4E 49 4E 47 20 41 4E 44 0D 50 4F 52 54 |ETUNING AND.PORT| 000014A0: 41 4D 45 4E 54 4F 2E 20 20 D4 55 52 4E 20 4F 4E |AMENTO. .URN ON| 000014B0: 20 54 48 45 20 44 45 54 55 4E 49 4E 47 20 41 4E | THE DETUNING AN| 000014C0: 44 20 53 45 54 20 41 20 44 45 54 55 4E 45 44 20 |D SET A DETUNED | 000014D0: 50 49 54 43 48 20 57 49 54 48 20 54 48 45 20 41 |PITCH WITH THE A| 000014E0: 42 53 4F 4C 55 54 45 0D 53 45 54 20 43 4F 4D 4D |BSOLUTE.SET COMM| 000014F0: 41 4E 44 2E 20 20 D4 48 45 4E 20 54 55 52 4E 20 |AND. .HEN TURN | 00001500: 4F 46 46 20 54 48 45 20 44 45 54 55 4E 49 4E 47 |OFF THE DETUNING| 00001510: 20 41 4E 44 20 50 4C 41 59 20 41 20 4E 4F 54 45 | AND PLAY A NOTE| 00001520: 20 57 49 54 48 20 41 20 53 4C 4F 57 0D 50 4F 52 | WITH A SLOW.POR| 00001530: 54 41 4D 45 4E 54 4F 20 52 41 54 45 20 49 4E 20 |TAMENTO RATE IN | 00001540: 45 46 46 45 43 54 2E 20 20 D4 48 45 20 4E 4F 54 |EFFECT. .HE NOT| 00001550: 45 20 57 49 4C 4C 20 4E 4F 54 20 53 54 41 52 54 |E WILL NOT START| 00001560: 20 41 54 20 45 58 41 43 54 4C 59 20 54 48 45 20 | AT EXACTLY THE | 00001570: 43 4F 52 52 45 43 54 0D 50 49 54 43 48 20 42 55 |CORRECT.PITCH BU| 00001580: 54 20 57 49 4C 4C 20 4D 4F 56 45 20 54 4F 20 54 |T WILL MOVE TO T| 00001590: 48 45 20 44 45 53 49 52 45 44 20 50 49 54 43 48 |HE DESIRED PITCH| 000015A0: 2E 20 20 D4 48 49 53 20 4D 41 59 20 42 45 20 55 |. .HIS MAY BE U| 000015B0: 53 45 46 55 4C 20 46 4F 52 20 53 49 4D 55 4C 41 |SEFUL FOR SIMULA| 000015C0: 54 49 4E 47 0D 53 4F 4D 45 20 56 4F 43 41 4C 20 |TING.SOME VOCAL | 000015D0: 45 46 46 45 43 54 53 2E 20 20 C1 20 56 41 52 49 |EFFECTS. . VARI| 000015E0: 41 54 49 4F 4E 20 4F 4E 20 54 48 49 53 20 4D 45 |ATION ON THIS ME| 000015F0: 54 48 4F 44 20 49 53 20 54 4F 20 4E 4F 54 20 55 |THOD IS TO NOT U| 00001600: 53 45 20 44 45 54 55 4E 49 4E 47 20 41 4E 44 0D |SE DETUNING AND.| 00001610: 4A 55 53 54 20 55 53 45 20 54 48 45 20 41 42 53 |JUST USE THE ABS| 00001620: 4F 4C 55 54 45 20 53 45 54 20 43 4F 4D 4D 41 4E |OLUTE SET COMMAN| 00001630: 44 20 54 4F 20 53 45 54 20 54 48 45 20 50 49 54 |D TO SET THE PIT| 00001640: 43 48 20 4F 4E 45 20 48 41 4C 46 20 53 54 45 50 |CH ONE HALF STEP| 00001650: 20 42 45 4C 4F 57 20 54 48 45 0D 44 45 53 49 52 | BELOW THE.DESIR| 00001660: 45 44 20 50 49 54 43 48 2C 20 57 49 54 48 20 41 |ED PITCH, WITH A| 00001670: 20 46 41 53 54 45 52 20 50 4F 52 54 41 4D 45 4E | FASTER PORTAMEN| 00001680: 54 4F 20 52 41 54 45 2E 0D 37 2E 20 C4 45 54 55 |TO RATE..7. .ETU| 00001690: 4E 49 4E 47 20 41 4E 44 20 54 52 41 4E 53 50 4F |NING AND TRANSPO| 000016A0: 53 49 54 49 4F 4E 20 43 41 4E 20 42 45 20 41 4E |SITION CAN BE AN| 000016B0: 20 49 4E 54 45 52 45 53 54 49 4E 47 20 43 4F 4D | INTERESTING COM| 000016C0: 42 49 4E 41 54 49 4F 4E 2E 20 20 CF 43 54 41 56 |BINATION. .CTAV| 000016D0: 45 0D 54 52 41 4E 53 50 4F 53 49 54 49 4F 4E 53 |E.TRANSPOSITIONS| 000016E0: 20 57 49 54 48 20 44 45 54 55 4E 49 4E 47 20 57 | WITH DETUNING W| 000016F0: 45 52 45 20 55 53 45 44 20 49 4E 20 D0 C9 D0 C5 |ERE USED IN ....| 00001700: D2 D3 2C 20 C3 C1 CC CC C9 CF D0 C5 2C 20 C2 C9 |.., ........, ..| 00001710: D3 D4 D2 CF 2C 20 41 4E 44 0D C1 CD C5 D2 C9 C3 |...., AND.......| 00001720: C1 2E 0D 38 2E 20 C1 4E 20 41 44 56 41 4E 43 45 |...8. .N ADVANCE| 00001730: 44 20 55 53 45 20 4F 46 20 44 45 54 55 4E 49 4E |D USE OF DETUNIN| 00001740: 47 20 49 53 20 54 4F 20 53 4C 49 47 48 54 4C 59 |G IS TO SLIGHTLY| 00001750: 20 44 45 54 55 4E 45 20 41 20 56 4F 49 43 45 2C | DETUNE A VOICE,| 00001760: 20 45 56 45 4E 20 57 48 45 4E 20 49 54 20 49 53 | EVEN WHEN IT IS| 00001770: 0D 4E 4F 54 20 42 45 49 4E 47 20 50 4C 41 59 45 |.NOT BEING PLAYE| 00001780: 44 20 41 4C 4F 4E 47 20 57 49 54 48 20 41 4E 4F |D ALONG WITH ANO| 00001790: 54 48 45 52 20 56 4F 49 43 45 20 43 4F 4E 54 41 |THER VOICE CONTA| 000017A0: 49 4E 49 4E 47 20 54 48 45 20 53 41 4D 45 20 4E |INING THE SAME N| 000017B0: 4F 54 45 53 2C 20 46 4F 52 20 41 0D 46 55 4C 4C |OTES, FOR A.FULL| 000017C0: 45 52 20 53 4F 55 4E 44 2E 20 20 D4 48 49 53 20 |ER SOUND. .HIS | 000017D0: 54 45 43 48 4E 49 51 55 45 20 49 53 20 42 41 53 |TECHNIQUE IS BAS| 000017E0: 45 44 20 4F 4E 20 41 20 50 52 49 4E 43 49 50 4C |ED ON A PRINCIPL| 000017F0: 45 20 55 53 45 44 20 42 59 20 42 41 52 42 45 52 |E USED BY BARBER| 00001800: 53 48 4F 50 0D 51 55 41 52 54 45 54 53 2E 0D 39 |SHOP.QUARTETS..9| 00001810: 2E 20 D4 48 45 20 D0 CF CC D9 C3 CF CE 20 55 54 |. .HE ....... UT| 00001820: 49 4C 49 54 59 20 43 41 4E 20 42 45 20 55 53 45 |ILITY CAN BE USE| 00001830: 44 20 54 4F 20 41 44 44 20 41 20 50 45 44 41 4C |D TO ADD A PEDAL| 00001840: 20 45 46 46 45 43 54 20 4F 52 20 4C 49 4E 47 45 | EFFECT OR LINGE| 00001850: 52 49 4E 47 20 45 46 46 45 43 54 0D 28 4C 49 4B |RING EFFECT.(LIK| 00001860: 45 20 41 20 42 45 4C 4C 29 20 54 4F 20 41 20 53 |E A BELL) TO A S| 00001870: 4F 4E 47 2C 20 41 53 20 49 4E 20 C6 D5 C5 D2 2E |ONG, AS IN .....| 00001880: 20 20 D4 48 49 53 20 54 45 43 48 4E 49 51 55 45 | .HIS TECHNIQUE| 00001890: 20 43 41 4E 20 41 4C 53 4F 20 42 45 20 55 53 45 | CAN ALSO BE USE| 000018A0: 44 20 57 49 54 48 0D 46 41 53 54 20 41 52 50 45 |D WITH.FAST ARPE| 000018B0: 47 47 49 4F 53 20 46 4F 52 20 41 4E 4F 54 48 45 |GGIOS FOR ANOTHE| 000018C0: 52 20 49 4E 54 45 52 45 53 54 49 4E 47 20 45 46 |R INTERESTING EF| 000018D0: 46 45 43 54 2E 20 20 D3 45 45 20 D3 C9 C4 CE C5 |FECT. .EE .....| 000018E0: D7 D3 23 33 20 46 4F 52 20 46 55 4C 4C 0D 49 4E |..#3 FOR FULL.IN| 000018F0: 53 54 52 55 43 54 49 4F 4E 53 2E 0D 31 30 2E 20 |STRUCTIONS..10. | 00001900: C4 45 54 55 4E 49 4E 47 20 57 49 54 48 20 50 4F |.ETUNING WITH PO| 00001910: 4C 59 50 48 4F 4E 59 20 41 4C 53 4F 20 47 49 56 |LYPHONY ALSO GIV| 00001920: 45 53 20 41 4E 20 49 4E 54 45 52 45 53 54 49 4E |ES AN INTERESTIN| 00001930: 47 20 45 46 46 45 43 54 2E 20 20 D4 48 49 53 0D |G EFFECT. .HIS.| 00001940: 43 4F 4D 42 49 4E 41 54 49 4F 4E 20 57 41 53 20 |COMBINATION WAS | 00001950: 55 53 45 44 20 49 4E 20 54 48 45 20 53 4F 4E 47 |USED IN THE SONG| 00001960: 20 C9 D3 CC C1 CE C4 2E 0D 31 31 2E 20 D7 48 45 | ........11. .HE| 00001970: 4E 20 54 48 45 20 57 41 56 45 46 4F 52 4D 20 D4 |N THE WAVEFORM .| 00001980: D0 20 49 53 20 55 53 45 44 2C 20 50 55 4C 53 45 |. IS USED, PULSE| 00001990: 20 57 49 44 54 48 20 53 57 45 45 50 49 4E 47 20 | WIDTH SWEEPING | 000019A0: 43 41 4E 20 42 45 20 55 53 45 44 20 54 4F 20 53 |CAN BE USED TO S| 000019B0: 57 45 45 50 0D 54 48 45 20 57 49 44 54 48 20 50 |WEEP.THE WIDTH P| 000019C0: 41 53 54 20 32 30 34 38 2C 20 54 48 45 52 45 42 |AST 2048, THEREB| 000019D0: 59 20 4D 41 4B 49 4E 47 20 54 48 45 20 56 4F 4C |Y MAKING THE VOL| 000019E0: 55 4D 45 20 46 41 44 45 20 4F 55 54 2E 0D 31 32 |UME FADE OUT..12| 000019F0: 2E 20 C1 20 4E 4F 54 45 20 42 59 20 4E 4F 54 45 |. . NOTE BY NOTE| 00001A00: 20 55 53 45 20 4F 46 20 55 54 49 4C 49 54 59 20 | USE OF UTILITY | 00001A10: 44 55 52 41 54 49 4F 4E 20 49 53 20 56 45 52 59 |DURATION IS VERY| 00001A20: 20 54 45 44 49 4F 55 53 20 42 55 54 20 43 41 4E | TEDIOUS BUT CAN| 00001A30: 20 50 52 4F 44 55 43 45 0D 53 4F 4D 45 20 57 4F | PRODUCE.SOME WO| 00001A40: 4E 44 45 52 46 55 4C 20 50 48 52 41 53 49 4E 47 |NDERFUL PHRASING| 00001A50: 20 45 46 46 45 43 54 53 2E 20 20 D3 45 45 20 54 | EFFECTS. .EE T| 00001A60: 48 45 20 53 4F 4E 47 20 C6 D5 C5 D2 20 46 4F 52 |HE SONG .... FOR| 00001A70: 20 41 4E 20 45 58 41 4D 50 4C 45 2E 20 20 C5 56 | AN EXAMPLE. .V| 00001A80: 45 4E 0D 55 53 49 4E 47 20 4A 55 53 54 20 41 20 |EN.USING JUST A | 00001A90: 46 45 57 20 43 41 52 45 46 55 4C 4C 59 20 50 4C |FEW CAREFULLY PL| 00001AA0: 41 43 45 44 20 55 54 49 4C 49 54 59 20 44 55 52 |ACED UTILITY DUR| 00001AB0: 41 54 49 4F 4E 53 20 43 41 4E 20 41 44 44 20 41 |ATIONS CAN ADD A| 00001AC0: 20 4E 49 43 45 2C 20 4D 4F 52 45 0D 4E 41 54 55 | NICE, MORE.NATU| 00001AD0: 52 41 4C 20 54 4F 55 43 48 20 54 4F 20 41 20 53 |RAL TOUCH TO A S| 00001AE0: 4F 4E 47 2E 0D 31 33 2E 20 D7 48 45 4E 20 54 57 |ONG..13. .HEN TW| 00001AF0: 4F 20 56 4F 49 43 45 53 20 41 52 45 20 50 4C 41 |O VOICES ARE PLA| 00001B00: 59 49 4E 47 20 53 49 4D 49 4C 41 52 20 4E 4F 54 |YING SIMILAR NOT| 00001B10: 45 53 2C 20 50 45 52 48 41 50 53 20 57 49 54 48 |ES, PERHAPS WITH| 00001B20: 20 44 49 46 46 45 52 45 4E 54 20 50 55 4C 53 45 | DIFFERENT PULSE| 00001B30: 0D 57 49 44 54 48 53 20 4F 52 20 44 45 54 55 4E |.WIDTHS OR DETUN| 00001B40: 49 4E 47 2C 20 41 20 56 45 52 59 20 53 48 4F 52 |ING, A VERY SHOR| 00001B50: 54 20 55 54 49 4C 49 54 59 20 44 55 52 41 54 49 |T UTILITY DURATI| 00001B60: 4F 4E 20 52 45 53 54 20 43 41 4E 20 42 45 20 50 |ON REST CAN BE P| 00001B70: 4C 41 43 45 44 20 41 54 20 54 48 45 0D 42 45 47 |LACED AT THE.BEG| 00001B80: 49 4E 4E 49 4E 47 20 4F 46 20 4F 4E 45 20 4F 46 |INNING OF ONE OF| 00001B90: 20 54 48 45 20 56 4F 49 43 45 53 20 54 4F 20 43 | THE VOICES TO C| 00001BA0: 52 45 41 54 45 20 41 4E 20 45 43 48 4F 20 45 46 |REATE AN ECHO EF| 00001BB0: 46 45 43 54 2E 20 20 D3 45 45 20 54 48 45 20 56 |FECT. .EE THE V| 00001BC0: 45 52 53 49 4F 4E 20 4F 46 0D D4 C1 CB C5 20 C6 |ERSION OF..... .| 00001BD0: C9 D6 C5 20 42 59 20 D3 54 41 4E 20 C8 41 4C 41 |... BY .TAN .ALA| 00001BE0: 42 59 20 46 4F 52 20 41 4E 20 45 58 41 4D 50 4C |BY FOR AN EXAMPL| 00001BF0: 45 2E 0D 31 34 2E 20 D7 48 49 4C 45 20 48 41 56 |E..14. .HILE HAV| 00001C00: 49 4E 47 20 4F 4E 4C 59 20 54 48 52 45 45 20 56 |ING ONLY THREE V| 00001C10: 4F 49 43 45 53 20 43 41 4E 20 42 45 20 51 55 49 |OICES CAN BE QUI| 00001C20: 54 45 20 41 20 4C 49 4D 49 54 41 54 49 4F 4E 2C |TE A LIMITATION,| 00001C30: 20 49 54 20 49 53 20 53 4F 4D 45 54 49 4D 45 53 | IT IS SOMETIMES| 00001C40: 0D 50 4F 53 53 49 42 4C 45 20 54 4F 20 55 53 45 |.POSSIBLE TO USE| 00001C50: 20 4F 4E 45 20 56 4F 49 43 45 20 46 4F 52 20 54 | ONE VOICE FOR T| 00001C60: 57 4F 20 44 49 46 46 45 52 45 4E 54 20 45 46 46 |WO DIFFERENT EFF| 00001C70: 45 43 54 53 20 53 49 4D 55 4C 54 41 4E 45 4F 55 |ECTS SIMULTANEOU| 00001C80: 53 4C 59 2E 20 20 C6 4F 52 0D 45 58 41 4D 50 4C |SLY. .OR.EXAMPL| 00001C90: 45 2C 20 C3 C1 CE D4 C9 CE C1 20 55 53 45 53 20 |E, ....... USES | 00001CA0: 54 48 45 20 53 41 4D 45 20 56 4F 49 43 45 20 46 |THE SAME VOICE F| 00001CB0: 4F 52 20 42 4F 54 48 20 42 41 53 53 20 4E 4F 54 |OR BOTH BASS NOT| 00001CC0: 45 53 20 41 4E 44 20 50 45 52 43 55 53 53 49 4F |ES AND PERCUSSIO| 00001CD0: 4E 0D 45 46 46 45 43 54 53 2E 20 20 D4 48 45 20 |N.EFFECTS. .HE | 00001CE0: 42 41 53 53 20 4E 4F 54 45 53 20 41 52 45 20 50 |BASS NOTES ARE P| 00001CF0: 4C 41 59 45 44 20 4F 4E 20 54 48 45 20 42 45 41 |LAYED ON THE BEA| 00001D00: 54 20 41 4E 44 20 54 48 45 20 50 45 52 43 55 53 |T AND THE PERCUS| 00001D10: 53 49 4F 4E 20 45 46 46 45 43 54 53 20 41 52 45 |SION EFFECTS ARE| 00001D20: 0D 50 4C 41 59 45 44 20 4F 4E 20 54 48 45 20 4F |.PLAYED ON THE O| 00001D30: 46 46 42 45 41 54 2E 20 20 D0 48 52 41 53 45 20 |FFBEAT. .HRASE | 00001D40: 43 41 4C 4C 53 20 43 41 4E 20 4D 41 4B 45 20 49 |CALLS CAN MAKE I| 00001D50: 54 20 45 41 53 59 20 54 4F 20 41 4C 54 45 52 4E |T EASY TO ALTERN| 00001D60: 41 54 45 20 42 45 54 57 45 45 4E 0D 44 49 46 46 |ATE BETWEEN.DIFF| 00001D70: 45 52 45 4E 54 20 57 41 56 45 46 4F 52 4D 20 41 |ERENT WAVEFORM A| 00001D80: 4E 44 20 45 4E 56 45 4C 4F 50 45 20 53 45 54 54 |ND ENVELOPE SETT| 00001D90: 49 4E 47 53 2E 0D 31 35 2E 20 CF 4E 45 20 54 45 |INGS..15. .NE TE| 00001DA0: 43 48 4E 49 51 55 45 20 54 4F 20 47 45 54 20 41 |CHNIQUE TO GET A| 00001DB0: 52 4F 55 4E 44 20 56 4F 4C 55 4D 45 20 50 52 4F |ROUND VOLUME PRO| 00001DC0: 42 4C 45 4D 53 20 4F 4E 20 41 20 56 4F 49 43 45 |BLEMS ON A VOICE| 00001DD0: 20 49 53 20 54 4F 20 52 45 4C 45 41 53 45 20 41 | IS TO RELEASE A| 00001DE0: 0D 4E 4F 54 45 20 42 45 46 4F 52 45 20 48 41 53 |.NOTE BEFORE HAS| 00001DF0: 20 43 4F 4D 50 4C 45 54 45 44 20 49 54 53 20 41 | COMPLETED ITS A| 00001E00: 54 54 41 43 4B 20 50 48 41 53 45 2E 20 20 D4 48 |TTACK PHASE. .H| 00001E10: 49 53 20 57 49 4C 4C 20 52 45 51 55 49 52 45 20 |IS WILL REQUIRE | 00001E20: 53 4F 4D 45 0D 45 58 50 45 52 49 4D 45 4E 54 41 |SOME.EXPERIMENTA| 00001E30: 54 49 4F 4E 20 57 49 54 48 20 41 54 54 41 43 4B |TION WITH ATTACK| 00001E40: 20 52 41 54 45 53 20 41 4E 44 20 52 45 4C 45 41 | RATES AND RELEA| 00001E50: 53 45 20 50 4F 49 4E 54 53 2E 20 20 D4 48 45 20 |SE POINTS. .HE | 00001E60: 54 45 43 48 4E 49 51 55 45 20 57 41 53 20 55 53 |TECHNIQUE WAS US| 00001E70: 45 44 0D 49 4E 20 54 48 45 20 53 54 45 52 45 4F |ED.IN THE STEREO| 00001E80: 20 56 45 52 53 49 4F 4E 20 4F 46 20 C1 D8 C5 CC | VERSION OF ....| 00001E90: 20 C6 2E 0D 31 36 2E 20 C1 20 52 41 50 49 44 20 | ...16. . RAPID | 00001EA0: 53 55 43 43 45 53 53 49 4F 4E 20 4F 46 20 44 49 |SUCCESSION OF DI| 00001EB0: 46 46 45 52 45 4E 54 20 50 49 54 43 48 45 53 20 |FFERENT PITCHES | 00001EC0: 55 53 49 4E 47 20 57 48 49 54 45 20 4E 4F 49 53 |USING WHITE NOIS| 00001ED0: 45 20 4D 41 4B 45 53 20 41 4E 0D 49 4E 54 45 52 |E MAKES AN.INTER| 00001EE0: 45 53 54 49 4E 47 20 50 45 52 43 55 53 53 49 4F |ESTING PERCUSSIO| 00001EF0: 4E 20 4C 49 4E 45 2C 20 41 53 20 49 4E 20 54 48 |N LINE, AS IN TH| 00001F00: 45 20 53 4F 4E 47 20 C9 C2 C5 D8 2E 0D 31 37 2E |E SONG ......17.| 00001F10: 20 CC 4F 4E 47 45 52 20 57 48 49 54 45 20 4E 4F | .ONGER WHITE NO| 00001F20: 49 53 45 20 4E 4F 54 45 53 2C 20 41 53 20 49 4E |ISE NOTES, AS IN| 00001F30: 20 54 48 45 20 53 4F 4E 47 20 CF D3 D0 D2 C5 D9 | THE SONG ......| 00001F40: 2C 20 43 41 4E 20 41 4C 53 4F 20 47 49 56 45 20 |, CAN ALSO GIVE | 00001F50: 41 4E 0D 49 4E 54 45 52 45 53 54 49 4E 47 20 45 |AN.INTERESTING E| 00001F60: 46 46 45 43 54 2E 0D 31 38 2E 20 CF 4E 45 20 4F |FFECT..18. .NE O| 00001F70: 54 48 45 52 20 49 4E 54 45 52 45 53 54 49 4E 47 |THER INTERESTING| 00001F80: 20 45 46 46 45 43 54 20 49 53 20 54 4F 20 50 4C | EFFECT IS TO PL| 00001F90: 41 59 20 41 20 53 45 51 55 45 4E 43 45 20 4F 46 |AY A SEQUENCE OF| 00001FA0: 20 4E 4F 54 45 53 20 4F 46 20 54 48 45 20 53 41 | NOTES OF THE SA| 00001FB0: 4D 45 0D 50 49 54 43 48 20 42 55 54 20 57 49 54 |ME.PITCH BUT WIT| 00001FC0: 48 20 44 49 46 46 45 52 45 4E 54 20 50 55 4C 53 |H DIFFERENT PULS| 00001FD0: 45 20 57 49 44 54 48 53 2E 0D 0D C6 C9 CE C1 CC |E WIDTHS........| 00001FE0: 20 D2 C5 CD C1 D2 CB D3 0D 31 2E 20 D3 4F 4D 45 | ........1. .OME| 00001FF0: 20 4F 46 20 54 48 45 53 45 20 53 55 47 47 45 53 | OF THESE SUGGES| 00002000: 54 49 4F 4E 53 20 41 4E 44 20 54 45 43 48 4E 49 |TIONS AND TECHNI| 00002010: 51 55 45 53 20 41 52 45 20 44 45 53 43 52 49 42 |QUES ARE DESCRIB| 00002020: 45 44 20 49 4E 20 54 48 45 20 42 4F 4F 4B 2C 20 |ED IN THE BOOK, | 00002030: 41 4C 4F 4E 47 0D 57 49 54 48 20 43 4F 4D 50 4C |ALONG.WITH COMPL| 00002040: 45 54 45 20 49 4E 53 54 52 55 43 54 49 4F 4E 53 |ETE INSTRUCTIONS| 00002050: 20 4F 4E 20 48 4F 57 20 54 4F 20 55 53 45 20 54 | ON HOW TO USE T| 00002060: 48 45 20 D3 49 44 50 4C 41 59 45 52 20 C5 44 49 |HE .IDPLAYER .DI| 00002070: 54 4F 52 20 41 4E 44 20 41 20 46 41 49 52 4C 59 |TOR AND A FAIRLY| 00002080: 0D 43 4F 4D 50 52 45 48 45 4E 53 49 56 45 20 49 |.COMPREHENSIVE I| 00002090: 4E 54 52 4F 44 55 43 54 49 4F 4E 20 54 4F 20 4D |NTRODUCTION TO M| 000020A0: 55 53 49 43 20 54 48 45 4F 52 59 2E 0D 32 2E 20 |USIC THEORY..2. | 000020B0: CD 4F 53 54 20 50 45 4F 50 4C 45 20 46 45 45 4C |.OST PEOPLE FEEL| 000020C0: 20 54 48 41 54 20 49 54 20 49 53 20 57 4F 52 54 | THAT IT IS WORT| 000020D0: 48 20 24 31 36 2E 39 35 20 54 4F 20 47 45 54 20 |H $16.95 TO GET | 000020E0: 54 48 45 20 43 4F 4D 50 4C 45 54 45 20 44 4F 43 |THE COMPLETE DOC| 000020F0: 55 4D 45 4E 54 41 54 49 4F 4E 2E 0D 33 2E 20 CF |UMENTATION..3. .| 00002100: 54 48 45 52 20 4D 55 53 49 43 20 53 59 53 54 45 |THER MUSIC SYSTE| 00002110: 4D 53 20 43 4F 53 54 20 54 57 49 43 45 20 41 53 |MS COST TWICE AS| 00002120: 20 4D 55 43 48 20 41 4E 44 20 41 52 45 20 4E 4F | MUCH AND ARE NO| 00002130: 54 20 41 53 20 57 45 4C 4C 20 44 4F 43 55 4D 45 |T AS WELL DOCUME| 00002140: 4E 54 45 44 2E 0D 34 2E 20 D4 48 45 20 42 4F 4F |NTED..4. .HE BOO| 00002150: 4B 20 41 4C 53 4F 20 48 41 53 20 42 49 54 4D 41 |K ALSO HAS BITMA| 00002160: 50 50 45 44 20 47 52 41 50 48 49 43 53 20 41 4E |PPED GRAPHICS AN| 00002170: 44 20 53 50 52 49 54 45 20 55 54 49 4C 49 54 49 |D SPRITE UTILITI| 00002180: 45 53 2C 20 41 4E 44 20 53 45 43 54 49 4F 4E 53 |ES, AND SECTIONS| 00002190: 20 4F 4E 0D C1 44 56 41 4E 43 45 44 20 C2 C1 D3 | ON..DVANCED ...| 000021A0: C9 C3 2E 0D 35 2E 20 D4 48 45 20 D3 49 44 50 4C |....5. .HE .IDPL| 000021B0: 41 59 45 52 20 C5 44 49 54 4F 52 20 49 53 20 4E |AYER .DITOR IS N| 000021C0: 4F 54 20 41 20 D0 55 42 4C 49 43 20 C4 4F 4D 41 |OT A .UBLIC .OMA| 000021D0: 49 4E 20 50 52 4F 47 52 41 4D 20 41 4E 44 20 49 |IN PROGRAM AND I| 000021E0: 53 20 53 55 50 50 4F 53 45 44 20 54 4F 20 42 45 |S SUPPOSED TO BE| 000021F0: 0D 55 53 45 44 20 4F 4E 4C 59 20 42 59 20 54 48 |.USED ONLY BY TH| 00002200: 4F 53 45 20 57 48 4F 20 48 41 56 45 20 50 55 52 |OSE WHO HAVE PUR| 00002210: 43 48 41 53 45 44 20 D6 4F 4C 55 4D 45 20 D4 57 |CHASED .OLUME .W| 00002220: 4F 2E 0D 0D C9 46 20 59 4F 55 20 55 53 45 20 54 |O....F YOU USE T| 00002230: 48 45 20 D3 49 44 50 4C 41 59 45 52 20 C5 44 49 |HE .IDPLAYER .DI| 00002240: 54 4F 52 20 41 4E 44 20 44 4F 4E 27 54 20 48 41 |TOR AND DON'T HA| 00002250: 56 45 20 54 48 45 20 42 4F 4F 4B 2E 2E 2E 0D 0D |VE THE BOOK.....|
SIDNP2.DOC SIDPLAYER NEWS #4 PART TWO... ..MISCELLANEOUS.1. BE VERY CAREFUL TO NE VER LET TWO VOICES USING THE SAME WAVEFO RM PLAY NOTES.OF THE EXACT SAME PITCH AT THE VERY SAME TIME. WHEN THIS IS ALLOW ED TO.HAPPEN, A PHENOMENON KNOWN AS "DES TRUCTIVE HARMONIC INTERFERENCE" CAN OCCU R,.WHICH IN NO WAY DAMAGES YOUR COMPUTER BUT CAN CAUSE THE TWO VOICES TO CANCEL. EACH OTHER OUT AND BE INAUDIBLE. THE EF FECT HAPPENS RANDOMLY AND IS NOT.ALWAYS NOTICEABLE. THE ONLY TIME THAT TWO VOIC ES SHOULD SIMULTANEOUSLY PLAY.THE EXACT SAME PITCHES IN THE SAME OCTAVE WITH THE SAME WAVEFORM IS WHEN THE.VOICES ARE BE ING DETUNED..2. IF TWO NOTES OF THE SAME PITCH ARE TIED TOGETHER, IT IS A GOOD P RACTICE TO.PUT THE SHORTER NOTE FIRST. THIS IS BECAUSE A NOTE TIED TO ANOTHER N OTE DOES.NOT RELEASE. IF THE LONGER NOT E IS PUT FIRST, THE RELEASE CANNOT BEGIN UNTIL.THE SHORTER NOTE STARTS PLAYING, AND IN SOME CASES THE RELEASE WOULD NORM ALLY.BEGIN SOONER. THIS IS ESPECIALLY T RUE WHEN LARGER RELEASE POINTS ARE USED. .PUTTING THE SHORTER NOTE BEFORE THE LON GER NOTE ENSURES THAT THE RELEASE WILL.B EGIN AT THE APPROPRIATE PLACE..3. WHEN A GRACE NOTE IS PLAYED, REMEMBER THAT THE DURATION FOR THE GRACE NOTE.SHOULD COME OUT OF THE DURATION FOR THE PRECEDING N OTE. THIS WAY, THE NOTE.FOLLOWING THE G RACE NOTE WILL BEGIN RIGHT ON THE BEAT, AS IT SHOULD, INSTEAD.OF THE GRACE NOTE. IT MAY BE NECESSARY TO USE UTILITY DUR ATIONS FOR BOTH THE.GRACE NOTE AND THE N OTE PRECEDING IT..4. KPLAY AND MPLAY AND THE OTHER PLAYERS END A SONG RIGHT WHEN THE LAST.DURATION IS COMPLETE, EVEN IF SOME OF THE VOICES ARE NOT DONE RELEASIN G. TO.LET EACH VOICE FADE OUT AND FINIS H COMPLETELY, IT IS A NICE TOUCH TO PUT A.REST AFTER THE LAST NOTE IN EACH VOICE ..5. REMEMBER THAT WHEN YOU ARE CREATING A VERY LONG SONG, IT IS MUCH EASIER TO. BREAK THE SONG INTO PARTS, ENTER AND EDI T EACH PART SEPARATELY, AND THEN.COMBINE THEM USING THE MERGE UTILITY FOUND ON P AGE 369. THIS UTILITY CAN ALSO.BE USED TO CREATE SONGS LARGER THAN WHAT THE EDI TOR CAN HOLD IN MEMORY..6. THE LISTER UT ILITY ON PAGE 365, OR THE REVISED VERSIO N CALLED PRINTER WHICH.PRINTS IN THREE C OLUMNS ONLY TO A PRINTER, CAN BE USED TO FIND DURATION BUGS.IN SONGS. SEE SIDNE WS#1 FOR INFORMATION ON THE PRINTER UTIL ITY..7. WHENEVER POSSIBLE, PLEASE TRY NO T TO USE THE DEFAULT WAVEFORM AND ENVELO PE..THE DEFAULT SETTINGS WERE CHOSEN BEC AUSE THEY GIVE A SIMPLE, NEUTRAL WAVEFOR M.AND ENVELOPE WHICH CAN BE MODIFIED EAS ILY. PLAYING ALL THREE VOICES WITH THE. DEFAULT SQUARE WAVE AND ORGAN-TYPE ENVEL OPE, HOWEVER, CAN MAKE ANY SONG, EVEN.A VERY GOOD ONE, SOUND PRETTY BLAH..8. DON 'T OVERLOOK THE SUBTLE BUT SIGNIFICANT E FFECTS THAT DIFFERENT ENVELOPE.SETTINGS CAN HAVE ON A SONG. ENVELOPES SEEM TO B E ONE OF THE MOST IGNORED.ASPECTS OF SON GS...MASTER COMPOSER SYNDROME.IT HAS BEE N OBSERVED THAT PEOPLE WHO FORMERLY USED THE MASTER COMPOSER MUSIC.SYSTEM AND NO W USE SIDPLAYER EXHIBIT A STRONG TENDENC Y TO USE A HEAVY DOSE OF.VIBRATO AND PUL SE WIDTH SWEEPING IN THEIR SONGS. PRESU MABLY THIS IS BECAUSE.THESE ARE TWO EASY -TO-USE FEATURES THAT ARE NOT FOUND ON M ASTER COMPOSER. IF.YOU MIGHT BE SUCH A PERSON, WE URGE YOU TO CONTROL YOUR FASC INATION WITH THESE.FEATURES AND USE THEM SPARINGLY. THANK YOU!..THE BASEBALL CA RD PHENOMENON.SOME MUSIC SYSTEMS MAY MAK E SONGS SOUND BETTER THAN OTHER MUSIC SY STEMS, BUT.THE QUALITY OF A SONG DEPENDS JUST AS MUCH, IF NOT MORE SO, ON THE TI ME AND.CARE TAKEN BY THE PERSON ENTERING THE SONG. WHILE IT IS NICE TO HAVE LOT S OF.SONGS TO COLLECT AND TRADE, IT IS A LSO IMPORTANT TO KEEP THE QUALITY LEVEL. HIGH IN ORDER TO MAINTAIN INTEREST IN TH E SONGS. WE WOULD PREFER TO ENCOURAGE.P EOPLE TO EMPHASIZE QUALITY OVER QUANTITY ...SIDPLAYER ON YOUR STEREO.IF YOU DON'T HAVE YOUR COMPUTER HOOKED UP TO A STERE O, YOU'RE ONLY GETTING.PART OF THE STORY WHEN YOU PLAY A SONG. PLAYING SONGS OV ER A STEREO GIVES YOU.FULLER BASS LINES AND TRIANGLE WAVEFORMS, AND REVEALS OTHE R THINGS YOU NEVER.KNEW WERE THERE. SEE SIDNEWS#1 FOR INSTRUCTIONS ON HOW TO HO OK YOUR COMPUTER.UP TO A STEREO...SOME A DVANCED TECHNIQUES TO PONDER.1. THE SYNC MODE IS NOT USED VERY OFTEN BECAUSE IT REQUIRES TWO VOICES,.LEAVING ONLY ONE VO ICE FREE. THE MODE OFFERS A WHOLE VARIE TY OF NEW TONE.TYPES, HOWEVER, AND IS DE FINITELY WORTH INVESTIGATING. TRY THE S YNC MODE WITH.DIFFERENT COMBINATIONS OF WAVEFORMS AND TPS VALUES, AS DEMONSTRATE D BY THE.SONG TPI#14..2. SEE PAGE 337 FO R A DISCUSSION OF USING SYNC AND RING MO DULATION AT THE SAME.TIME. WITH THIS TE CHNIQUE, YOU CAN SOMETIMES GET TONES THA T SOUND LIKE THEY.ARE BEING FILTERED, EV EN THOUGH THEY ARE NOT..3. ANOTHER POSSI BILITY IS TO USE PORTAMENTO WITH THE SYN C MODE. THIS IS DONE.BY PUTTING AN ABSO LUTE SET COMMAND OF A DIFFERENT PITCH BE FORE EACH NOTE THAT.IS PLAYED. WHEN THI S IS DONE ON THE SYNCHRONIZED VOICE WHIC H ADDS THE.HARMONICS, AN INTERESTING "WA H" EFFECT IS PRODUCED, AS IN THE SONG ET AL..4. SOME PEOPLE HAVE GOTTEN INTERESTI NG RESULTS BY USING THE SYNC OR RING.MOD ULATION MODES WITH NONSTANDARD CONFIGURA TIONS..5. ABSOLUTE SET COMMANDS CAN BE P LACED BETWEEN RESTS FOLLOWING A NOTE WIT H A.LARGE RLS VALUE TO MAKE A NOTE SLOWL Y FADE AWAY WHILE CHANGING PITCH. THIS. TECHNIQUE WAS USED IN THE SONG STUNTMAN. .6. A SUBTLE TECHNIQUE IS TO USE THE ABS OLUTE SET COMMAND WITH DETUNING AND.PORT AMENTO. TURN ON THE DETUNING AND SET A DETUNED PITCH WITH THE ABSOLUTE.SET COMM AND. THEN TURN OFF THE DETUNING AND PLA Y A NOTE WITH A SLOW.PORTAMENTO RATE IN EFFECT. THE NOTE WILL NOT START AT EXAC TLY THE CORRECT.PITCH BUT WILL MOVE TO T HE DESIRED PITCH. THIS MAY BE USEFUL FO R SIMULATING.SOME VOCAL EFFECTS. A VARI ATION ON THIS METHOD IS TO NOT USE DETUN ING AND.JUST USE THE ABSOLUTE SET COMMAN D TO SET THE PITCH ONE HALF STEP BELOW T HE.DESIRED PITCH, WITH A FASTER PORTAMEN TO RATE..7. DETUNING AND TRANSPOSITION C AN BE AN INTERESTING COMBINATION. OCTAV E.TRANSPOSITIONS WITH DETUNING WERE USED IN PIPERS, CALLIOPE, BISTRO, AND.AMERIC A..8. AN ADVANCED USE OF DETUNING IS TO SLIGHTLY DETUNE A VOICE, EVEN WHEN IT IS .NOT BEING PLAYED ALONG WITH ANOTHER VOI CE CONTAINING THE SAME NOTES, FOR A.FULL ER SOUND. THIS TECHNIQUE IS BASED ON A PRINCIPLE USED BY BARBERSHOP.QUARTETS..9 . THE POLYCON UTILITY CAN BE USED TO ADD A PEDAL EFFECT OR LINGERING EFFECT.(LIK E A BELL) TO A SONG, AS IN FUER. THIS T ECHNIQUE CAN ALSO BE USED WITH.FAST ARPE GGIOS FOR ANOTHER INTERESTING EFFECT. S EE SIDNEWS#3 FOR FULL.INSTRUCTIONS..10. DETUNING WITH POLYPHONY ALSO GIVES AN IN TERESTING EFFECT. THIS.COMBINATION WAS USED IN THE SONG ISLAND..11. WHEN THE WA VEFORM TP IS USED, PULSE WIDTH SWEEPING CAN BE USED TO SWEEP.THE WIDTH PAST 2048 , THEREBY MAKING THE VOLUME FADE OUT..12 . A NOTE BY NOTE USE OF UTILITY DURATION IS VERY TEDIOUS BUT CAN PRODUCE.SOME WO NDERFUL PHRASING EFFECTS. SEE THE SONG FUER FOR AN EXAMPLE. EVEN.USING JUST A FEW CAREFULLY PLACED UTILITY DURATIONS C AN ADD A NICE, MORE.NATURAL TOUCH TO A S ONG..13. WHEN TWO VOICES ARE PLAYING SIM ILAR NOTES, PERHAPS WITH DIFFERENT PULSE .WIDTHS OR DETUNING, A VERY SHORT UTILIT Y DURATION REST CAN BE PLACED AT THE.BEG INNING OF ONE OF THE VOICES TO CREATE AN ECHO EFFECT. SEE THE VERSION OF.TAKE F IVE BY STAN HALABY FOR AN EXAMPLE..14. W HILE HAVING ONLY THREE VOICES CAN BE QUI TE A LIMITATION, IT IS SOMETIMES.POSSIBL E TO USE ONE VOICE FOR TWO DIFFERENT EFF ECTS SIMULTANEOUSLY. FOR.EXAMPLE, CANTI NA USES THE SAME VOICE FOR BOTH BASS NOT ES AND PERCUSSION.EFFECTS. THE BASS NOT ES ARE PLAYED ON THE BEAT AND THE PERCUS SION EFFECTS ARE.PLAYED ON THE OFFBEAT. PHRASE CALLS CAN MAKE IT EASY TO ALTERN ATE BETWEEN.DIFFERENT WAVEFORM AND ENVEL OPE SETTINGS..15. ONE TECHNIQUE TO GET A ROUND VOLUME PROBLEMS ON A VOICE IS TO R ELEASE A.NOTE BEFORE HAS COMPLETED ITS A TTACK PHASE. THIS WILL REQUIRE SOME.EXP ERIMENTATION WITH ATTACK RATES AND RELEA SE POINTS. THE TECHNIQUE WAS USED.IN TH E STEREO VERSION OF AXEL F..16. A RAPID SUCCESSION OF DIFFERENT PITCHES USING WH ITE NOISE MAKES AN.INTERESTING PERCUSSIO N LINE, AS IN THE SONG IBEX..17. LONGER WHITE NOISE NOTES, AS IN THE SONG OSPREY , CAN ALSO GIVE AN.INTERESTING EFFECT..1 8. ONE OTHER INTERESTING EFFECT IS TO PL AY A SEQUENCE OF NOTES OF THE SAME.PITCH BUT WITH DIFFERENT PULSE WIDTHS...FINAL REMARKS.1. SOME OF THESE SUGGESTIONS AN D TECHNIQUES ARE DESCRIBED IN THE BOOK, ALONG.WITH COMPLETE INSTRUCTIONS ON HOW TO USE THE SIDPLAYER EDITOR AND A FAIRLY .COMPREHENSIVE INTRODUCTION TO MUSIC THE ORY..2. MOST PEOPLE FEEL THAT IT IS WORT H $16.95 TO GET THE COMPLETE DOCUMENTATI ON..3. OTHER MUSIC SYSTEMS COST TWICE AS MUCH AND ARE NOT AS WELL DOCUMENTED..4. THE BOOK ALSO HAS BITMAPPED GRAPHICS AN D SPRITE UTILITIES, AND SECTIONS ON.ADVA NCED BASIC..5. THE SIDPLAYER EDITOR IS N OT A PUBLIC DOMAIN PROGRAM AND IS SUPPOS ED TO BE.USED ONLY BY THOSE WHO HAVE PUR CHASED VOLUME TWO...IF YOU USE THE SIDPL AYER EDITOR AND DON'T HAVE THE BOOK.....
> CLICK IMAGE PREVIEW FOR FULL MODAL