JUKEBOX TEXT
FILE INFORMATION
FILENAME(S): JUKEBOX TEXT
FILE TYPE(S): PRG
FILE SIZE: 3.3K
FIRST SEEN: 2025-11-30 18:05:27
APPEARS ON: 1 disk(s)
FILE HASH
70e6459f20b7d87d99833e1f07e799a119812f97dd6bda302e599f61e9abc0ce
FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| LOADSTAR 69 S 3 | JUKEBOX TEXT | PRG | Xii | 9 | 17 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
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00000680: 0D 22 46 52 49 45 4E 44 53 22 2E 20 20 C2 45 43 |."FRIENDS". .EC| 00000690: 41 55 53 45 20 4F 46 20 CA 4F 50 4C 49 4E 27 53 |AUSE OF .OPLIN'S| 000006A0: 0D 45 4E 4F 52 4D 4F 55 53 20 49 4E 46 4C 55 45 |.ENORMOUS INFLUE| 000006B0: 4E 43 45 20 4F 4E 20 52 41 47 54 49 4D 45 0D 4D |NCE ON RAGTIME.M| 000006C0: 55 53 49 43 2C 20 49 54 20 49 53 4E 27 54 20 57 |USIC, IT ISN'T W| 000006D0: 45 4C 4C 20 4B 4E 4F 57 4E 20 54 48 41 54 20 48 |ELL KNOWN THAT H| 000006E0: 45 0D 57 52 4F 54 45 20 4F 54 48 45 52 20 54 59 |E.WROTE OTHER TY| 000006F0: 50 45 53 20 4F 46 20 4D 55 53 49 43 2C 0D 49 4E |PES OF MUSIC,.IN| 00000700: 43 4C 55 44 49 4E 47 20 4D 41 52 43 48 45 53 2E |CLUDING MARCHES.| 00000710: 0D 2A 0D D4 20 C8 20 C5 20 20 20 C2 20 C5 20 C1 |.*.. . . . . .| 00000720: 20 D5 20 20 20 C9 20 C4 20 C5 20 C1 20 CC 0D 0D | . . . . . ...| 00000730: 31 39 38 33 20 42 59 20 CA 4F 48 4E 20 D0 48 49 |1983 BY .OHN .HI| 00000740: 4C 49 50 20 D3 4F 55 53 41 0D 0D D7 45 20 48 41 |LIP .OUSA...E HA| 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00000C30: 54 48 2E 20 20 D3 4F 55 53 41 20 4B 45 50 54 20 |TH. .OUSA KEPT | 00000C40: 4F 4E 20 57 52 49 54 49 4E 47 0D 4D 41 52 43 48 |ON WRITING.MARCH| 00000C50: 45 53 20 55 4E 54 49 4C 20 54 48 45 20 33 30 27 |ES UNTIL THE 30'| 00000C60: 53 2C 20 41 4C 54 48 4F 55 47 48 0D 48 49 53 20 |S, ALTHOUGH.HIS | 00000C70: 42 45 53 54 20 53 4F 4E 47 53 20 57 45 52 45 20 |BEST SONGS WERE | 00000C80: 57 52 49 54 54 45 4E 20 41 54 0D 54 48 45 20 54 |WRITTEN AT.THE T| 00000C90: 55 52 4E 20 4F 46 20 54 48 45 20 43 45 4E 54 55 |URN OF THE CENTU| 00000CA0: 52 59 2E 20 20 D7 45 20 43 41 4E 0D 4F 4E 4C 59 |RY. .E CAN.ONLY| 00000CB0: 20 53 50 45 43 55 4C 41 54 45 20 41 53 20 54 4F | SPECULATE AS TO| 00000CC0: 20 54 48 45 20 4D 55 53 49 43 0D 54 48 45 53 45 | THE MUSIC.THESE| 00000CD0: 20 54 57 4F 20 47 49 41 4E 54 53 20 43 4F 55 4C | TWO GIANTS COUL| 00000CE0: 44 20 48 41 56 45 20 4D 41 44 45 0D 54 4F 47 45 |D HAVE MADE.TOGE| 00000CF0: 54 48 45 52 20 48 41 44 20 54 48 45 59 20 43 4F |THER HAD THEY CO| 00000D00: 4C 4C 41 42 4F 52 41 54 45 44 2E 0D 2A 0D |LLABORATED..*. |
..LIBERTYBELL.ELCAPITAN.DIPLOMAT.COMBINA TION.BEAU.IDEAL.KING.COTTON.IMPERIALEDWA RD.ANTOINETTE.*.T H E L I B E R T Y B E L L..1893 BY JOHN PHILIP SOUSA..DURI NG AN ENGAGEMENT OF THE SOUSA.BAND AT TH E TROCADERO IN CHICAGO,.THE MARCH KING I NTRODUCED THIS.TUNE. HE HADN'T DECIDED UPON A.NAME AT THE TIME BUT HE HAD BEEN. IMPRESSED BY AN ARTISTIC SCENIC.BACKDROP AT A SPECTACLE CALLED."AMERICA", WHICH DEPICTED THE.GLORY OF THE LIBERTY BELL. LATER.THAT DAY, IN A LETTER FROM HIS.WI FE BACK HOME, HE LEARNED THAT.HIS SON, P HILIP, HAD MARCHED IN.PHILADELPHIA IN HO NOR OF THE.LIBERTY BELL. IMPRESSED BY T HIS.SYNCHRONICITY, HE NAMED HIS NEW.MARC H, THE LIBERTY BELL..*.E L C A P I T A N..1896 BY JOHN PHILIP SOUSA..THIS LIVE LY MARCH WAS ONE OF.SOUSA'S FAVORITE ENC ORE PIECES..IT WAS PART OF AN OPERETTA B Y THE.SAME NAME, AND WAS PERFORMED BY.LE ADING OPERA COMPANIES FOR MANY.YEARS. A S AMERICA'S MUSICAL.TASTES CHANGED, IT W AS PERFORMED.LESS AND LESS AS AN OPERETT A, BUT.BANDS KEPT IT ALIVE MUCH LONGER.. *.T H E D I P L O M A T..1904 BY JOHN PHILIP SOUSA..THE DIPLOMAT THIS SONG WAS .WRITTEN ABOUT WAS JOHN MILTON.HAY, THE SECRETARY OF STATE. FOR.FORTY YEARS THE NEWSPAPERS OF.SOUTH DAKOTA CLAIMED THAT SOUSA.HAD WRITTEN THE SONG IN THEIR.FAI R STATE. SURE ENOUGH, IN 1944.A MANUSCR IPT WAS FOUND IN THE.BASEMENT OF SOUSA'S SANDS POINT.HOUSE THAT CONFIRMED THIS.. .SOUSA CONSIDERED THIS ONE OF HIS.TOP TE N. WHEN IT WAS INTRODUCED.AT CARNEGIE H ALL, THE AUDIENCE.APPLAUDED SO MUCH SOUS A HAD TO.PLAY IT FOUR TIMES!.*.C O M B I N A T I O N M A R C H..1910 BY SCOTT JOPLIN..EVEN THOUGH SCOTT JOPLIN AND JOH N.PHILIP SOUSA WERECONTEMPORARIES,.IT IS DOUBTFUL THAT THEY WERE."FRIENDS". BEC AUSE OF JOPLIN'S.ENORMOUS INFLUENCE ON R AGTIME.MUSIC, IT ISN'T WELL KNOWN THAT H E.WROTE OTHER TYPES OF MUSIC,.INCLUDING MARCHES..*.T H E B E A U I D E A L.. 1983 BY JOHN PHILIP SOUSA..WE HAVE NO ID EA WHY SOUSA CALLED.THIS MARCH THE BEAU IDEAL. HE.HAD BEEN CALLED "THE BEAU-IDE AL.MUSICIAN" BY A CHICAGO NEWSPAPER.SO M AYBE HE WAS TAKING IT.SERIOUSLY...AT THE TIME HE WROTE THIS TUNE,.HIS PUBLISHER, HARRY COLEMAN.SAID THAT SOUSA HAD "SHOT HIS.BOLT AS A SUCCESSFUL COMPOSER.".NEE DLESS TO SAY, SOUSA FOUND.ANOTHER PUBLIS HER FOR THE MANY.MARCHES HE LATER COMPOS ED..*.K I N G C O T T O N..1895 BY JOH N PHILIP SOUSA..CONTRARY TO POPULAR BELI EF, KING.COTTON WAS NOT AN INDIVIDUAL. IT.WAS A TERM SIGNIFYING THE WHOLE.COTTO N INDUSTRY AND THE IMPORTANT.PLACE IT OC CUPIED IN AMERICAN.LIFE. INTRODUCING TH IS SONG AT.THE COTTON STATES AND INTER-. NATIONAL EXPOSITION, SOUSA ALMOST.SINGLE -HANDEDLY SAVED THE AFFAIR.FROM FINANCIA L RUIN..*.I M P E R I A L E D W A R D. .1902 BY JOHN PHILIP SOUSA..SOUSA PLAYED A COMMAND.PERFORMANCE FOR KING EDWARD V II.OF ENGLAND IN 1901. HE ASKED.PERMISS ION OF THE KING TO COMPOSE.A MARCH IN HI S HONOR AND A FEW.MONTHS LATER HE WROTE IMPERIAL.EDWARD, THE ONLY SOUSA MARCH.DE DICATED TO A KING. IT WAS.WRITTEN IN A HURRY AND SOUSA.NEVER CONSIDERED IT ONE OF.HIS BEST..*.A N T O I N E T T E M A R C H..1910 BY SCOTT JOPLIN..SCOTT JOPL IN WROTE THE TWO.MARCHES IN THIS JUKEBOX AROUND.1910, SEVEN YEARS BEFORE HIS.DEA TH. SOUSA KEPT ON WRITING.MARCHES UNTIL THE 30'S, ALTHOUGH.HIS BEST SONGS WERE WRITTEN AT.THE TURN OF THE CENTURY. WE CAN.ONLY SPECULATE AS TO THE MUSIC.THESE TWO GIANTS COULD HAVE MADE.TOGETHER HAD THEY COLLABORATED..*.
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