T.WORK
FILE INFORMATION
FILENAME(S): T.WORK
FILE TYPE(S): PRG
FILE SIZE: 6.8K
FIRST SEEN: 2025-11-30 18:12:08
APPEARS ON: 1 disk(s)
FILE HASH
93eca6a6bf4b550037ad8bb9788046941a957ddc8e89d211c299bfb3b697f279
FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| LOADSTAR 60 S 4 | T.WORK | PRG | Sailor, Ganheden | 14 | 4 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
00000000: 00 80 20 20 20 D7 20 C1 20 CC 20 D4 20 27 20 D3 |.. . . . . ' .| 00000010: 20 20 20 20 D7 20 CF 20 D2 20 CB 20 D3 20 C8 20 | . . . . . . | 00000020: CF 20 D0 0D 0D 20 20 20 20 20 20 20 20 20 20 20 |. ... | 00000030: 20 42 59 20 D7 41 4C 54 20 C8 41 52 4E 45 44 0D | BY .ALT .ARNED.| 00000040: 0D 20 20 20 20 C3 4F 4D 50 55 54 45 52 20 41 52 |. .OMPUTER AR| 00000050: 54 20 43 41 4E 20 42 45 20 43 52 45 41 54 45 44 |T CAN BE CREATED| 00000060: 20 42 59 0D 41 52 54 49 53 54 53 20 41 4E 44 20 | BY.ARTISTS AND | 00000070: 57 4F 55 4C 44 2D 42 45 20 41 52 54 49 53 54 53 |WOULD-BE ARTISTS| 00000080: 20 41 4C 49 4B 45 2E 0D D4 48 45 20 46 49 52 53 | ALIKE...HE FIRS| 00000090: 54 20 53 54 45 50 20 49 53 20 54 4F 20 44 52 41 |T STEP IS TO DRA| 000000A0: 57 2C 20 57 49 54 48 20 41 0D 47 52 45 41 53 45 |W, WITH A.GREASE| 000000B0: 20 50 45 4E 43 49 4C 20 4F 52 20 50 45 4E 2C 20 | PENCIL OR PEN, | 000000C0: 41 4E 20 4F 55 54 4C 49 4E 45 0D 44 52 41 57 49 |AN OUTLINE.DRAWI| 000000D0: 4E 47 20 4F 4E 20 41 20 50 49 45 43 45 20 4F 46 |NG ON A PIECE OF| 000000E0: 20 41 43 45 54 41 54 45 20 28 54 48 49 4E 0D 54 | ACETATE (THIN.T| 000000F0: 52 41 4E 53 50 41 52 45 4E 54 20 50 4C 41 53 54 |RANSPARENT PLAST| 00000100: 49 43 29 20 54 48 45 20 45 58 41 43 54 20 53 49 |IC) THE EXACT SI| 00000110: 5A 45 0D 4F 46 20 59 4F 55 52 20 4D 4F 4E 49 54 |ZE.OF YOUR MONIT| 00000120: 4F 52 20 53 43 52 45 45 4E 2E 0D 0D 20 20 20 20 |OR SCREEN... | 00000130: D4 48 49 53 20 43 41 4E 20 42 45 20 41 20 46 52 |.HIS CAN BE A FR| 00000140: 45 45 48 41 4E 44 20 44 52 41 57 49 4E 47 20 4F |EEHAND DRAWING O| 00000150: 52 0D 41 20 54 52 41 43 49 4E 47 20 4F 46 20 41 |R.A TRACING OF A| 00000160: 4E 20 45 58 49 53 54 49 4E 47 20 53 43 45 4E 45 |N EXISTING SCENE| 00000170: 2E 20 20 D4 48 45 0D 43 4C 45 41 52 20 50 4C 41 |. .HE.CLEAR PLA| 00000180: 53 54 49 43 20 53 48 45 45 54 53 20 54 48 41 54 |STIC SHEETS THAT| 00000190: 20 41 52 45 20 55 53 45 44 0D 46 4F 52 20 4C 4F | ARE USED.FOR LO| 000001A0: 4F 53 45 2D 4C 45 41 46 20 4E 4F 54 45 42 4F 4F |OSE-LEAF NOTEBOO| 000001B0: 4B 53 20 57 4F 52 4B 20 47 52 45 41 54 2E 0D D7 |KS WORK GREAT...| 000001C0: 48 45 4E 20 44 4F 4E 45 2C 20 59 4F 55 20 54 41 |HEN DONE, YOU TA| 000001D0: 50 45 20 54 48 45 20 41 43 45 54 41 54 45 20 4F |PE THE ACETATE O| 000001E0: 56 45 52 0D 59 4F 55 52 20 4D 4F 4E 49 54 4F 52 |VER.YOUR MONITOR| 000001F0: 20 53 43 52 45 45 4E 20 53 4F 20 54 48 41 54 20 | SCREEN SO THAT | 00000200: 54 48 45 0D 50 49 43 54 55 52 45 20 49 53 20 43 |THE.PICTURE IS C| 00000210: 45 4E 54 45 52 45 44 20 48 4F 57 20 59 4F 55 20 |ENTERED HOW YOU | 00000220: 57 41 4E 54 2E 0D 0D 20 20 20 20 CE 4F 57 20 59 |WANT... .OW Y| 00000230: 4F 55 20 43 41 4E 20 55 53 45 20 54 48 45 20 CB |OU CAN USE THE .| 00000240: CF C1 CC C1 20 50 41 44 20 54 4F 0D 52 45 43 52 |.... PAD TO.RECR| 00000250: 45 41 54 45 20 54 48 45 20 4F 55 54 4C 49 4E 45 |EATE THE OUTLINE| 00000260: 20 44 52 41 57 49 4E 47 20 4F 4E 20 59 4F 55 52 | DRAWING ON YOUR| 00000270: 0D 53 43 52 45 45 4E 20 28 55 4E 44 45 52 20 54 |.SCREEN (UNDER T| 00000280: 48 45 20 41 43 45 54 41 54 45 20 44 52 41 57 49 |HE ACETATE DRAWI| 00000290: 4E 47 29 2E 0D D3 45 45 20 28 31 29 20 46 4F 52 |NG)...EE (1) FOR| 000002A0: 20 41 4E 20 4F 55 54 4C 49 4E 45 20 44 52 41 57 | AN OUTLINE DRAW| 000002B0: 49 4E 47 20 4F 46 20 54 48 45 0D 42 41 43 4B 47 |ING OF THE.BACKG| 000002C0: 52 4F 55 4E 44 2E 0D 0D 2A D4 49 50 20 23 31 20 |ROUND...*.IP #1 | 000002D0: 2D 20 C4 52 41 57 49 4E 47 20 41 20 54 48 49 4E |- .RAWING A THIN| 000002E0: 2C 20 43 55 52 56 45 44 20 4C 49 4E 45 0D 57 49 |, CURVED LINE.WI| 000002F0: 54 48 20 41 20 53 54 59 4C 55 53 20 49 53 20 4E |TH A STYLUS IS N| 00000300: 4F 54 20 45 41 53 59 2E 20 20 D5 53 45 20 54 48 |OT EASY. .SE TH| 00000310: 45 0D CC C9 CE C5 D3 20 46 55 4E 43 54 49 4F 4E |E...... FUNCTION| 00000320: 20 41 4E 44 20 44 52 41 57 20 4D 41 4E 59 20 53 | AND DRAW MANY S| 00000330: 48 4F 52 54 0D 4C 49 4E 45 53 20 54 4F 20 4D 41 |HORT.LINES TO MA| 00000340: 4B 45 20 41 20 4C 4F 4E 47 20 43 55 52 56 45 44 |KE A LONG CURVED| 00000350: 20 4C 49 4E 45 2E 20 20 C2 59 0D 4D 4F 56 49 4E | LINE. .Y.MOVIN| 00000360: 47 20 54 48 45 20 43 55 52 53 4F 52 20 4A 55 53 |G THE CURSOR JUS| 00000370: 54 20 41 20 46 45 57 20 50 49 58 45 4C 53 0D 41 |T A FEW PIXELS.A| 00000380: 54 20 41 20 54 49 4D 45 20 41 4E 44 20 43 4C 49 |T A TIME AND CLI| 00000390: 43 4B 49 4E 47 20 59 4F 55 20 43 41 4E 0D 53 49 |CKING YOU CAN.SI| 000003A0: 4D 55 4C 41 54 45 20 41 20 4C 4F 4E 47 20 43 55 |MULATE A LONG CU| 000003B0: 52 56 45 44 20 4C 49 4E 45 20 54 48 41 54 27 53 |RVED LINE THAT'S| 000003C0: 0D 4D 55 43 48 20 43 4C 45 41 4E 45 52 20 54 48 |.MUCH CLEANER TH| 000003D0: 41 4E 20 41 20 53 54 59 4C 55 53 2D 44 52 41 57 |AN A STYLUS-DRAW| 000003E0: 4E 20 4F 4E 45 2E 0D 0D 20 20 20 20 C2 59 20 54 |N ONE... .Y T| 000003F0: 48 45 20 57 41 59 2C 20 D7 41 4C 54 20 55 53 45 |HE WAY, .ALT USE| 00000400: 53 20 4F 4E 45 20 4F 46 20 54 48 45 0D 4F 4C 44 |S ONE OF THE.OLD| 00000410: 45 53 54 20 54 4F 4F 4C 53 20 4B 4E 4F 57 4E 20 |EST TOOLS KNOWN | 00000420: 54 4F 20 4D 41 4E 20 46 4F 52 20 41 0D 53 54 59 |TO MAN FOR A.STY| 00000430: 4C 55 53 20 2D 2D 20 41 20 53 48 41 52 50 45 4E |LUS -- A SHARPEN| 00000440: 45 44 20 43 48 4F 50 53 54 49 43 4B 2E 0D 0D 2A |ED CHOPSTICK...*| 00000450: D4 49 50 20 23 32 20 2D 20 D3 C1 D6 C5 20 59 4F |.IP #2 - .... YO| 00000460: 55 52 20 50 49 43 54 55 52 45 20 4F 46 54 45 4E |UR PICTURE OFTEN| 00000470: 21 21 21 0D D9 4F 55 20 48 41 56 45 20 54 57 4F |!!!..OU HAVE TWO| 00000480: 20 53 43 52 45 45 4E 53 20 54 4F 20 57 4F 52 4B | SCREENS TO WORK| 00000490: 20 4F 4E 20 57 49 54 48 0D CB CF C1 CC C1 2E 20 | ON WITH....... | 000004A0: 20 D9 4F 55 20 53 57 49 54 43 48 20 42 45 54 57 | .OU SWITCH BETW| 000004B0: 45 45 4E 20 54 48 45 4D 20 57 49 54 48 0D 54 48 |EEN THEM WITH.TH| 000004C0: 45 20 D3 D7 C1 D0 20 46 55 4E 43 54 49 4F 4E 2E |E .... FUNCTION.| 000004D0: 20 20 D5 53 45 20 4F 4E 45 20 53 43 52 45 45 4E | .SE ONE SCREEN| 000004E0: 20 46 4F 52 0D 54 48 45 20 43 55 52 52 45 4E 54 | FOR.THE CURRENT| 000004F0: 20 50 49 43 54 55 52 45 20 41 4E 44 20 4F 4E 45 | PICTURE AND ONE| 00000500: 20 46 4F 52 20 41 4E 0D 49 4D 4D 45 44 49 41 54 | FOR AN.IMMEDIAT| 00000510: 45 20 42 41 43 4B 55 50 2E 20 20 C1 20 47 4F 4F |E BACKUP. . GOO| 00000520: 44 20 54 49 4D 45 20 54 4F 0D D3 C1 D6 C5 20 49 |D TIME TO..... I| 00000530: 53 20 52 49 47 48 54 20 42 45 46 4F 52 45 20 41 |S RIGHT BEFORE A| 00000540: 4E 20 45 58 50 45 52 49 4D 45 4E 54 2E 0D 0D 20 |N EXPERIMENT... | 00000550: 20 20 20 CC 4F 4F 4B 20 41 54 20 28 31 29 2E 20 | .OOK AT (1). | 00000560: 20 D4 48 45 52 45 20 57 49 4C 4C 20 42 45 20 41 | .HERE WILL BE A| 00000570: 0D 53 4B 49 45 52 20 49 4E 20 54 48 45 20 46 4F |.SKIER IN THE FO| 00000580: 52 45 47 52 4F 55 4E 44 20 49 4E 20 54 48 45 0D |REGROUND IN THE.| 00000590: 46 49 4E 49 53 48 45 44 20 50 49 43 54 55 52 45 |FINISHED PICTURE| 000005A0: 20 42 55 54 20 54 48 45 20 42 41 43 4B 47 52 4F | BUT THE BACKGRO| 000005B0: 55 4E 44 0D 41 4C 57 41 59 53 20 43 4F 4D 45 53 |UND.ALWAYS COMES| 000005C0: 20 46 49 52 53 54 2E 20 20 C9 54 27 53 20 57 48 | FIRST. .T'S WH| 000005D0: 49 54 45 20 4E 4F 57 2C 0D 42 55 54 20 53 49 4E |ITE NOW,.BUT SIN| 000005E0: 43 45 20 54 48 49 53 20 49 53 20 41 20 53 4E 4F |CE THIS IS A SNO| 000005F0: 57 20 53 43 45 4E 45 20 54 48 45 0D 43 4F 4C 4F |W SCENE THE.COLO| 00000600: 52 20 4F 46 20 48 49 47 48 4C 49 47 48 54 53 20 |R OF HIGHLIGHTS | 00000610: 57 49 4C 4C 20 42 45 20 57 48 49 54 45 2E 0D D4 |WILL BE WHITE...| 00000620: 48 45 52 45 46 4F 52 45 2C 20 57 48 45 4E 20 50 |HEREFORE, WHEN P| 00000630: 55 54 54 49 4E 47 20 49 4E 20 54 48 45 0D 42 41 |UTTING IN THE.BA| 00000640: 43 4B 47 52 4F 55 4E 44 20 43 4F 4C 4F 52 20 46 |CKGROUND COLOR F| 00000650: 49 4C 4C 20 49 4E 20 45 56 45 52 59 54 48 49 4E |ILL IN EVERYTHIN| 00000660: 47 0D 57 49 54 48 20 4F 54 48 45 52 20 43 4F 4C |G.WITH OTHER COL| 00000670: 4F 52 53 20 53 4F 20 57 48 49 54 45 20 43 41 4E |ORS SO WHITE CAN| 00000680: 20 42 45 0D 41 44 44 45 44 20 4C 41 54 45 52 2E | BE.ADDED LATER.| 00000690: 0D 0D 20 20 20 20 D0 49 43 54 55 52 45 20 28 32 |.. .ICTURE (2| 000006A0: 29 20 49 53 20 54 48 45 20 42 41 43 4B 47 52 4F |) IS THE BACKGRO| 000006B0: 55 4E 44 0D 43 4F 4C 4F 52 20 53 54 41 47 45 2E |UND.COLOR STAGE.| 000006C0: 20 20 D4 48 45 20 54 52 45 45 53 20 41 52 45 20 | .HE TREES ARE | 000006D0: 53 4B 45 54 43 48 45 44 0D 49 4E 20 4E 4F 57 20 |SKETCHED.IN NOW | 000006E0: 53 49 4E 43 45 20 54 48 45 59 20 57 49 4C 4C 20 |SINCE THEY WILL | 000006F0: 42 45 20 50 41 52 54 4C 59 0D 43 4F 56 45 52 45 |BE PARTLY.COVERE| 00000700: 44 2E 20 20 D4 48 45 59 20 41 52 45 20 52 45 4C |D. .HEY ARE REL| 00000710: 41 54 49 56 45 4C 59 20 45 41 53 59 20 54 4F 0D |ATIVELY EASY TO.| 00000720: 44 52 41 57 20 57 49 54 48 20 54 48 45 20 C4 D2 |DRAW WITH THE ..| 00000730: C1 D7 20 46 55 4E 43 54 49 4F 4E 2E 20 20 D5 53 |.. FUNCTION. .S| 00000740: 45 20 54 48 45 0D 27 4A 49 47 47 4C 49 4E 47 27 |E THE.'JIGGLING'| 00000750: 20 4F 46 20 54 48 45 20 43 55 52 53 4F 52 20 54 | OF THE CURSOR T| 00000760: 4F 20 59 4F 55 52 0D 41 44 56 41 4E 54 41 47 45 |O YOUR.ADVANTAGE| 00000770: 2E 20 20 D4 48 45 20 43 4F 4C 4F 52 53 20 54 48 |. .HE COLORS TH| 00000780: 45 4D 53 45 4C 56 45 53 0D 41 52 45 4E 27 54 20 |EMSELVES.AREN'T | 00000790: 49 4D 50 4F 52 54 41 4E 54 20 41 54 20 54 48 49 |IMPORTANT AT THI| 000007A0: 53 20 54 49 4D 45 20 41 53 20 4C 4F 4E 47 0D 41 |S TIME AS LONG.A| 000007B0: 53 20 54 48 45 52 45 20 49 53 20 43 4F 4E 54 52 |S THERE IS CONTR| 000007C0: 41 53 54 20 42 45 54 57 45 45 4E 20 54 48 45 0D |AST BETWEEN THE.| 000007D0: 46 4F 52 45 47 52 4F 55 4E 44 20 53 4E 4F 57 20 |FOREGROUND SNOW | 000007E0: 41 4E 44 20 54 48 45 20 42 41 43 4B 47 52 4F 55 |AND THE BACKGROU| 000007F0: 4E 44 0D 4D 4F 55 4E 54 41 49 4E 53 2E 0D 0D 2A |ND.MOUNTAINS...*| 00000800: D4 49 50 20 23 33 20 2D 20 D5 53 45 20 41 20 42 |.IP #3 - .SE A B| 00000810: 4C 41 43 4B 20 41 4E 44 20 57 48 49 54 45 20 D4 |LACK AND WHITE .| 00000820: D6 20 41 53 0D 41 20 53 45 43 4F 4E 44 20 4D 4F |. AS.A SECOND MO| 00000830: 4E 49 54 4F 52 2E 20 20 C9 46 20 54 48 45 20 53 |NITOR. .F THE S| 00000840: 48 41 44 45 53 20 4F 46 0D 47 52 45 59 20 4F 4E |HADES OF.GREY ON| 00000850: 20 49 54 20 41 52 45 20 51 55 49 54 45 20 44 49 | IT ARE QUITE DI| 00000860: 53 43 45 52 4E 41 42 4C 45 2C 20 54 48 45 0D 43 |SCERNABLE, THE.C| 00000870: 4F 4C 4F 52 53 20 41 52 45 20 47 4F 4F 44 20 46 |OLORS ARE GOOD F| 00000880: 4F 52 20 54 48 45 20 4E 45 58 54 20 46 45 57 0D |OR THE NEXT FEW.| 00000890: 53 54 41 47 45 53 2E 0D 0D 0D 20 20 20 20 D0 49 |STAGES.... .I| 000008A0: 43 54 55 52 45 20 28 33 29 20 53 48 4F 57 53 20 |CTURE (3) SHOWS | 000008B0: 54 48 45 20 52 45 53 55 4C 54 53 20 4F 46 0D 42 |THE RESULTS OF.B| 000008C0: 52 55 53 48 49 4E 47 20 41 4E 44 20 48 49 47 48 |RUSHING AND HIGH| 000008D0: 4C 49 47 48 54 49 4E 47 20 54 48 45 0D 42 41 43 |LIGHTING THE.BAC| 000008E0: 4B 47 52 4F 55 4E 44 2E 20 20 D7 41 4C 54 20 55 |KGROUND. .ALT U| 000008F0: 53 45 53 20 54 48 45 20 42 52 55 53 48 20 4D 41 |SES THE BRUSH MA| 00000900: 44 45 0D 55 50 20 4F 46 20 46 49 56 45 20 53 43 |DE.UP OF FIVE SC| 00000910: 41 54 54 45 52 45 44 20 44 4F 54 53 20 54 4F 20 |ATTERED DOTS TO | 00000920: 53 49 4D 55 4C 41 54 45 0D 41 20 53 50 52 41 59 |SIMULATE.A SPRAY| 00000930: 49 4E 47 20 45 46 46 45 43 54 2E 20 20 C2 59 20 |ING EFFECT. .Y | 00000940: 43 48 4F 4F 53 49 4E 47 20 4F 4E 45 0D 4F 46 20 |CHOOSING ONE.OF | 00000950: 54 48 45 20 4D 41 4E 59 20 27 48 41 4C 46 2D 54 |THE MANY 'HALF-T| 00000960: 4F 4E 45 27 20 43 4F 4C 4F 52 53 0D 41 56 41 49 |ONE' COLORS.AVAI| 00000970: 4C 41 42 4C 45 20 49 4E 20 4D 55 4C 54 49 2D 43 |LABLE IN MULTI-C| 00000980: 4F 4C 4F 52 20 4D 4F 44 45 20 59 4F 55 20 43 41 |OLOR MODE YOU CA| 00000990: 4E 0D 53 55 47 47 45 53 54 20 52 4F 4C 4C 49 4E |N.SUGGEST ROLLIN| 000009A0: 47 20 48 49 4C 4C 53 20 28 4F 52 20 53 4E 4F 57 |G HILLS (OR SNOW| 000009B0: 42 41 4E 4B 53 29 0D 42 59 20 27 44 49 54 48 45 |BANKS).BY 'DITHE| 000009C0: 52 49 4E 47 27 20 46 52 4F 4D 20 4F 4E 45 20 43 |RING' FROM ONE C| 000009D0: 4F 4C 4F 52 20 46 49 45 4C 44 0D 54 4F 20 54 48 |OLOR FIELD.TO TH| 000009E0: 45 20 4E 45 58 54 2E 0D 0D 2A D4 49 50 20 23 34 |E NEXT...*.IP #4| 000009F0: 20 2D 20 D2 45 53 45 52 56 45 20 4F 4E 45 20 55 | - .ESERVE ONE U| 00000A00: 4E 55 53 45 44 20 43 4F 52 4E 45 52 0D 4F 46 20 |NUSED CORNER.OF | 00000A10: 59 4F 55 52 20 43 55 52 52 45 4E 54 20 53 43 52 |YOUR CURRENT SCR| 00000A20: 45 45 4E 20 46 4F 52 20 41 20 53 4D 41 4C 4C 0D |EEN FOR A SMALL.| 00000A30: 27 50 41 4C 45 54 54 45 27 2C 20 41 20 50 4C 41 |'PALETTE', A PLA| 00000A40: 43 45 20 46 4F 52 20 51 55 49 43 4B 0D 45 58 50 |CE FOR QUICK.EXP| 00000A50: 45 52 49 4D 45 4E 54 41 54 49 4F 4E 20 57 49 54 |ERIMENTATION WIT| 00000A60: 48 20 43 4F 4C 4F 52 20 41 4E 44 20 42 52 55 53 |H COLOR AND BRUS| 00000A70: 48 0D 45 46 46 45 43 54 53 2E 20 20 D9 4F 55 20 |H.EFFECTS. .OU | 00000A80: 43 41 4E 20 41 4C 57 41 59 53 20 46 49 58 20 49 |CAN ALWAYS FIX I| 00000A90: 54 20 55 50 0D 4C 41 54 45 52 2C 20 4F 52 20 41 |T UP.LATER, OR A| 00000AA0: 53 20 D7 41 4C 54 20 44 4F 45 53 2C 20 43 4F 56 |S .ALT DOES, COV| 00000AB0: 45 52 20 49 54 20 57 49 54 48 0D 59 4F 55 52 20 |ER IT WITH.YOUR | 00000AC0: 53 49 47 4E 41 54 55 52 45 2E 0D 0D 20 20 20 20 |SIGNATURE... | 00000AD0: CE 4F 54 45 20 54 48 41 54 20 54 52 45 45 53 20 |.OTE THAT TREES | 00000AE0: 48 41 56 45 20 42 45 45 4E 20 41 44 44 45 44 0D |HAVE BEEN ADDED.| 00000AF0: 54 4F 20 53 45 54 20 4F 46 46 20 54 48 45 20 46 |TO SET OFF THE F| 00000B00: 4F 52 45 47 52 4F 55 4E 44 20 46 52 4F 4D 20 54 |OREGROUND FROM T| 00000B10: 48 45 0D 4D 4F 55 4E 54 41 49 4E 53 2E 20 20 C1 |HE.MOUNTAINS. .| 00000B20: 20 43 4F 4D 50 55 54 45 52 20 41 52 54 49 53 54 | COMPUTER ARTIST| 00000B30: 20 43 41 4E 20 44 4F 0D 41 4E 59 54 48 49 4E 47 | CAN DO.ANYTHING| 00000B40: 20 48 45 20 57 41 4E 54 53 2E 0D 0D 20 20 20 20 | HE WANTS... | 00000B50: D4 48 45 20 47 52 45 59 20 41 52 45 41 20 4F 4E |.HE GREY AREA ON| 00000B60: 20 54 48 45 20 52 49 47 48 54 20 49 53 20 41 0D | THE RIGHT IS A.| 00000B70: 53 48 41 44 4F 57 20 4F 46 20 54 48 45 20 53 4B |SHADOW OF THE SK| 00000B80: 49 45 52 20 57 48 4F 20 57 49 4C 4C 20 42 45 0D |IER WHO WILL BE.| 00000B90: 57 4F 52 4B 45 44 20 4F 4E 20 4E 45 58 54 2E 20 |WORKED ON NEXT. | 00000BA0: 20 D3 50 45 4E 44 20 53 4F 4D 45 20 54 49 4D 45 | .PEND SOME TIME| 00000BB0: 20 4F 4E 0D 47 45 54 54 49 4E 47 20 54 48 45 20 | ON.GETTING THE | 00000BC0: 42 41 43 4B 47 52 4F 55 4E 44 20 4C 49 4B 45 20 |BACKGROUND LIKE | 00000BD0: 59 4F 55 20 57 41 4E 54 0D 41 4E 44 20 54 48 45 |YOU WANT.AND THE| 00000BE0: 4E 20 D3 C1 D6 C5 20 49 54 20 4F 4E 20 44 49 53 |N .... IT ON DIS| 00000BF0: 4B 20 41 4E 44 20 41 4C 53 4F 20 4F 4E 0D 54 48 |K AND ALSO ON.TH| 00000C00: 45 20 53 57 41 50 20 53 43 52 45 45 4E 2E 0D 0D |E SWAP SCREEN...| 00000C10: 20 20 20 20 CE 4F 57 2C 20 57 48 45 4E 20 59 4F | .OW, WHEN YO| 00000C20: 55 20 57 4F 52 4B 20 4F 4E 20 59 4F 55 52 0D 46 |U WORK ON YOUR.F| 00000C30: 4F 52 45 47 52 4F 55 4E 44 20 46 49 47 55 52 45 |OREGROUND FIGURE| 00000C40: 20 59 4F 55 20 43 41 4E 20 53 57 41 50 0D 42 45 | YOU CAN SWAP.BE| 00000C50: 54 57 45 45 4E 20 54 48 45 20 54 57 4F 20 41 4E |TWEEN THE TWO AN| 00000C60: 44 20 53 45 45 20 48 4F 57 20 54 48 45 20 53 54 |D SEE HOW THE ST| 00000C70: 41 52 0D 4F 46 20 54 48 45 20 50 49 43 54 55 52 |AR.OF THE PICTUR| 00000C80: 45 20 57 49 4C 4C 20 4C 4F 4F 4B 20 41 47 41 49 |E WILL LOOK AGAI| 00000C90: 4E 53 54 20 54 48 45 0D 42 41 43 4B 47 52 4F 55 |NST THE.BACKGROU| 00000CA0: 4E 44 2E 20 20 C5 56 45 52 59 20 50 49 43 54 55 |ND. .VERY PICTU| 00000CB0: 52 45 20 4E 45 45 44 53 20 41 0D 53 54 41 52 2C |RE NEEDS A.STAR,| 00000CC0: 20 52 49 47 48 54 3F 0D 0D 20 20 20 20 D9 4F 55 | RIGHT?.. .OU| 00000CD0: 20 43 52 45 41 54 45 20 28 34 29 20 54 48 45 20 | CREATE (4) THE | 00000CE0: 53 41 4D 45 20 57 41 59 20 59 4F 55 0D 44 49 44 |SAME WAY YOU.DID| 00000CF0: 20 28 31 29 2C 20 57 49 54 48 20 41 4E 20 41 43 | (1), WITH AN AC| 00000D00: 45 54 41 54 45 20 44 52 41 57 49 4E 47 20 4F 52 |ETATE DRAWING OR| 00000D10: 0D 54 52 41 43 49 4E 47 2E 20 20 D3 50 45 4E 44 |.TRACING. .PEND| 00000D20: 20 53 4F 4D 45 20 54 49 4D 45 20 49 4E 20 54 48 | SOME TIME IN TH| 00000D30: 45 20 DA CF CF CD 0D 4D 4F 44 45 20 47 45 54 54 |E .....MODE GETT| 00000D40: 49 4E 47 20 54 48 45 20 50 49 58 45 4C 53 20 4A |ING THE PIXELS J| 00000D50: 55 53 54 20 52 49 47 48 54 2C 0D 4D 41 4B 49 4E |UST RIGHT,.MAKIN| 00000D60: 47 20 53 55 52 45 20 54 48 41 54 20 54 48 45 20 |G SURE THAT THE | 00000D70: 4F 55 54 53 49 44 45 20 4F 46 0D 59 4F 55 52 20 |OUTSIDE OF.YOUR | 00000D80: 44 52 41 57 49 4E 47 20 48 41 53 20 4E 4F 20 27 |DRAWING HAS NO '| 00000D90: 48 4F 4C 45 53 27 20 49 4E 20 49 54 20 53 4F 0D |HOLES' IN IT SO.| 00000DA0: 54 48 41 54 20 57 48 45 4E 20 59 4F 55 20 55 53 |THAT WHEN YOU US| 00000DB0: 45 20 54 48 45 20 C6 C9 CC CC 20 46 55 4E 43 54 |E THE .... FUNCT| 00000DC0: 49 4F 4E 0D 54 48 45 20 43 4F 4C 4F 52 53 20 44 |ION.THE COLORS D| 00000DD0: 4F 4E 27 54 20 4C 45 41 4B 20 4F 55 54 2E 0D 0D |ON'T LEAK OUT...| 00000DE0: 20 20 20 20 C6 C9 CC CC 20 54 48 45 20 46 4F 52 | .... THE FOR| 00000DF0: 45 47 52 4F 55 4E 44 20 46 49 47 55 52 45 20 49 |EGROUND FIGURE I| 00000E00: 4E 0D 57 49 54 48 20 41 4E 59 20 43 4F 4C 4F 52 |N.WITH ANY COLOR| 00000E10: 20 41 4E 44 20 54 48 45 4E 20 55 53 45 20 54 48 | AND THEN USE TH| 00000E20: 45 20 C3 CF D0 D9 0D 46 55 4E 43 54 49 4F 4E 20 |E .....FUNCTION | 00000E30: 54 4F 20 47 52 41 42 20 49 54 2E 20 20 D3 D7 C1 |TO GRAB IT. ...| 00000E40: D0 20 53 43 52 45 45 4E 53 0D 41 4E 44 20 C3 CF |. SCREENS.AND ..| 00000E50: D0 D9 20 49 54 20 4F 4E 54 4F 20 54 48 45 20 42 |.. 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OR..LAZ| 00001A40: 49 4E 47 20 D0 41 44 44 4C 45 53 2E 0D 0D 20 20 |ING .ADDLES... | 00001A50: 20 20 D4 48 45 20 54 49 4D 45 20 48 41 53 20 43 | .HE TIME HAS C| 00001A60: 4F 4D 45 20 54 4F 20 50 41 49 4E 54 20 54 48 41 |OME TO PAINT THA| 00001A70: 54 0D 4D 41 53 54 45 52 50 49 45 43 45 20 54 48 |T.MASTERPIECE TH| 00001A80: 41 54 20 48 41 53 20 42 45 45 4E 20 42 4F 54 54 |AT HAS BEEN BOTT| 00001A90: 4C 45 44 20 55 50 0D 49 4E 53 49 44 45 20 4F 46 |LED UP.INSIDE OF| 00001AA0: 20 59 4F 55 2E 20 20 C7 52 41 42 20 59 4F 55 52 | YOU. .RAB YOUR| 00001AB0: 20 43 48 4F 50 53 54 49 43 4B 53 0D 41 4E 44 20 | CHOPSTICKS.AND | 00001AC0: 44 52 41 57 49 4E 47 20 50 41 44 20 41 4E 44 20 |DRAWING PAD AND | 00001AD0: 53 48 4F 55 54 20 41 54 20 54 48 45 20 54 4F 50 |SHOUT AT THE TOP| 00001AE0: 0D 4F 46 20 59 4F 55 52 20 4C 55 4E 47 53 2C 20 |.OF YOUR LUNGS, | 00001AF0: 22 CD 4F 56 45 20 4F 56 45 52 2C 20 D0 49 43 41 |".OVE OVER, .ICA| 00001B00: 53 53 4F 2C 0D C9 20 54 4F 4F 20 43 41 4E 20 50 |SSO,.. 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.. W A L T ' S W O R K S H O P..
BY WALT HARNED.. COMPUTER AR
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GREAT..WHEN DONE, YOU TAPE THE ACETATE O
VER.YOUR MONITOR SCREEN SO THAT THE.PICT
URE IS CENTERED HOW YOU WANT... NOW Y
OU CAN USE THE KOALA PAD TO.RECREATE THE
OUTLINE DRAWING ON YOUR.SCREEN (UNDER T
HE ACETATE DRAWING)..SEE (1) FOR AN OUTL
INE DRAWING OF THE.BACKGROUND...*TIP #1
- DRAWING A THIN, CURVED LINE.WITH A STY
LUS IS NOT EASY. USE THE.LINES FUNCTION
AND DRAW MANY SHORT.LINES TO MAKE A LON
G CURVED LINE. BY.MOVING THE CURSOR JUS
T A FEW PIXELS.AT A TIME AND CLICKING YO
U CAN.SIMULATE A LONG CURVED LINE THAT'S
.MUCH CLEANER THAN A STYLUS-DRAWN ONE...
BY THE WAY, WALT USES ONE OF THE.OLD
EST TOOLS KNOWN TO MAN FOR A.STYLUS -- A
SHARPENED CHOPSTICK...*TIP #2 - SAVE YO
UR PICTURE OFTEN!!!.YOU HAVE TWO SCREENS
TO WORK ON WITH.KOALA. YOU SWITCH BETW
EEN THEM WITH.THE SWAP FUNCTION. USE ON
E SCREEN FOR.THE CURRENT PICTURE AND ONE
FOR AN.IMMEDIATE BACKUP. A GOOD TIME T
O.SAVE IS RIGHT BEFORE AN EXPERIMENT...
LOOK AT (1). THERE WILL BE A.SKIER I
N THE FOREGROUND IN THE.FINISHED PICTURE
BUT THE BACKGROUND.ALWAYS COMES FIRST.
IT'S WHITE NOW,.BUT SINCE THIS IS A SNO
W SCENE THE.COLOR OF HIGHLIGHTS WILL BE
WHITE..THEREFORE, WHEN PUTTING IN THE.BA
CKGROUND COLOR FILL IN EVERYTHING.WITH O
THER COLORS SO WHITE CAN BE.ADDED LATER.
.. PICTURE (2) IS THE BACKGROUND.COLO
R STAGE. THE TREES ARE SKETCHED.IN NOW
SINCE THEY WILL BE PARTLY.COVERED. THEY
ARE RELATIVELY EASY TO.DRAW WITH THE DR
AW FUNCTION. USE THE.'JIGGLING' OF THE
CURSOR TO YOUR.ADVANTAGE. THE COLORS TH
EMSELVES.AREN'T IMPORTANT AT THIS TIME A
S LONG.AS THERE IS CONTRAST BETWEEN THE.
FOREGROUND SNOW AND THE BACKGROUND.MOUNT
AINS...*TIP #3 - USE A BLACK AND WHITE T
V AS.A SECOND MONITOR. IF THE SHADES OF
.GREY ON IT ARE QUITE DISCERNABLE, THE.C
OLORS ARE GOOD FOR THE NEXT FEW.STAGES..
.. PICTURE (3) SHOWS THE RESULTS OF.B
RUSHING AND HIGHLIGHTING THE.BACKGROUND.
WALT USES THE BRUSH MADE.UP OF FIVE SC
ATTERED DOTS TO SIMULATE.A SPRAYING EFFE
CT. BY CHOOSING ONE.OF THE MANY 'HALF-T
ONE' COLORS.AVAILABLE IN MULTI-COLOR MOD
E YOU CAN.SUGGEST ROLLING HILLS (OR SNOW
BANKS).BY 'DITHERING' FROM ONE COLOR FIE
LD.TO THE NEXT...*TIP #4 - RESERVE ONE U
NUSED CORNER.OF YOUR CURRENT SCREEN FOR
A SMALL.'PALETTE', A PLACE FOR QUICK.EXP
ERIMENTATION WITH COLOR AND BRUSH.EFFECT
S. YOU CAN ALWAYS FIX IT UP.LATER, OR A
S WALT DOES, COVER IT WITH.YOUR SIGNATUR
E... NOTE THAT TREES HAVE BEEN ADDED.
TO SET OFF THE FOREGROUND FROM THE.MOUNT
AINS. A COMPUTER ARTIST CAN DO.ANYTHING
HE WANTS... THE GREY AREA ON THE RIG
HT IS A.SHADOW OF THE SKIER WHO WILL BE.
WORKED ON NEXT. SPEND SOME TIME ON.GETT
ING THE BACKGROUND LIKE YOU WANT.AND THE
N SAVE IT ON DISK AND ALSO ON.THE SWAP S
CREEN... NOW, WHEN YOU WORK ON YOUR.F
OREGROUND FIGURE YOU CAN SWAP.BETWEEN TH
E TWO AND SEE HOW THE STAR.OF THE PICTUR
E WILL LOOK AGAINST THE.BACKGROUND. EVE
RY PICTURE NEEDS A.STAR, RIGHT?.. YOU
CREATE (4) THE SAME WAY YOU.DID (1), WI
TH AN ACETATE DRAWING OR.TRACING. SPEND
SOME TIME IN THE ZOOM.MODE GETTING THE
PIXELS JUST RIGHT,.MAKING SURE THAT THE
OUTSIDE OF.YOUR DRAWING HAS NO 'HOLES' I
N IT SO.THAT WHEN YOU USE THE FILL FUNCT
ION.THE COLORS DON'T LEAK OUT... FILL
THE FOREGROUND FIGURE IN.WITH ANY COLOR
AND THEN USE THE COPY.FUNCTION TO GRAB
IT. SWAP SCREENS.AND COPY IT ONTO THE B
ACKGROUND IN.THE APPROXIMATE PLACE WHERE
IT WIL.BE. NOW YOU CAN USE THE XCOLOR.
FUNCTION TO TRY OUT COLORS FOR THE.FOREG
ROUND FIGURE. REMEMBER WHICH.ONES LOOK
BEST... GO BACK TO THE SCREEN WITH TH
E.FOREGROUND FIGURE. AS YOU TRY.PUTTING
IN DETAILED COLORS (IN THE.ZOOM MODE) Y
OU'LL NOTICE THAT SOME.COLOR COMBINATION
S AREN'T ALLOWED..YOU CAN'T HAVE MORE TH
AN FOUR COLORS.IN ANY PARTICULAR 8 X 8 P
IXEL SQUARE... BE PREPARED TO COMPROM
ISE WITH.COLOR DETAILS. TRY THEM AND PI
CK THE.BEST... OUTSIDE THE ZOOM MODE
YOU CAN USE.THE XCOLOR FUNCTION TO CHANG
E THE.COLOR OF DETAILS LIKE, IN THIS.INS
TANCE, THE SUNGLASSES. HOWEVER,.IT'S HA
RD TO POSITION THE ARROW ON AN.OBJECT ON
E PIXEL WIDE...*TIP #5 - USE DRAW TO CRE
ATE SEPARATE.BLOTCHES OF COLORS YOU'LL B
E TRYING.ON AN UNUSED PART OF THE SCREEN
..SEE (5). THEN WHEN YOU WANT TO USE.XC
OLOR TO CHANGE THE YELLOW.SUNGLASSES TO
BLUE, JUST PUT THE.ARROW ON THE YELLOW B
LOTCH AND CLICK..THE SUNGLASSES ARE BLUE
!.. LOOK AT YOUR FIGURE FROM AFAR AND
.UP CLOSE. WHEN IT'S READY, IT'S TIME.F
OR THE NEXT STEP, COPYING THE FIGURE.ONT
O THE BACKGROUND (6)... NOTE THAT THE
SKIER'S OUTFIT.COLOR HAS CHANGED. THE
COLOR OF THE.DETAILED FACE AND GLASSES I
S.IMPORTANT BUT THE OUTFIT COLOR ISN'T..
. THIS IS BECAUSE YOU WON'T BE IN.ANY
DANGER OF EXCEEDING THE FOUR.COLORS PER
8 X 8 BLOCK LIMIT WITH THE.OUTFIT, BUT
THE DETAILED FACE WILL.PROBABLY CAUSE CH
ANGES IN THE.BACKGROUND RIGHT AROUND THE
FACE... YOU'LL HAVE TO COMPROMISE.
IF.YOU'VE SAVED THE FOREGROUND AND BACK-
.GROUND PICTURES YOU CAN EXPERIMENT.WITH
COPYING THE FOREGROUND FIGURE A.PIXEL O
R TWO RIGHT, LEFT, UP OR DOWN.AND GET AR
OUND SOME COLOR CONFLICTS... WHEN YOU
GET THE FIGURE.POSITIONED AND THE COLOR
S WORKED OUT.IT'S TIME FOR DETAIL-WORK O
N THE.WHOLE PICTURE (7)... TOUCH UP T
HE BACKGROUND IN THE.ZOOM MODE. THE FOR
EGROUND FIGURE CAN.BE HIGHLIGHTED WITH T
HE DRAW OR ZOOM.MODE, USING THE HALF-TON
E COLORS FOR.ADDED SHADING DETAIL. AT T
HIS STAGE.THE PICTURE IS ALMOST FINISHED
... IT'S HARD TO DECIDE WHEN THE.FINA
L PIXEL HAS BEEN TWEAKED BUT WALT.HAS A
WAY OF KNOWING. IT'S WHEN HIS.SIGNATURE
BOX APPEARS IN ONE OF THE.CORNERS. I H
AVE A FEELING HE HAS THE.BOX SAVED AS A
PICTURE AND JUST COPYS.IT ON WHEN HE'S D
ONE (8)... OKAY, THE PICTURE IS FINIS
HED BUT.NOW THE REAL FUN BEGINS!... T
HE BEAUTY OF COMPUTER ART IS.THAT IT IS
INCREDIBLY MODIFIABLE..USING THE XCOLOR
FUNCTION YOU CAN GO.CRAZY WITH YOUR NEW
MASTERPIECE..CHANGE THE SKY TO ORANGE FO
R A SUNLIT.LOOK. HOW ABOUT BLACK FOR SO
ME.MIDNIGHT SKIING? CHANGE THE SNOW TO.
BROWN AND YOU HAVE THE WORLD'S FIRST.MUD
SKIER! WELL, MAYBE NOT THE.FIRST...
WALT HARNED HAS MADE QUITE A NAME.FOR H
IMSELF IN WORLD OF ART IN.SEVERAL MEDIA.
COMPUTER ART IS ONE.OF HIS FAVORITES N
OW FOR A VARIETY OF.REASONS, NOT THE LEA
ST OF WHICH IS.THAT IT IS SO ACCESSIBLE
TO EVERYONE.... THIS WORKSHOP HAS BEE
N AIMED AT.THE POPULAR KOALA MULTICOLOR
FORMAT.BUT MANY OF THE TECHNIQUES CAN BE
.USED WITH OTHER DRAWING PROGRAMS LIKE.D
OODLE!, OCP ART STUDIO, GEOPAINT OR.BLAZ
ING PADDLES... THE TIME HAS COME TO P
AINT THAT.MASTERPIECE THAT HAS BEEN BOTT
LED UP.INSIDE OF YOU. GRAB YOUR CHOPSTI
CKS.AND DRAWING PAD AND SHOUT AT THE TOP
.OF YOUR LUNGS, "MOVE OVER, PICASSO,.I T
OO CAN PAINT!".. **** END OF TEXT
****.
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