TUTORIAL
FILE INFORMATION
FILENAME(S): TUTORIAL
FILE TYPE(S): PRG
FILE SIZE: 15.1K
FIRST SEEN: 2025-10-19 22:49:31
APPEARS ON: 1 disk(s)
FILE HASH
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FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| GOLD DISK 7 | TUTORIAL | PRG | Radd Maxx | 19 | 0 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
> DETECTED: COMMODORE BASIC PROGRAM (LOAD ADDRESS $0801)
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000039B0: 20 33 2E 22 00 DC 41 B7 01 99 22 20 20 20 12 35 | 3."..A..." .5|
000039C0: 92 20 20 D3 57 45 45 50 20 2D 20 C8 49 47 48 20 |. .WEEP - .IGH |
000039D0: D0 41 53 53 20 C6 49 4C 54 45 52 22 00 FF 41 B8 |.ASS .ILTER"..A.|
000039E0: 01 99 22 20 20 20 12 36 92 20 20 C1 44 44 20 D2 |.." .6. .DD .|
000039F0: 45 53 4F 4E 41 4E 43 45 20 54 4F 20 35 2E 22 00 |ESONANCE TO 5.".|
00003A00: 27 42 B9 01 99 22 20 20 20 12 37 92 20 20 D3 57 |'B..." .7. .W|
00003A10: 45 45 50 20 2D 20 CE 4F 20 20 20 20 20 20 20 20 |EEP - .O |
00003A20: C6 49 4C 54 45 52 22 00 4A 42 BA 01 99 20 22 13 |.ILTER".JB... ".|
00003A30: 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 |................|
00003A40: 11 11 11 11 11 11 11 11 22 3B 00 82 42 BB 01 99 |........";..B...|
00003A50: 20 22 12 5E 92 20 50 52 45 56 20 50 41 47 45 20 | ".^. PREV PAGE |
00003A60: 20 12 53 50 41 43 45 92 20 4E 45 58 54 20 50 41 | .SPACE. NEXT PA|
00003A70: 47 45 20 20 12 5F 92 20 C7 C4 20 4D 45 4E 55 91 |GE ._. .. MENU.|
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00003A90: A1 49 4E 24 3A 82 49 4D 00 AD 42 BD 01 A1 49 4E |.IN$:.IM..B...IN|
00003AA0: 24 3A 8B 49 4E 24 B2 22 22 A7 34 34 35 00 BD 42 |$:.IN$."".445..B|
00003AB0: BE 01 8B 49 4E 24 B2 22 20 22 A7 34 31 00 CE 42 |...IN$." ".41..B|
00003AC0: BF 01 8B 49 4E 24 B2 22 5E 22 A7 34 31 31 00 DF |...IN$."^".411..|
00003AD0: 42 C0 01 8B 49 4E 24 B2 22 5F 22 A7 34 30 39 00 |B...IN$."_".409.|
00003AE0: FA 42 C1 01 8B C5 28 49 4E 24 29 B2 30 B0 C5 28 |.B....(IN$).0..(|
00003AF0: 49 4E 24 29 B1 37 A7 34 34 34 00 16 43 C2 01 8D |IN$).7.444..C...|
00003B00: 34 31 30 3A 97 44 34 AA 33 2C 31 34 3A 97 44 34 |410:.D4.3,14:.D4|
00003B10: AA 36 2C 32 34 30 00 40 43 C3 01 8B 49 4E 24 B2 |.6,240.@C...IN$.|
00003B20: 22 31 22 A7 97 44 34 AA 32 33 2C 31 3A 97 44 34 |"1"..D4.23,1:.D4|
00003B30: AA 32 34 2C 33 31 3A 97 44 34 AA 32 32 2C 39 30 |.24,31:.D4.22,90|
00003B40: 00 6C 43 C4 01 8B 49 4E 24 B2 22 32 22 A7 97 44 |.lC...IN$."2"..D|
00003B50: 34 AA 32 33 2C 32 34 31 3A 97 44 34 AA 32 34 2C |4.23,241:.D4.24,|
00003B60: 33 31 3A 97 44 34 AA 32 32 2C 39 30 00 97 43 C5 |31:.D4.22,90..C.|
00003B70: 01 8B 49 4E 24 B2 22 33 22 A7 97 44 34 AA 32 33 |..IN$."3"..D4.23|
00003B80: 2C 31 3A 97 44 34 AA 32 34 2C 34 37 3A 97 44 34 |,1:.D4.24,47:.D4|
00003B90: AA 32 32 2C 31 30 30 00 C4 43 C6 01 8B 49 4E 24 |.22,100..C...IN$|
00003BA0: B2 22 34 22 A7 97 44 34 AA 32 33 2C 32 34 31 3A |."4"..D4.23,241:|
00003BB0: 97 44 34 AA 32 34 2C 34 37 3A 97 44 34 AA 32 32 |.D4.24,47:.D4.22|
00003BC0: 2C 31 30 30 00 EF 43 C7 01 8B 49 4E 24 B2 22 35 |,100..C...IN$."5|
00003BD0: 22 A7 97 44 34 AA 32 33 2C 31 3A 97 44 34 AA 32 |"..D4.23,1:.D4.2|
00003BE0: 34 2C 37 39 3A 97 44 34 AA 32 32 2C 31 31 30 00 |4,79:.D4.22,110.|
00003BF0: 1C 44 C8 01 8B 49 4E 24 B2 22 36 22 A7 97 44 34 |.D...IN$."6"..D4|
00003C00: AA 32 33 2C 32 34 31 3A 97 44 34 AA 32 34 2C 37 |.23,241:.D4.24,7|
00003C10: 39 3A 97 44 34 AA 32 32 2C 31 31 30 00 36 44 C9 |9:.D4.22,110.6D.|
00003C20: 01 97 44 34 AA 34 2C 36 35 3A 54 49 24 B2 22 30 |..D4.4,65:TI$."0|
00003C30: 30 30 30 30 30 22 00 55 44 CA 01 97 44 34 AA 31 |00000".UD...D4.1|
00003C40: 2C 31 36 30 AB 54 49 AD 32 3A 8B 54 49 B3 33 31 |,160.TI.2:.TI.31|
00003C50: 30 A7 34 35 38 00 63 44 CB 01 8D 34 31 30 3A 89 |0.458.cD...410:.|
00003C60: 34 34 34 00 00 00 |444... |
....... (C) 1985 GOLD DISK INC.$.....C..
.. SOUND TUTORIAL - PART II.I.....`....G
(9):.G(14):.G(8).....D0.13.4096:D4.D0.10
24:Q$.G(34)...... I.0.23:. D4.I,0:.:.D4.
24,15......53269,0...... 17.Q....IM.1.11
:.IN$:.IM.....D0.13.4096:D4.D0.1024.....
. ".........................";.F.... ".^
. PREV PAGE .SPACE. NEXT PAGE ._. GD M
ENU..".[.... IN$:.IN$."".14...... IN$.."
^" . IN$.." " . IN$.."_" .14............
D0.32,0:. D0.33,0.X...A$."... AD
VANCED SOUND CREATION ."...... A
$......"LAST MONTH WE TALKED ABOUT ELEME
NTARY".7...."SOUND CREATION ON THE C64.
LET'S".D...."QUICKLY REVIEW THE BYTES T
HAT COMBINE"......"TO CREATE ONE VOICE."
......:.".VOICE 1. PITCH LO/HI 5
4272/3".Z...." PULSE WIDTH LO/HI
54274/5"......" WAVEFORM CHOIC
E 54276". ...." AND ON/OFF"
.I...." ATTACK/DECAY 54277
".R...." SUSTAIN/RELEASE 5427
8"......:.".VOICE 2. 54279-54285".....
.:.".VOICE 3. 54286-54292"... ..:."FOR
CONVENIENCE, DURING THIS LESSON"...!..:
." .V1=54272. .V2=54279. .V3=5428
6.".G."..:." AND .VN. IS ANY OF .V1.
, .V2. OR .V3.".].#..IM.1.11:.IN$:.IM...
$.. ".........................";...%.. "
.SPACE. NEXT PAGE ._. GD M
ENU..".K.&.. IN$:.IN$."".38...'.. IN$.."
" . IN$.."_" .38...(.. IN$."_" . 409...
).. A$.*.*.."THIS MONTH WE WILL DEAL WIT
H".O.+..:.".ADVANCED SOUND TECHNIQUES.".
}.,..:."N.B. .ADSR. REFERS TO ATTACK, D
ECAY"...-.." SUSTAIN AND RELE
ASE VALUES.".W....:."TO LEARN MORE - SEL
ECT AN OPTION.".../..:." .1. COMBINI
NG VOICES". .0.." .2. VOLUME CHANGE
EFFECTS".@.1.." .3. RING MODULATION"
.F.2.." .4. VOICE SYNCHRONIZATION"..
.3.." .5. FREQUENCY FILTERING & RESO
NANCE"...4..:." .*. FIRST SCREEN".M.
5.." ._. GD MENU"...6..QW$:.QW$."".5
4...7..QW$."1".63...8..QW$."2".187...9..
QW$."3".231.$.:..QW$."4".281.5.;..QW$."5
".331.E.<..QW$."*".17.V.=..QW$."_".409.^
.>..54...?..".. COMBINING VOICES - MUSIC
."...@..".DON'T MIX MUSIC
AL VOICES WITH"...A..".NON-MUSICAL VOICE
S.. IN GENERAL THEY"...B.."DON'T INTERA
CT WELL AND CAN SOUND".-.C.."DREADFULLY
OUT OF TUNE.".^.D..:."SOME COMBINATIONS
OF NOTES SOUND BETTER"...E.."THAN OTHERS
. CHORDS AND OCTAVE"...F.."DIFFERENCES
HAVE A PLEASANT MATHEM-"...G.."ATICALLY-
RELATED SOUND. OTHERS, SUCH"...H.."AS N
OTES ONE TONE APART, CAN SOUND".4.I.."GR
ATING OR DISCHORDANT. YOU MAY HAVE".P.J
.."USES FOR BOTH TYPES.".|.K..:."COMBINI
NG MUSICAL VOICES IS JUST A"...L.."MATTE
R OF PLAYING NOTES ON EACH VOICE.".W.M..
"DIVIDE THE MUSIC INTO SMALL NOTES FOR".
..N.."EACH VOICE. A LONG NOTE CAN BE MA
NY"./.O.."SMALL NOTES. RESTS CAN BE PLA
YED AS".H.P.."ZERO PITCH NOTES."._.Q.. 1
0:. IN$."" . 81.R.R.. IN$."^" . 41...S..
IN$."_" . 409...T..".. COMBINING VOICES
- SOUND EFFECTS .".V.U..".NOISE A
ND NON-NOISE."...V..:."NOISE EFFECTS CAN
BE MADE FAR MORE".,.W.."IMPRESSIVE BY R
E-INFORCING IT WITH".[.X.."EITHER A SQUA
RE WAVE OR SAWTOOTH VOICE."...Y.."(TRIAN
GULAR VOICES ARE GENERALLY TOO"...Z.."QU
IET TO BE HEARD EFFECTIVELY THROUGH".G.[
.."THE NOISE.)"...\..:."LET'S ILLUSTRATE
WITH AN EXPLOSION."...]..:." ATTACK
2".$.^.." DECAY 2".;._.."
SUSTAIN 15".\.`.." RELEASE 14"
"...A..:."WE TURN THE VOICE ON THEN O
FF QUICKLY."...B..:." .1. NOISE ONL
Y".L.C.." .2. NOISE & SAWTOOTH"...D
..IM.0.11:.IN$:.IM...E.. "..............
...........";.=.F.. ".^. PREV PAGE .SPA
CE. NEXT PAGE ._. GD MENU..".R.G..IN$:.
IN$."".103.C.H..IN$." ".115.S.I..IN$."^"
.63...J..IN$."_".409...K..IN$.."1".IN$..
"2".103.K.L..410:.D4.5,77:.D4.6,124:.D4.
1,3:J.3.256...M..IN$."2"..D4.12,77:.D4.1
3,124:.D4.8,3:.D4.10,2.#.N..D4.4,129:.D4
.11,65:TI$."000000".1.O..TI.6.111.X.P.K.
J.TI:.D4.0,(K.255):.D4.7,(K.255)...Q..D4
.1,K.256:.D4.8,K.256:.TI.240.112...R..41
0:.103.A.S..".. COMBINING VOICES - SOUND
EFFECTS .".X.T..".LINKED VOICES."
...U..:.".LINKED VOICES. ARE LOOSELY REL
ATED TO".6.V.."EACH OTHER. FOR INSTANCE
, LET'S TRY A".D.W.."SPECIAL EFFECT WITH
2 SAWTOOTH VOICES."...X..:." SET
TI$="Q$"000000"Q$...Y.." THEN VOICE 1 P
ITCH HI 100-TI/2".W.Z.." VOICE 2 P
ITCH HI 100-TI"...{..:."NOTICE THAT THE
VOICE 2 PITCH DROPS"./.|.."TWICE AS FAST
AS THE VOICE 1 PITCH.".M.}..:.".PRESS A
KEY TO TRY.".B.~..IN$:.IN$."".126.....
410:.D4.6,240:.D4.13,240:TI$."000000"...
...D4.4,33:.D4.11,33.O....D4.1,100.TI.2:
.D4.8,100.TI:.TI.90.128.X....410......:.
"THE .1:2. RATIO CAN BE CHANGED FOR"....
.."DIFFERENT EFFECTS.".6.... 10:. IN$.""
. 133.I.... IN$."^" . 84.].... IN$."_"
. 409......".. COMBINING VOICES - SOUND
EFFECTS ."......".LINKED VOICES.".
T....:."NOW LET'S TRY A SIREN WITH 2 SQU
ARE"......"WAVES."......:." SET TI
$="Q$"000000"Q$.1...."VC 1 PITCH HI 10+A
BS(15-(TIAND31))"._...."VC 2 PITCH HI 10
+ABS(15-((TI+8)AND31))"......:."VOICE 1
TRAILS VOICE 2 BY 8 JIFFIES."......"CAN
YOU SEE WHY?".G....:.".PRESS A KEY TO HE
AR IT."......IN$:.IN$."".146......410:.D
4.3,8:.D4.10,8:.D4.6,240:.D4.13,240./...
TI$."000000":.D4.4,65:.D4.11,65.E....D4.
1,10..(15.(TI.31)):.D4.8,10..(15.((TI.8)
.31)).U....TI.140.149.~....410......:."T
RY DIFFERENT TRAILING NUMBERS AND GET".O
...."VASTLY DIFFERENT EFFECTS."...... 10
:. IN$."" . 154...... IN$."^" . 115.....
. IN$."_" . 409.B....".. COMBINING VOICE
S - SOUND EFFECTS .".I....".TRIANG
ULAR AND NON-TRIANGULAR."......:."THE TR
IANGULAR VOICE IS OFTEN SO QUIET".C. .."
MIXING IT WITH ANY OTHER WAVEFORMS".....
."RENDERS IT USELESS. THERE ARE CERTAIN
"......"STEPS THAT MUST BE TAKEN TO PREV
ENT".)...."THIS.".Z....:.".-. SET THE TR
IANGULAR VOICE AT FULL OR".}...." NEAR
FULL SUSTAIN VOLUME."......".-. SET THE
OTHER VOICE WELL BELOW FULL".E...." SUS
TAIN VOLUME."......".-. AVOID IDENTICAL
PITCHES WHEREVER"......" POSSIBLE.".1..
..".-. AVOID LOW PITCH TRIANGULAR SOUNDS
".`....:."HERE'S AN EXAMPLE OF A TRIANGU
LAR AND"......"A NOISE SOUND MIXTURE.":.
:.".PRESS A KEY.."......I.1.12:.IN$:....
...IN$:.IN$."".174......410:.D4.8,4:.D4.
6,249:.D4.13,237:.D4.12,16......J.1.4:TI
$."000000":.D4.4,17.(....D4.1,60.TI.3:.T
I.80.177.@....D4.4,16:.D4.11,129.O....TI
.85.179.J....D4.11,128:.TI.100.180.Q....
J......TI.190.182......410:.".
"......10:. IN$."^".136.P..
.. IN$."_" . 409.X....41.. ...".. VOLUME
CHANGE EFFECTS .".7 ..
."THE C64 PROVIDES MANY WAYS TO CHANGE".
U ..."THE VOLUME OF A VOICE.".Z ...:.".G
RADUALLY DECREASE VOLUME.".. ...:."GRADU
ALLY DECREASING VOLUME CAN BE USED".L ..
."IN MANY EFFECTS. IMAGINE".. A..:." .
-. FOOTSTEPS IN A CORRIDOR"..!B.." .-.
GUNSHOT"..!C.." .-. THUNDER".@!D.." .-
. RECEDING SOUND SOURCE".N!E..:."WE'RE G
OING TO DEMONSTRATE 4 WAYS OF"..!F.."GRA
DUALLY DECREASING THE VOLUME.".B!G..:."
.1. LONG RELEASE, GATE VOICE OFF"..!H..
" .2. FAST ATT, LONG DEC, LOW SUS".."I.
." .3. REDUCE SUSTAIN VOLUME".1"J.." .
4. REDUCE OVERALL VOLUME".Y"K.." (TH
IS AFFECTS ALL 3 VOICES)".|"L.. ".......
..................";.."M.. ".^. PREV PAG
E .SPACE. NEXT PAGE ._. GD MENU..".J"N
..IM.0.11:.IN$:.IM.."O..IN$:.IN$."".207.
."P..IN$." ".41.."Q..IN$."^".41..#R..IN$
."_".409.+#S..E(IN$).0.E(IN$).4.207.=#T.
.410:.D4.1,16.O#U..IN$.."1".218.S#V..D4.
6,252:.D4.4,33:TI$."000000"..#W..TI.4.21
5..#X..D4.4,32:.TI.120.216..#Y..410:.206
..#Z..IN$.."2".222..#...D4.5,12:.D4.4,33
:TI$."000000"..#...TI.120.220..#...410:.
206..$...IN$.."3".226.1$...D4.6,240:TI$.
"000000":.D4.4,33.P$...D4.6,240.2.TI:.TI
.114.224.^$...410:.206..$..TI$."000000":
.D4.6,240:.D4.4,33..$...D4.24,15.TI.8:.T
I.110.227..$...410:.D4.24,15:.206.N$...1
0:. IN$."^".41..$... IN$."_" . 409..%...
".. RING MODULATION
.".A%...".RING MODULATION. IS A SPECI
AL SOUND".F%..."EFFECT CREATED BY TWO VO
ICES,"..%..." VOICE 1 WITH VOICE 3"..%
..." VOICE 2 WITH VOICE 1".D%..." VO
ICE 3 WITH VOICE 2."..%...:."THE RESULTA
NT SOUND IS A COMBINATION"..&..."OF THE
PITCHES OF THE TWO VOICES.".H&...:.".RIN
G MOD CAN ONLY BE USED WITH THE".X&...".
TRIANGULAR WAVEFORM.. IT IS CONTROLLED"
..&..."BY BIT 2 OF THE WAVEFORM CHOICE B
YTE".Q&..."(VN+4). ONLY THE PITCH OF TH
E SECOND"..&..."VOICE NEEDS TO BE SET.".
3'...:."YOU CAN GET RING MOD (VC 1 WITH
VC 3)":."BY THE FOLLOWING.".C'...:." .-
. SET VOICE 1 AND VOICE 3 PITCHES."..'..
." .-. SET VOICE 1 CHARACTERISTICS."..'
..." .-. POKE V1+4,16+4+1"..'...10:.IN$
."^".41.P'...IN$."_".409..(...".. RING M
ODULATION ."..(..
."LET'S HEAR IT NOW.".J(...:."WHILE YOU
ARE LISTENING TRY TO HEAR".W(..."WHEN TH
E VARYING PITCH BECOMES HIGHER"..(..."TH
AN THE CONSTANT PITCH. THE EFFECT IS".G
(..."PRONOUNCED WITH OPTION 2."..(...:."
.1. VARY VOICE 1 PITCH"..)..."
.2. VARY VOICE 3 PITCH".:)..." .3.
VARY BOTH VOICE PITCHES".T)..." .4
. CONTINUE".I)...IN$:.IN$."".260..)...E
(IN$).0.E(IN$).4.260..)...IN$."4".271..)
...410:.D4.15,36:.D4.6,240.H)...IN$."2".
.D4.1,48..)..TI$."000000":.D4.4,21..)...
IN$."1"..D4.1,2.TI..*...IN$."2"..D4.15,2
.TI.7*...IN$."3"..D4.1,1.5.TI:.D4.15,TI.
G*...TI.122.266.U*...410:.260..*...:."YO
U'LL GENERALLY GET A BETTER SOUND IF"..*
..."THE SECOND PITCH IS LOWER THAN THE".
C*..."FIRST PITCH."..*...:."ON YOUR OWN
YOU CAN TRY"..+...:." .-. PITCHES VER
Y CLOSE TOGETHER".2+..." .-. PITCHES
FAR APART".[+..." .-. ONE PITCH TWICE
THE OTHER".P+...10:.IN$."^".231..+...IN
$."_".409..+...41..+...".. SYNCHRONIZATI
ON ."..+...".SYNC
HRONIZATION. IS A SPECIAL SOUND"..,..."E
FFECT CREATED BY TWO VOICES,".,,..." V
OICE 1 WITH VOICE 3".K,..." VOICE 2 WI
TH VOICE 1".K,..." VOICE 3 WITH VOICE
2."..,...:."THE RESULTANT SOUND DEPENDS
ON WHETHER".J, .."THE TWO VOICES ARE IN
'SYNC'. THERE ARE"..,!.."NO RESTRICTIONS
ON THE WAVEFORM SELECT-".(-".."ION AS T
HERE ARE WITH RING MOD. SYNC IS".S-#.."C
ONTROLLED BY BIT 1 OF THE WAVEFORM".-$.
."CHOICE BYTE, (VN+4). ONLY THE PITCH".
.-%.."NEEDS TO BE SET FOR THE SECOND VOI
CE."..-&..:."YOU CAN GET SYNC (VC 1 WITH
VC 3) BY":."THE FOLLOWING."...'..:." .
-. SET VOICE 1 AND VOICE 3 PITCHES.".F.(
.." .-. SET VOICE 1 CHARACTERISTICS.".C
.).." .-. POKE V1+4,X+2+1"...*.." W
HERE X=64, 32 OR 16."...+..10:.IN$."^".4
1...,..IN$."_".409...-..IN$."_".409.....
.".. SYNCHRONIZATION
."..//.."WE ARE GOING TO TRY THE SAW
TOOTH".E/0.."WAVEFORM. SEE IF YOU CAN H
EAR WHEN THE".O/1.."VARYING PITCH EXCEED
S THE CONSTANT"../2.."PITCH. IT IS PART
ICUALRILY EVIDENT IN"../3.."OPTION 2.".T
/4..:." .1. VARY VOICE 1 PITCH"../5
.." .2. VARY VOICE 3 PITCH".!06.."
.3. VARY BOTH VOICE PITCHES".;07.."
.4. CONTINUE".P08..IN$:.IN$."".312
.K09..E(IN$).0.E(IN$).4.312.|0:..IN$."4"
.323..0;..410:.D4.15,24:.D4.6,240..0<..I
N$."2"..D4.1,60.I0=.TI$."000000":.D4.4,3
5..0>..IN$."1"..D4.1,2.TI..0?..IN$."2"..
D4.15,.8.TI.&1@..IN$."3"..D4.1,1.7.TI.9:
.D4.15,34.TI.4.61A..TI.122.318.D1B..410:
.312.T1C..:."YOU'LL GENERALLY GET A BETT
ER SOUND IF"..1D.."THE SECOND PITCH IS L
OWER THAN THE"..1E.."FIRST PITCH."..1F..
:."TRY THE OTHER WAVEFORMS AND VARIOUS".
.2G.."PITCH COMBINATIONS ON YOUR OWN."..
2H..10:.IN$."^".281.,2I..IN$."_".409.42J
..41.G2K..".. FILTERS & RESONANCE - FILT
ERS ."..2L..".FILTERS. CAN BE U
SED WITH ANY SOUND TO".E2M.."FAVOR SOME
FREQUENCIES OVER OTHERS. THE"..2N.."C64
PROVIDES 3 FILTERS; .LOW PASS.,".#3O..".
BAND PASS. AND .HIGH PASS.. THESE FILTE
RS".M3P.."WORK BY 'PASSING' OR ALLOWING
LOW,".X3Q.."MIDDLE OR HIGH FREQUENCIES T
HROUGH."..3R..:."THE FILTER SELECTION TA
KES PLACE IN".Q3S.."BITS 4-6 OF 54296.
THIS IS THE SAME"..3T.."BYTE AS THE OVER
ALL VOLUME LEVEL.".)4U..:."TO SELECT A F
ILTER AND NOT AFFECT THE".D4V.."OVERALL
VOLUME JUST".T4W..:.".POKE 54296,((PEEK(
54296)AND15)OR2^X)."..4X..:." WHERE
X IS 4 LOW PASS"..4Y.."
5 BAND PASS"..4Z.." 6 H
IGH PASS"..4[..10:.IN$."^".41..5\..IN$."
_".409.95]..".. FILTERS & RESONANCE - FI
LTERS .".H5^.."NEXT WE CHOOSE W
HICH VOICE OR VOICES TO".W5_.."FILTER.".
.5`..:.".POKE 54295,((54295)AND248)OR2^X
).".Q5A..:." WHERE X IS 0 FILTER ON
VOICE 1"..5B.." 1 FILTE
R ON VOICE 2".)6C.." 2 F
ILTER ON VOICE 3".V6D..:."TO UNSELECT TH
E VOICE (TURN OFF THE".J6E.."FILTER) JUS
T"..6F..:.".POKE 54295,(PEEK(54295)AND24
8)."..6G..10:.IN$."^".331..6H..IN$."_".4
09..6I..".. FILTERS & RESONANCE - FILTER
S ."..7J.."THE FILTER NOW NEEDS
SOME VALUE AT".E7K.."WHICH TO OPERATE.
THIS .CUTOFF POINT.".S7L.."IS CONTROLLE
D BY 54294 AND BITS 0-2 OF"..7M.."54293.
UNFORTUNATELY THE NUMBERS DON'T".O7N..
"DIRECTLY CORRESPOND TO PITCH NUMBERS.".
.7O..:."AS A ROUGH RULE THE"..8P..:."
.CUTOFF VALUE.".28Q.."
.------------.".T8R.." .
2047 ."..8S..:."REPRESENTS THE PORT
ION OF THE SOUND"..8T.."AFFECTED."..8U..
:."TO SET A CUTOFF POINT VALUE JUST"..8V
..:." .POKE 54294,VALUE/8."..9W.."
.POKE 54293,VALUE AND 7."..9X..10:.IN
$."^".349.*9Y..IN$."_".409.]9Z..".. FILT
ERS & RESONANCE - FILTERS .".M9
{.."REMEMBER"..9|..:." .-. SELECT A FI
LTER TYPE..9}.." .-. CHOOSE THE AFFECT
ED VOICES"..9~.." .-. SET A CUTOFF POI
NT"..:..:."FILTERS TAKE A LOT OF PRACTI
CE BEFORE".6:..."YOU GET WHAT YOU WANT.
HOWEVER, THE".E:..."ONLY WAY TO GET GOO
D IS TO TRY IT YOUR-"..:..."SELF. BELOW
ARE SQUARE WAVE OPTIONS."..:..."TRY IT
YOURSELF WITH THE OTHER".J:..."WAVEFORMS
."..:...:." .1. SWEEP LOW PASS FILTE
R"..;..." .2. SWEEP BAND PASS FILTER"
.>;..." .3. SWEEP HIGH PASS FILTER".D
;..." .4. SWEEP WITH NO FILTER"..;.
.. ".........................";..;... ".
^. PREV PAGE .SPACE. NEXT PAGE ._. GD
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