_  __   _  _         _ _     _      _           _           
  __| |/ /_ | || |     __| (_)___| | __ (_)_ __   __| | _____  __
 / _` | '_ \| || |_   / _` | / __| |/ / | | '_ \ / _` |/ _ \ \/ /
| (_| | (_) |__   _| | (_| | \__ \   <  | | | | | (_| |  __/>  < 
 \__,_|\___/   |_|    \__,_|_|___/_|\_\ |_|_| |_|\__,_|\___/_/\_\
                                                                 
            

Multiple names: SAM, SAM VOICE      D

FILE INFORMATION

FILENAME(S):
• SAM<br>• SAM&nbspVOICE&nbsp&nbsp&nbsp&nbsp&nbsp&nbspD

FILE TYPE(S): SEQ

FILE SIZE: 16.5K

FIRST SEEN: 2025-11-30 18:12:26

APPEARS ON: 2 disk(s)

FILE HASH

e6d39756b79f8594b0b9fbae058786d75448c8dda30302554c42ef8859be64ac

FOUND ON DISKS (2 DISKS)

DISK TITLE FILENAME FILE TYPE COLLECTION TRACK SECTOR ACTIONS
DOCS SAM SEQ Sailor, Ganheden 30 7 DOWNLOAD FILE
DATARICH SAM VOICE      D SEQ Sailor, Ganheden 25 0 DOWNLOAD FILE

FILE CONTENT & ANALYSIS

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000037A0: 48 45 20 54 48 49 52 44  20 53 59 4C 4C 41 42 42  |HE THIRD SYLLABB|
000037B0: 4C 45 20 43 4F 4D 45 53  20 4F 55 54 20 41 53 20  |LE COMES OUT AS |
000037C0: 22 CC C5 D9 22 2C 20 41  4E 44 20 54 48 45 20 46  |"...", AND THE F|
000037D0: 4F 55 52 54 48 20 42 45  43 4F 4D 45 53 20 22 D3  |OURTH BECOMES ".|
000037E0: C8 C1 D8 CE DA 22 2E 20  D4 48 49 53 20 57 4F 52  |.....". .HIS WOR|
000037F0: 44 20 45 4E 44 53 20 57  49 54 48 48 20 41 20 56  |D ENDS WITHH A V|
00003800: 4F 49 43 45 44 20 53 4F  55 4E 44 20 22 DA 22 20  |OICED SOUND "." |
00003810: 41 4E 44 20 4E 4F 54 20  54 48 45 20 48 49 53 53  |AND NOT THE HISS|
00003820: 59 20 22 D3 22 20 53 4F  55 4E 44 20 41 53 20 49  |Y "." SOUND AS I|
00003830: 4E 20 22 4C 49 53 54 22  2E 20 D9 4F 55 20 57 49  |N "LIST". .OU WI|
00003840: 4C 4C 20 52 41 50 49 44  4C 59 20 44 49 53 43 4F  |LL RAPIDLY DISCO|
00003850: 56 45 52 20 54 48 41 54  20 4D 41 4E 59 20 57 4F  |VER THAT MANY WO|
00003860: 52 44 53 20 43 4F 4E 54  41 49 4E 20 54 48 45 20  |RDS CONTAIN THE |
00003870: 50 48 4F 4E 45 54 49 43  20 43 4F 4D 42 49 4E 41  |PHONETIC COMBINA|
00003880: 54 49 4F 4E 53 20 22 C1  D8 CC 22 2C 20 22 C1 D8  |TIONS "...", "..|
00003890: CD 22 20 41 4E 44 20 22  C1 D8 CE 2E 22 20 D4 4F  |." AND "...." .O|
000038A0: 20 45 4E 48 41 4E 43 45  20 54 48 45 20 52 45 41  | ENHANCE THE REA|
000038B0: 44 41 42 49 4C 49 54 59  20 4F 46 20 54 48 45 20  |DABILITY OF THE |
000038C0: 50 48 4F 4E 45 54 49 43  20 53 50 45 4C 4C 49 4E  |PHONETIC SPELLIN|
000038D0: 47 2C 20 54 48 45 20 53  50 45 43 49 41 4C 20 53  |G, THE SPECIAL S|
000038E0: 59 4D 42 4F 4C 53 20 22  D5 CC 2C 22 20 22 D5 CD  |YMBOLS "..," "..|
000038F0: 22 20 41 4E 44 20 22 D5  CE 22 20 43 41 4E 20 42  |" AND ".." CAN B|
00003900: 45 20 53 55 42 53 54 49  54 55 54 45 44 20 46 4F  |E SUBSTITUTED FO|
00003910: 52 20 54 48 45 53 45 20  43 4F 4D 42 49 4E 41 54  |R THESE COMBINAT|
00003920: 49 4F 4E 53 2E 20 D4 48  45 20 22 54 49 4F 4E 53  |IONS. .HE "TIONS|
00003930: 22 20 53 59 4C 4C 41 42  4C 45 20 49 53 20 4E 4F  |" SYLLABLE IS NO|
00003940: 57 20 57 52 49 54 54 45  4E 20 41 53 20 22 D3 C8  |W WRITTEN AS "..|
00003950: D5 CE DA 22 2E 20 D3 4F  2C 20 22 43 41 4C 43 55  |...". .O, "CALCU|
00003960: 4C 41 54 49 4F 4E 53 22  20 42 45 43 4F 4D 45 53  |LATIONS" BECOMES|
00003970: 20 22 CB C1 C5 CC CB D9  D5 D7 CC C5 D9 D3 C8 D5  | "..............|
00003980: CE DA 22 2E 0D D4 48 45  20 4E 45 58 54 20 57 4F  |.."...HE NEXT WO|
00003990: 52 44 20 22 4F 4E 22 20  42 45 43 4F 4D 45 53 20  |RD "ON" BECOMES |
000039A0: 22 C1 C1 CE 22 2C 20 41  4E 44 20 22 54 48 45 22  |"...", AND "THE"|
000039B0: 20 42 45 43 4F 4D 45 53  20 22 C4 C8 C1 D8 22 2E  | BECOMES "....".|
000039C0: 20 C2 59 20 54 48 45 20  57 41 59 2C 20 49 46 20  | .Y THE WAY, IF |
000039D0: 54 48 45 20 57 4F 52 44  20 22 54 48 45 22 20 50  |THE WORD "THE" P|
000039E0: 52 45 43 45 44 45 53 20  41 20 57 4F 52 44 20 42  |RECEDES A WORD B|
000039F0: 45 47 49 4E 4E 49 4E 47  20 57 49 54 48 20 41 20  |EGINNING WITH A |
00003A00: 56 4F 57 45 4C 2C 20 49  54 20 47 45 54 53 20 50  |VOWEL, IT GETS P|
00003A10: 52 4F 4E 4F 55 4E 43 45  44 20 22 54 48 45 45 22  |RONOUNCED "THEE"|
00003A20: 20 41 4E 44 20 49 53 20  53 50 45 4C 4C 45 44 20  | AND IS SPELLED |
00003A30: 22 C4 C8 C9 D9 22 2E 20  D9 4F 55 20 53 48 4F 55  |"....". .OU SHOU|
00003A40: 4C 44 20 41 4C 53 4F 20  4E 4F 54 49 43 45 20 54  |LD ALSO NOTICE T|
00003A50: 48 41 54 20 54 48 45 20  22 54 48 22 20 4C 45 54  |HAT THE "TH" LET|
00003A60: 54 45 52 20 43 4F 4D 42  49 4E 41 54 49 4F 4E 20  |TER COMBINATION |
00003A70: 48 41 53 20 54 57 4F 20  50 48 4F 4E 45 54 49 43  |HAS TWO PHONETIC|
00003A80: 20 52 45 50 52 45 53 45  4E 54 41 54 49 4F 4E 53  | REPRESENTATIONS|
00003A90: 3A 20 55 4E 56 4F 49 43  45 44 20 28 D4 C8 29 20  |: UNVOICED (..) |
00003AA0: 41 53 20 49 4E 20 22 54  48 49 4E 22 20 4F 52 20  |AS IN "THIN" OR |
00003AB0: 56 4F 49 43 45 44 20 28  C4 C8 29 20 41 53 20 49  |VOICED (..) AS I|
00003AC0: 4E 20 22 54 48 45 22 2E  0D C2 59 20 4E 4F 57 2C  |N "THE"...Y NOW,|
00003AD0: 20 54 48 45 20 53 54 45  50 53 20 55 53 45 44 20  | THE STEPS USED |
00003AE0: 49 4E 20 47 45 54 54 49  4E 47 20 46 52 4F 4D 20  |IN GETTING FROM |
00003AF0: 22 43 4F 4D 50 55 54 45  52 22 20 54 4F 20 22 CB  |"COMPUTER" TO ".|
00003B00: D5 CD D0 D9 D5 D7 D4 C5  D2 22 20 53 48 4F 55 4C  |........." SHOUL|
00003B10: 44 20 41 4C 52 45 41 44  59 20 42 45 20 4F 42 56  |D ALREADY BE OBV|
00003B20: 49 4F 55 53 2E 20 D4 52  59 20 49 54 2E 0D CF 4E  |IOUS. .RY IT...N|
00003B30: 43 45 20 59 4F 55 20 47  45 54 20 55 53 45 44 20  |CE YOU GET USED |
00003B40: 54 4F 20 54 48 45 20 50  48 4F 4E 45 54 49 43 20  |TO THE PHONETIC |
00003B50: 53 59 53 54 45 4D 2C 20  49 54 20 57 49 4C 4C 20  |SYSTEM, IT WILL |
00003B60: 53 45 45 4D 20 56 45 52  59 20 45 41 53 59 20 41  |SEEM VERY EASY A|
00003B70: 4E 44 20 4F 42 56 49 4F  55 53 2E 20 C9 4E 49 54  |ND OBVIOUS. .NIT|
00003B80: 49 41 4C 4C 59 2C 20 54  48 45 52 45 20 57 49 4C  |IALLY, THERE WIL|
00003B90: 4C 20 42 45 20 53 4F 4D  45 20 53 50 45 4C 4C 49  |L BE SOME SPELLI|
00003BA0: 4E 47 53 20 54 48 41 54  20 53 45 45 4D 20 54 52  |NGS THAT SEEM TR|
00003BB0: 49 43 4B 59 20 28 C4 49  44 20 59 4F 55 20 4B 4E  |ICKY (.ID YOU KN|
00003BC0: 4F 57 20 54 48 41 54 20  22 41 44 56 45 4E 54 55  |OW THAT "ADVENTU|
00003BD0: 52 45 22 20 48 41 53 20  41 20 22 C3 C8 22 20 49  |RE" HAS A ".." I|
00003BE0: 4E 20 49 54 3F 29 2E 20  C8 4F 57 45 56 45 52 2C  |N IT?). .OWEVER,|
00003BF0: 20 54 48 45 20 52 55 4C  45 20 49 53 20 41 4C 57  | THE RULE IS ALW|
00003C00: 41 59 53 20 54 4F 20 57  52 49 54 45 20 54 48 45  |AYS TO WRITE THE|
00003C10: 20 57 4F 52 44 20 54 48  45 20 57 41 59 20 59 4F  | WORD THE WAY YO|
00003C20: 55 20 53 41 59 20 49 54  2C 20 4E 4F 54 20 54 48  |U SAY IT, NOT TH|
00003C30: 45 20 57 41 59 20 59 4F  55 20 53 50 45 4C 4C 20  |E WAY YOU SPELL |
00003C40: 49 54 2E 0D D4 4F 20 48  45 4C 50 20 59 4F 55 20  |IT...O HELP YOU |
00003C50: 4C 45 41 52 4E 20 54 48  45 20 53 59 53 54 45 4D  |LEARN THE SYSTEM|
00003C60: 20 46 41 53 54 2C 20 57  45 20 48 41 56 45 20 50  | FAST, WE HAVE P|
00003C70: 52 4F 56 49 44 45 44 20  41 4E 20 C5 4E 47 4C 49  |ROVIDED AN .NGLI|
00003C80: 53 48 2D 54 4F 2D 50 48  4F 4E 45 54 49 43 20 53  |SH-TO-PHONETIC S|
00003C90: 50 45 4C 4C 49 4E 47 20  44 49 43 54 49 4F 4E 41  |PELLING DICTIONA|
00003CA0: 52 59 20 4F 46 20 41 4C  4D 4F 53 54 20 31 35 30  |RY OF ALMOST 150|
00003CB0: 30 20 57 4F 52 44 53 2E  20 CD 41 4E 59 20 43 4F  |0 WORDS. .ANY CO|
00003CC0: 4D 4D 4F 4E 20 57 4F 52  44 53 20 41 52 45 20 49  |MMON WORDS ARE I|
00003CD0: 4E 20 54 48 45 20 44 49  43 54 49 4F 4E 41 52 59  |N THE DICTIONARY|
00003CE0: 3B 20 53 4F 4D 45 20 55  4E 55 53 55 41 4C 20 4F  |; SOME UNUSUAL O|
00003CF0: 4E 45 53 20 41 52 45 20  49 4E 20 49 54 20 41 53  |NES ARE IN IT AS|
00003D00: 20 57 45 4C 4C 2E 20 C9  46 20 59 4F 55 20 41 52  | WELL. .F YOU AR|
00003D10: 45 20 52 45 41 4C 4C 59  20 53 54 55 43 4B 20 4F  |E REALLY STUCK O|
00003D20: 4E 20 48 4F 57 20 54 4F  20 53 50 45 4C 4C 20 41  |N HOW TO SPELL A|
00003D30: 20 57 4F 52 44 20 54 48  41 54 20 49 53 4E 27 54  | WORD THAT ISN'T|
00003D40: 20 49 4E 20 54 48 45 20  44 49 43 54 49 4F 4E 41  | IN THE DICTIONA|
00003D50: 52 59 2C 20 54 48 49 4E  4B 20 4F 46 20 41 4E 4F  |RY, THINK OF ANO|
00003D60: 54 48 45 52 20 57 4F 52  44 20 54 48 41 54 20 53  |THER WORD THAT S|
00003D70: 4F 55 4E 44 53 20 4C 49  4B 45 20 49 54 20 41 4E  |OUNDS LIKE IT AN|
00003D80: 44 20 54 48 41 54 20 4F  4E 45 20 4D 41 59 20 42  |D THAT ONE MAY B|
00003D90: 45 20 4C 49 53 54 45 44  2E 0D C9 4E 20 41 4E 59  |E LISTED...N ANY|
00003DA0: 20 43 41 53 45 2C 20 44  4F 4E 27 54 20 48 45 53  | CASE, DON'T HES|
00003DB0: 49 54 41 54 45 20 54 4F  20 45 58 50 45 52 49 4D  |ITATE TO EXPERIM|
00003DC0: 45 4E 54 20 57 49 54 48  20 54 48 45 20 50 48 4F  |ENT WITH THE PHO|
00003DD0: 4E 45 54 49 43 20 53 50  45 4C 4C 49 4E 47 20 53  |NETIC SPELLING S|
00003DE0: 59 53 54 45 4D 2E 20 CC  45 54 20 59 4F 55 20 45  |YSTEM. .ET YOU E|
00003DF0: 41 52 53 20 42 45 20 59  4F 55 52 20 47 55 49 44  |ARS BE YOUR GUID|
00003E00: 45 2E 20 D4 48 49 53 20  53 59 53 54 45 4D 20 49  |E. .HIS SYSTEM I|
00003E10: 53 20 45 41 53 59 20 54  4F 20 4C 45 41 52 4E 2C  |S EASY TO LEARN,|
00003E20: 20 45 41 53 59 20 54 4F  20 55 53 45 2C 20 45 41  | EASY TO USE, EA|
00003E30: 53 59 20 54 4F 20 52 45  41 44 2C 20 41 4E 44 20  |SY TO READ, AND |
00003E40: 59 4F 55 20 57 49 4C 4C  20 42 45 20 41 4D 41 5A  |YOU WILL BE AMAZ|
00003E50: 45 44 20 41 54 20 57 48  41 54 20 59 4F 55 20 43  |ED AT WHAT YOU C|
00003E60: 41 4E 20 44 4F 20 57 49  54 48 20 49 54 2E 0D 0D  |AN DO WITH IT...|
00003E70: 0D C9 C9 2E 20 C1 C4 C4  C9 CE C7 20 D3 D4 D2 C5  |.... ...... ....|
00003E80: D3 D3 20 D4 CF 20 D3 2E  C1 2E CD 2E 27 53 20 D3  |.. .. ......'S .|
00003E90: D0 C5 C5 C3 C8 20 0D C9  4E 20 54 48 45 20 50 48  |..... ..N THE PH|
00003EA0: 4F 4E 45 54 49 43 20 4D  4F 44 45 2C 20 D3 2E C1  |ONETIC MODE, ...|
00003EB0: 2E CD 2E 20 49 53 20 43  41 50 41 42 4C 45 20 4F  |... IS CAPABLE O|
00003EC0: 46 20 53 50 45 41 4B 49  4E 47 20 57 49 54 48 20  |F SPEAKING WITH |
00003ED0: 41 20 47 52 45 41 54 20  44 45 41 4C 20 4F 46 20  |A GREAT DEAL OF |
00003EE0: 49 4E 46 4C 45 43 54 49  4F 4E 20 41 4E 44 20 45  |INFLECTION AND E|
00003EF0: 4D 50 48 41 53 49 53 2E  20 D4 48 49 53 20 47 49  |MPHASIS. .HIS GI|
00003F00: 56 45 53 20 41 20 4D 55  43 48 20 4D 4F 52 45 20  |VES A MUCH MORE |
00003F10: 4E 41 54 55 52 41 4C 20  41 4E 44 20 55 4E 44 45  |NATURAL AND UNDE|
00003F20: 52 53 54 41 4E 44 41 42  4C 45 20 51 55 41 4C 49  |RSTANDABLE QUALI|
00003F30: 54 59 20 54 4F 20 54 48  45 20 53 50 45 45 43 48  |TY TO THE SPEECH|
00003F40: 20 54 48 41 4E 20 49 53  20 4F 54 48 45 52 57 49  | THAN IS OTHERWI|
00003F50: 53 45 20 50 4F 53 53 49  42 4C 45 2E 20 0D D4 48  |SE POSSIBLE. ..H|
00003F60: 45 20 53 54 52 45 53 53  20 53 59 53 54 45 4D 20  |E STRESS SYSTEM |
00003F70: 46 4F 52 20 D3 2E C1 2E  CD 2E 20 49 53 20 50 41  |FOR ...... IS PA|
00003F80: 52 54 49 43 55 4C 41 52  4C 59 20 45 41 53 59 20  |RTICULARLY EASY |
00003F90: 54 4F 20 55 53 45 2E 20  D4 48 45 52 45 20 41 52  |TO USE. .HERE AR|
00003FA0: 45 20 45 49 47 48 54 20  53 54 52 45 53 53 20 4D  |E EIGHT STRESS M|
00003FB0: 41 52 4B 45 52 53 20 54  48 41 54 20 43 41 4E 20  |ARKERS THAT CAN |
00003FC0: 42 45 20 55 53 45 44 20  53 49 4D 50 4C 59 20 42  |BE USED SIMPLY B|
00003FD0: 59 20 49 4E 53 45 52 54  49 4E 47 20 41 20 4E 55  |Y INSERTING A NU|
00003FE0: 4D 42 45 52 20 28 31 2D  38 29 20 41 46 54 45 52  |MBER (1-8) AFTER|
00003FF0: 20 54 48 45 20 56 4F 57  45 4C 20 54 4F 20 42 45  | THE VOWEL TO BE|
00004000: 20 53 54 52 45 53 53 45  44 2E 20 C6 4F 52 20 45  | STRESSED. .OR E|
00004010: 58 41 4D 50 4C 45 2C 20  54 48 45 20 4D 4F 4E 4F  |XAMPLE, THE MONO|
00004020: 54 4F 4E 49 43 20 50 52  4F 4E 55 4E 43 49 41 54  |TONIC PRONUNCIAT|
00004030: 49 4F 4E 20 4F 46 20 54  48 45 20 57 4F 52 44 20  |ION OF THE WORD |
00004040: 22 48 45 4C 4C 4F 22 20  50 52 4F 44 55 43 45 44  |"HELLO" PRODUCED|
00004050: 20 42 59 20 54 48 45 20  50 48 4F 4E 45 54 49 43  | BY THE PHONETIC|
00004060: 20 53 50 45 4C 4C 49 4E  47 20 22 2F C8 C5 C8 CC  | SPELLING "/....|
00004070: CF D7 22 20 42 45 43 4F  4D 45 53 20 41 20 4D 55  |.." BECOMES A MU|
00004080: 43 48 20 46 52 49 45 4E  44 4C 49 45 52 20 53 4F  |CH FRIENDLIER SO|
00004090: 55 4E 44 49 4E 47 20 47  52 45 45 54 49 4E 47 20  |UNDING GREETING |
000040A0: 57 48 45 4E 20 53 50 45  4C 4C 45 44 20 22 2F C8  |WHEN SPELLED "/.|
000040B0: C5 C8 33 CC CF D7 22 20  42 45 43 4F 4D 45 53 20  |..3..." BECOMES |
000040C0: 41 20 4D 55 43 48 20 46  52 49 45 4E 44 4C 49 45  |A MUCH FRIENDLIE|
000040D0: 52 20 53 4F 55 4E 44 49  4E 47 20 47 52 45 45 54  |R SOUNDING GREET|
000040E0: 49 4E 47 20 57 48 45 4E  20 53 50 45 4C 4C 45 44  |ING WHEN SPELLED|
000040F0: 20 22 2F C8 C5 C8 33 CC  CF D7 22 2E 20 0D D7 48  | "/...3...". ..H|
00004100: 59 20 44 4F 20 59 4F 55  20 48 41 56 45 20 54 4F  |Y DO YOU HAVE TO|
00004110: 20 50 55 54 20 49 4E 20  54 48 45 20 53 54 52 45  | PUT IN THE STRE|
00004120: 53 53 20 4D 41 52 4B 45  52 53 3F 20 D3 49 4D 50  |SS MARKERS? .IMP|
00004130: 4C 59 20 42 45 43 41 55  53 45 20 54 48 45 59 20  |LY BECAUSE THEY |
00004140: 43 41 4E 20 47 4F 20 41  4E 59 57 48 45 52 45 20  |CAN GO ANYWHERE |
00004150: 41 4E 44 20 D3 2E C1 2E  CD 2E 20 48 41 53 20 4E  |AND ...... HAS N|
00004160: 4F 20 57 41 59 20 4F 46  20 4B 4E 4F 57 49 4E 47  |O WAY OF KNOWING|
00004170: 20 57 48 45 52 45 20 59  4F 55 20 57 41 4E 54 20  | WHERE YOU WANT |
00004180: 54 48 45 4D 20 54 4F 20  47 4F 2E 20 D4 48 45 20  |THEM TO GO. .HE |
00004190: 46 54 2D 54 52 41 4E 53  4C 41 54 4F 52 20 50 52  |FT-TRANSLATOR PR|
000041A0: 4F 44 55 43 54 53 2E 0D  0D 20 20 C4 CF C3 D3 20  |ODUCTS...  .... |
000041B0: C2 D9 3A 20 C4 CF C3 27  D3 20 22 D2 22 20 D5 D3  |..: ...'. "." ..|
000041C0: 20 C2 C2 D3 20 39 31 34  2D 36 36 38 2D 33 36 36  | ... 914-668-366|
000041D0: 34 20 32 34 20 C8 CF D5  D2 D3 20 C1 20 C4 C1 D9  |4 24 ..... . ...|
000041E0: 20 37 20 C4 C1 D9 D3 20  C1 20 D7 C5 C5 CB 21 21  | 7 .... . ....!!|
000041F0: 21 21 0D                                          |!!.             |
                      T H E   S . A . M 
.   P A C K A G E.1. S.A.M.-.   THIS PRO
GRAM AUTOMATICALLY LOADS THE S.A.M. SPEE
CH SYNTHESIS PROGRAM. KNOBS,    THE S.A.
M. WEDGE AND LEAVES THE COMPUTER READY T
O ACCEPT PHONETIC INPUT..2. RECITER-.   
RECITER IS THE ENGLISH TEXT-TO-SPEECH PR
OGRAM THAT INTERFACES THE S.A.M.        
PROGRAM WITH ORDINARY ENGLISH TEXT INPUT
. IT IS NOT USED FOR PHONETIC INPUT     
AND IS LOADED IN SEPARATELY ONLY WHEN EN
GLISH TEXT INPUT IS DESIRED (SEE SAM    
WEDGE INSTRUCTIONS)..3. SAYIT-.   SAYIT 
IS A BASIC PROGRAM THAT ALLOWS YOU TO EN
TER STRINGS OF PHONETIC OR        ENGISH
 TEXT AND HEAR THEM SPOKEN IMMEDIATELY. 
ALL OF THE SPECIAL FEATURES OF    S.A.M 
(PITCH CONTROL, SPEED CONTROL, KNOBS, ET
C.) CAN BE ACCESSED WITHIN THE    MENU-D
RIVEN SAYIT PROGRAM..4. DEMO-.   A BASIC
 PROGRAM THAT DEMONSTRATES SOME OF S.A.M
'S FEATURES, INCLUDING THE       CAPACIT
Y TO CHANGE HIS VOICE AND THE ABILITY TO
 SING! (THIS IS ON SIDE 2 OF     THE CAS
SETTE VERSION.).5. SPEECHES-.   ANOTHER 
BASIC PROGRAM THAT FEATURES SOME FAMILIA
R TEXTS SPOKEN ALOUD BY         S.A.M..6
. GUESSNUM-.   A TALKING GAME IN WHICH T
HE PLAYER GUESSES A SECRET NUMBER BETWEE
N 1 AND        100....USING THE S.A.M. P
ROGRAMS.SAM IS A SELF-CONTAINED MACHINE 
LANGUAGE PROGRAM. YOUR INTERFACE TO S.A.
M. IN BASIC IS THE S.A.M. WEDGE, ANOTHER
 MACHINE LANGUAGE PRGORAM. TO LOAD S.A.M
. AND INSTALL THE S.A.M. WEDGE INTO YOOU
R C64 COMPUTER, FOLLOW THESE INSTRUCTION
:.LOAD "SAM",8 <RETURN> AND TYPE RUN <RE
TURN>...RUNNING THE DEMO PROGRAMS.ONCE S
.A.M. IS LOADED INTO YOUR COMPUTER, YOU 
ARE READY TO RUN ANY OF THE BASIC DEMONS
TRATION PROGRAMS (SAYIT, DEMO, SPEECHES 
AND GUESSNUM). TO DO SO, FOLLOW THESE ST
EPS:.1. INSERT THE S.A.M. DISKETTE INTO 
YOUR DISK DRIVE..2. TYPE LOAD "FILENAME"
,8 <RETURN> WHERE FILENAME IS SAYIT, DEM
O, SPEECHES OR      GUESSNUM..3. TYPE RU
N <RETURN>...USING THE SAM WEDGE.S.A.M P
ATCHES INTO COMMODORE BASIC WITH THE USE
 OF THE S.A.M. WEDGE. THE S.A.M. WEDGE I
S A MACHINE LANGUAGE UTILITY THAT ADDS T
EN NEW COMMANDS TO COMMODORE BASIC. THES
E COMMANDS ARE USED JUST LIKE ANY OTHER 
BASIC COMMANDS EXCEPT THAT THEY ARE USED
 TO GENERATE AND CONTROL S.A.M.'S SPEECH
. YOU CAN USE THEM IIN THE IMMEDIATE MOD
E IN WHICH YOU SIMPLY TELL THE COMPUTER 
WHAT TO DO:.   SAY"I AM A TALKING COMPUT
ER"..OR, YOU CAN USE THEM IN THE DEFERRE
D MODE IN WHICH THE WEDGE COMMANDS ARE P
ART OF A PROGRAM:.   10 SAY "I AM A TALK
ING COMPUTER"..THE TEN NEW COMMANDS ARE 
THE FOLLOWING:.1. SAY (STRING VARIABLE O
R STRING).   COMMANDS S.A.M. TO SPEAK-. 
    EXAMPLES:.   A) SAY"MAY4 NEYM IHZ SA
E4M." (PHONEME STRING, IMMEDIATE MODE). 
  B) 10 SAY "MY NAME IS SAM>" (ENGLISH S
TRING, DEFERRED MODE).   C) A$ = "MY NAM
E IS SAM.".      SAY A$.      (STRING VA
RIABLE, IMMEDIATE MODE).      STRING ARR
AYS MAY NOT BE USED WITHE THE SAY COMMAN
D..2. ]PITCH N SETS S.A.M.'S SPEED VALLU
E TO N(SEE PAGE 16 FOR VALUES).   EXAMPL
E:.   10[PITCH 64.3. [SPEED N SETS S.A.M
.'S SPEED VALUE TO N (SEE PAGE 16 VALUES
).   EXAMPLE:.   10]SPEED 72.4. ]LIGHT N
 REMOVES THE SCREEN DISPLAY IF N=0, LEAV
ES THE SCREEN DISPLAY INTACT    IF N = 1
. S.A.M. SOUNDS BEST WITH THE DISPLAY RE
MOVED; IF THE DISPLAY           REMAINS,
 HE WILL GROWL A LITTLE WHEN HE TALKS..5
. [SAM PUTS S.A.M. INTO THE PHONETIC INP
UT MODE..   EXAMPLE:.   10]SAM.   20 SAY
"AY4 TA0K WIHTH FOW4NIYMZ"..6. ]RECITER 
PUTS S.A.M. INTO THE ENGLISH INPUT MODE 
(PROVIDED RECITER HAS BEEN     LOADED IN
 (SEE 8 BELOW))..   EXAMPLE:.   10 ]RECI
TER.   20 SAY"NOW I TALK WITH ORDINARY W
ORDS"..7. ]KNOBS N,M ALLOW YOU TO CHANGE
 S.A.M.'S VOICE USING THE KNOBS FEATURE 
(SEE      SECTION ON KNOBS FOR DETAILS).
 SET THE "THROAT" VALUE WITH N AND THE "
MOUTH"    VALUE WITH M..8. ]LOAD LOADS R
ECITER INTO MEMORY FROM THE DISK. MAKE S
URE RECITER IS ON THE      DISK YOOU ARE
 TRYING TO LOAD IT FROM. WHEN RECITER IS
 LOADED INTO LOW MEMORY    IN YOUR C64, 
IT USES APPROXIMATELY 6K BYTES OF BASIC 
MEMORY. IF RECITER IS      LOAD INTO HIG
H MEMORY, IT ONLY REQUIRES 2K OF BASIC M
EMORY BUT IS               INCOMPATIBLE 
WITH THE DOS WEDGE. THE S.A.M. WEDGE WIL
L GIVE YOU A CHOICE        ABOUT WHERE I
N MEMORY TO LOAD RECITER..9. ]ERROR BEEP
S TWICE WHEN YOU INPUT A PHONEME STRING 
TO S.A.M. AND A PHONEME      SPELLING ER
ROR IS DETECTED. TO FIND OUT WHERE THE E
RROR OCCURRED, USE THE       ]ERROR COMM
AND. THE COMMAND WILL PRINT OUT THE PHON
EME STRING WITH THE          IMPROPER CH
ARACTER IN INVERSE VIDEO. IF NO ERROR IS
 DETECTED, THE ]ERROR        COMMAND HAS
 NO EFFECT..10.]QUIT REMOVES THE S.A.M. 
WEDGE THEREBY ALLOWING YOU TO MAXIMIZE F
REE MEMORY     OR USE OTHER CONFLICTING 
WEDGES. TO LEARN HOW TO FREE UP THIS ADD
ITIONAL        MEMORY, SEE THE SECTION O
N MEMORY USAGE..WEDGE COMMANDS 2-10 MAY 
BE ABBREVIATED BY THE USE OF THE FIRST T
WO OR MORE LETTERS IN THE COMMAND (I.E. 
]PITCH-->]PI)..PROGRAMMERS SHOULD NOTE T
HAT WEDGE COMMANDS REQUIRE THE FOLLOWING
 SYNTAX IN IF-THEN STATEMENT:.    10 IF 
A$ = "YES" THEN:SAY "VERY GOOD"..    RAT
HER THAN.    10 IF A$ = "YES" THEN SAY "
VERY GOOD"..THE COLON AFTER THEN IS REQU
IRED..THE S.A.M. WEDGE IS COMPATIBLE WIT
HE THE DOS WEDGE (DOS 5.1); IF RECITER I
S USED, BE SURE IT IS LOADED INTO LOW ME
MORY....USING KNOBS.KNOBS IS A FEATURE O
F S.A.M. THAT ALLOWS THE USE OF TWO EXTR
A "CONTROL KNOBS" FOR S.A.M.'S VOICE. IF
 WE MAKE ROUGH ANALOGIES JTO THE PHYSICA
L STRUCTURES THAT PRODUCE SPEECH, THESE 
KNOBS ALLOW US TO ADJUST THE SIZE OF S.A
.M.'S THROAT AND HIS MOUTH. DOING THIS C
REATES DIFFERENT VOICES WITHOUT ALTERING
 THE PITCH OR SPEED OF THE SPEECH (AND, 
OF COURES, YOU CAN STILL DO THESE THINGS
 INDEPEND-    ENTLY WITH S.A.M.)..TO USE
 KNOBS IN YOUR PROGRAM, SIMPLY ISSUE THE
 COMMAND ]KNOBS N,M WHERE N AND M ARE NU
MBERS BETWEEN 0 AND 255. A VALUE OF 128 
IN EACH REGISTER RESULTS IN S.A.M.'S NOR
MAL VOICE. USING HIGHER NUMBERS DILATES 
THE THROAT OR MOUTH. EXPERIMENT WITH DIF
FERENT COMBINATIONS OF VALUES AND SEE WH
AT DIFFENT VOICES YOU CAN GET..HERE ARE 
A FEW SAMPLE VOICES TO USE FROM KNOBS:..
DESCRIPTION        SPEED     PITCH     T
HROAT    MOUTH.ELF                 72   
     64        110       160.LITTLE ROBO
T        92        60        190       1
90.STUFFY GUY          82        72     
   110       105.LITTLE OLD LADY     82 
       32        145       145.EXTRA-TER
RESTRIAL  100        64        150      
 200.S.A.M.              72        64   
     128       128..EXAMPLE: TO HAVE S.A
.M. TALK LIKE AN EXTRA-TERRESTRIAL WITH 
ENGLISH TEST IMPUT, USE THE FOLLOWING PR
OGRAM:.  10 ]RECITER.  20 ]SPEED 100.  3
0 ]PITCH 64.  40 ]KNOBS 150,200.  50 SAY
"I NEED TO PHONE HOME."...THE RECITER PR
OGRAM.RECITER IS AN ENGLISH TEXT-TO-SPEE
CH PROGRAM THAT CONVERTS ORDINARY TEXT I
NTO PHONEMES THAT S.A.M. CAN UNDERSTAND.
 YOU SIMPLY SUPPLY OUTPUT STRINGS OF 255
 CHARACTERS OR LESS TO THE PROGRAM. RECI
TER TAKES CARE OF THE REST..THE PROGRAM 
USES ABOUT 450 RULES TO CONVERT ENGLISH 
INTO S.A.M.'S PHONETIC LANGUAGE. INCLUDE
D AMONG THESE RULES ARE SOME STRESS MARK
ERS FOR SITUATIONS WHERE THE STRESS CHOI
CE IS UNAMBIGUOUS. IN ADDITION, S.A.M.'S
 USUAL PUNCTUATION RULES STILL OPERATE W
ITH SOME ADDITIONAL SYMBOLS ("!", ";" AN
D ":") BEING CONSIDERED AS PERIODS. THE 
NET RESULT IS THAT EVEN DIRECTLY-TRANSLA
TED ENGLISH TEST HAS A FAIR AMOUNT OF IN
FLECTION..RECITER ALSO RECOGNIZES A NUMB
ER OF SPECIAL CHARACTER. NUMBERS ARE REA
D ALOUD, AND SEVERAL OTHERS ARE PRONOUNC
ED AS WELL. IF A CHARACTER IS NOT UNDERS
TOOD BY RECITER, IT SIMPLY ISN'T PASSED 
TO S.A.M..WE RECOMMEND USE OF RECITER (O
R ANY TEXT-TO-SPEECH PROGRAM, FOR THAT M
ATTER) ONLY FOR APPLICATIONS WHERE THE U
SER HAS NO CONTROL OF THE TEXT. FOR EXAM
PLE, TEXT ALREADY IN A FILE, TEXT RECEIV
ED OVER A MODEM AND TEXT SUPPLIED BY USE
RS UNFAMILIAR WITH THE PHONETIC SYSTEM. 
WHERE THE HIGHEST QUALITY SPEECH WITH FU
LL INFLECTIION IS DESIRED, WE URGE YOOU 
TO USE S.A.M.'S PHONETIC SYSTEM..DON'T B
E DISCOURAGED THOUGH. YOU WILL FIND THAT
 RECITER WILL DO A BETTER JOB OF SPEAKIN
G FROM ENGLISH TEXT THAN OTHER TEXT-TRAN
SLATOR PRODUCTS...I. PHONETIC INPUT TO S
.A.M..S.A.M. IS EQUIPPED WITH A VERSION 
OF THE EASY-TO-LEARN, VERY READABLE INTE
RNATIONAL PHONEETIC ALPHABET. THERE ARE 
ABOUT 50 PHONEMES WHICH WILL LET YOU SPE
LL ALL THE WORDS IN ENGLISH. SOME SOUNDS
 FROM FOREIGN LANGUAGES AR ENOT AVAILABL
E IN THE SYSTEM AT THIS TIME..WHY USE TH
E PHONETIC SYSTEM? THERE ARE TWO COMPELL
ING REASON: (1) IN THE PHONETIC SYSTEM, 
ALL THE WORDS WILL BE PRONOUNCED CORRECT
LY; AND (2) YOU CAN PUT INFLECTION INTO 
THE SPEECH HOWEVER YOU WANT IT..IF YOU H
AVE ALREADY TRIED THE RECITER TEXT-TO-SP
EECH PROGRAM, YOU KNOW THAT IT DOES A FA
IR JOB OF PRONOUNCING ENGLISH WORDS. HOW
ERER, IT DOES MAKE MISTAKES. SOME WORDS 
SOUND A LITTLE STRANGE AND OTHERS ARE DI
FFICULT TO UNDERSTAND. THE REASONS FOR T
HIS ARE NOT HARD TO UNDERSTAND. ENGLISH 
IS A LANGUAGE OF EXCEPTIONS RATHER THAN 
RULES; WORDS THAT ARE SPELLED ALIKE ARE 
PRONOUNCE DIFFERENTLY ("HAVE" VS. "GAVE"
). A RULE SYSTEM LIKE RECITER CANNOT PRO
NOUNCE ALL WORDS CORRECTLY UNLESS IT STO
RES AN ENORMOUS DICTIONARY THAT TAKES UP
 VAST AMOUNTS OF MEMORY. BUT THE SECOND 
FLAW IN TEXT-TO-SPEECH CONVERSION IS MOR
E SERIOUS. SUCH A RULE SYSTEM CANNOT DEC
IDE WHERE THE STRESS BELONGS IN WHAT IS 
BEING SAID. THE PHONETIC SYSTEM IN S.A.M
., ON THE OTHER HAND, ALLOWS YOU TO DECI
DE WHERE TO ACCENT SYLLABLES WITHIN A WO
RD AND WHERE TO STRESS WORDS WITHIN A SE
NTENCE..SO IT IS CLEAR THAT THE PREFERRE
D WAY TO MAKE S.A.M. SPEAK IS WITH THE P
HONETIC ALPHABET. BUT HOW HARD IS IT TO 
USE? IT'S REALLY EASIER THAN WRITING IN 
ENGLISH BECAUSE YOU DON'T HAVE TO KNOW H
OW TO SPELL! YOU ONLY HAVE TO KNOW HOW T
O SAY THE WORD IN ORDER TO SPELL IT PHON
ETICALLY..HERE IS THE COMPLETE LIST OF P
HONEMES, EACH PRESENTED WITH A SAMPLE WO
RD CONTAINING ITS SOUND. NOTE THAT THERE
 ARE MANY VOWELS, WHICH IS WHY THEY ARE 
ALL INDICATED BY TWO LETTERS RATHER THAN
 ONE. .THE PHONEMES ARE CLASSIFIED INTO 
TWO CATEGORIES: VOWELS AND CONSONANTS. A
MONG THE VOWELS ARE THE SIMPLE VOWEL SOU
NDS SUCH AS THE "I" IN "SIT", THE "O" IN
 "SLOT," AND THE "A" IN "HAT." THESE VOW
ELS START WITH ONE SOUND AND END WITH AN
OTHER (EG., "OI" IN "OIL" AND THE "OW" I
N "HOW." THESE VOWELS START WITH ONE SOU
ND AND END WITH ANOTHER (EG., "OI" GLIDE
S FROM AN "OH" SOUND TO AN "EE" SOUND)..
THE CONSONANTS ARE ALSO DIVIDED INTO TWO
 GROUPS: VOICED AND UNVOICED. THE VOICED
 CONSONANTS REQUIRE YOU TO USE YOOUR VOC
AL CHORDS TO PRODUCT THE SOUND. SUCH SOU
NDS AS "B", "L", "N" AND "Z" FALL INTO T
HIS CATEGORY. THE UNVOICED CONSONANTS, O
N THE OTHER HAND, ARE PRODUCED ENTIRELY 
BY RUSHING AIR AND INCLUDE SUCH SOUNDS A
S THE "P", "T", "H", AND "SH" SOUNDS....
PHONETIC ALPHABET FOR S.A.M..THE EXAMPLE
 WORDS HAVE THE SOUND OF THE PHONEME, NO
T NECESSARILY THE SAME LETTERS..     VOW
ELS                            VOICED CO
NSONANTS.IY           F(EE)T            
        R        RED.IH           P(I)N 
                    L        ALLOW.EH   
        BEG                       W     
   AWAY.AE           SAM                
       W        WHALE.AA           POT  
                     Y        YOU.AH    
       B(U)DGET                  M      
  SAM.AO           T(AL)K               
     N        MAN.OH           CONE     
                 NX       SO(NG).UH     
      BOOK                      B       
 BAD.UX           L(OO)T                
    D        DOG.ER           BIRD      
                G        AGAIN.AX       
    GALL(O)N                  J        J
UDGE.IX           DIG(I)T               
    Z        ZOO.                       
                ZH       PLEA(S)URE.   D
IPHTHONGS                          V    
    SEVEN.EY           M(A)DE           
         DH       (TH)EN.AY           H(
IGH).OY           BOY.AW           H(OW)
                     UNVOICED CONSONANTS
.OW           SLOW                      
S         SAM.UW           CREW         
             SH        FISH.            
                           F         FIS
H.                                      
 TH        THIN. SPECIAL PHONEMES       
               P         POKE.UL        
   SETT(LE) (=AXL)           T         T
ALK.UM           ASTRON(OMY) (=AXM)     
   K         CAKE.UN           FUNCTI(ON
) (=AXN)         CH        SPEECH.Q     
       KITT-EN (GLOTTAL STOP)    /H     
   A(H)EAD..NOTE: THE SYMBOL FOR THE "H"
 SOUND IS /H. A GLOTTAL STOP IS A FORCED
 STOPPAGE OF SOUND..ON THE FOLLOWING PHO
NEME CHART, YOU WILL NOTICE SIX PHONEMES
-YX, WX, RX, LX, /X, AND DX- WHICH ARE D
ESCRIBED AS BEING USED BY S.A.M.'S RULE 
SYSTEM. HOWEVER, THEY HAVE BEEN PROVIDED
 WITH LETTER COEDS SO THAT YOU MAY EXPER
IMENT WITH THESE SPECIAL SOUNDS DIRECTLY
. YX AND WX ARE WEAKER VERSIONS OF Y AND
 W. RX AND LX ARE SMOOTH GLIDING VERSION
S OF R AND L. /X IS THE "H" SOUND IN "WH
O", AND DX IS THE QUICK FLAP OF THE TONG
UE ON THE UPPER PALATE AS IN THE WORD "P
ITY"...THE FOLLOWING SYMBOLS ARE USED IN
TERNALLY BY SOME OF S.A.M.'S RULES, BUY 
THEY ARE ALSO AVAILABLE TO THE USER..YX 
      DIPHTHONG ENDING.WX       DIPHTHON
G ENDING.RX       R AFTER A VOWEL.LX    
   L AFTER A VOWEL./X       H BEFORE A N
ON-FRONT.         VOWEL OR CONSONANT.DX 
      "FLAP" AS IN PITY..WE ARE NOW READ
Y TO TRANSCRIBE ORDINARY SPEECH INTO ITS
 PHONETIC REPRESENTATION. LET'S USE THE 
FOLLOWING SENTENCE AS AN EXAMPLE:.      
             I DO MY CALCULATIONS ON THE
 COMPUTER..THE FIRST STEP SI TO SAY EACH
 WORD ALOUD AND DECIDE HOW MANY SYLLABLE
S ARE IN THE WORD. A SYLLABLE HAS ONE VO
WEL PHONEME AND ITS ASSOCIATED CONSONANT
S (IF ANY). WE THEN IDENTIFY THE PROPER 
VOWEL PHONEME BY COMPARING ITS SOUND TO 
THE SOUNDS LISTED IN THE TABLE, AND DO T
HE SAME FOR THE CONSONANTS. THE RESULTAN
T COMBINATION OF PHONEMES IS THE PHONETI
C REPRESENTATION OF THE SYLLABLE. WE DO 
THIS FOR EACH SYLLABLE IN A WORD..IN OUR
 EXAMPLE, THE FIRST WORD-"I"-IS A SINGLE
 PHONEME, THE DIPTHONG "AY". THE NEXT WO
RD-"DO"-IS A SINGLE SYLLABLE COMPRISED O
F THE DIPHTHONG "UW" PRECEDED BY THE VOI
CED CONSONANT "D". THE PHONETIC SPELLING
 IS THEREFORE "UW". SIMILARLY, THE THIRD
 WORD-"MY"-AGAIN USES THE "AY" SOUND, TH
IS TIME PRECEDED BY AN "M", RESULTING IN
 "MAY"..THE WORD "CALCULATIONS" HAS FOUR
 SYLLABLES. THE FIRST SYLLABLE TRANSCRIB
ES AS "KAEL". THE "C" SOUND IS PRONOUNCE
D AS "K", UNLIKE THE "S" PRONUNCIATION I
IN A WORD LIKE "CELL" (NOTICE THERE IS N
O "C" IN THE PHONEME TABLE). THE NEXT SY
LLABLE-"CU"-TRANSCRIBES AS "KYUW." NOTE 
HERE THAT THE "Y" SOUND PREVENTS THIS SY
LLABLE FROM BEING PRONOUNCED AS "COO". T
HE THIRD SYLLABBLE COMES OUT AS "LEY", A
ND THE FOURTH BECOMES "SHAXNZ". THIS WOR
D ENDS WITHH A VOICED SOUND "Z" AND NOT 
THE HISSY "S" SOUND AS IN "LIST". YOU WI
LL RAPIDLY DISCOVER THAT MANY WORDS CONT
AIN THE PHONETIC COMBINATIONS "AXL", "AX
M" AND "AXN." TO ENHANCE THE READABILITY
 OF THE PHONETIC SPELLING, THE SPECIAL S
YMBOLS "UL," "UM" AND "UN" CAN BE SUBSTI
TUTED FOR THESE COMBINATIONS. THE "TIONS
" SYLLABLE IS NOW WRITTEN AS "SHUNZ". SO
, "CALCULATIONS" BECOMES "KAELKYUWLEYSHU
NZ"..THE NEXT WORD "ON" BECOMES "AAN", A
ND "THE" BECOMES "DHAX". BY THE WAY, IF 
THE WORD "THE" PRECEDES A WORD BEGINNING
 WITH A VOWEL, IT GETS PRONOUNCED "THEE"
 AND IS SPELLED "DHIY". YOU SHOULD ALSO 
NOTICE THAT THE "TH" LETTER COMBINATION 
HAS TWO PHONETIC REPRESENTATIONS: UNVOIC
ED (TH) AS IN "THIN" OR VOICED (DH) AS I
N "THE"..BY NOW, THE STEPS USED IN GETTI
NG FROM "COMPUTER" TO "KUMPYUWTER" SHOUL
D ALREADY BE OBVIOUS. TRY IT..ONCE YOU G
ET USED TO THE PHONETIC SYSTEM, IT WILL 
SEEM VERY EASY AND OBVIOUS. INITIALLY, T
HERE WILL BE SOME SPELLINGS THAT SEEM TR
ICKY (DID YOU KNOW THAT "ADVENTURE" HAS 
A "CH" IN IT?). HOWEVER, THE RULE IS ALW
AYS TO WRITE THE WORD THE WAY YOU SAY IT
, NOT THE WAY YOU SPELL IT..TO HELP YOU 
LEARN THE SYSTEM FAST, WE HAVE PROVIDED 
AN ENGLISH-TO-PHONETIC SPELLING DICTIONA
RY OF ALMOST 1500 WORDS. MANY COMMON WOR
DS ARE IN THE DICTIONARY; SOME UNUSUAL O
NES ARE IN IT AS WELL. IF YOU ARE REALLY
 STUCK ON HOW TO SPELL A WORD THAT ISN'T
 IN THE DICTIONARY, THINK OF ANOTHER WOR
D THAT SOUNDS LIKE IT AND THAT ONE MAY B
E LISTED..IN ANY CASE, DON'T HESITATE TO
 EXPERIMENT WITH THE PHONETIC SPELLING S
YSTEM. LET YOU EARS BE YOUR GUIDE. THIS 
SYSTEM IS EASY TO LEARN, EASY TO USE, EA
SY TO READ, AND YOU WILL BE AMAZED AT WH
AT YOU CAN DO WITH IT....II. ADDING STRE
SS TO S.A.M.'S SPEECH .IN THE PHONETIC M
ODE, S.A.M. IS CAPABLE OF SPEAKING WITH 
A GREAT DEAL OF INFLECTION AND EMPHASIS.
 THIS GIVES A MUCH MORE NATURAL AND UNDE
RSTANDABLE QUALITY TO THE SPEECH THAN IS
 OTHERWISE POSSIBLE. .THE STRESS SYSTEM 
FOR S.A.M. IS PARTICULARLY EASY TO USE. 
THERE ARE EIGHT STRESS MARKERS THAT CAN 
BE USED SIMPLY BY INSERTING A NUMBER (1-
8) AFTER THE VOWEL TO BE STRESSED. FOR E
XAMPLE, THE MONOTONIC PRONUNCIATION OF T
HE WORD "HELLO" PRODUCED BY THE PHONETIC
 SPELLING "/HEHLOW" BECOMES A MUCH FRIEN
DLIER SOUNDING GREETING WHEN SPELLED "/H
EH3LOW" BECOMES A MUCH FRIENDLIER SOUNDI
NG GREETING WHEN SPELLED "/HEH3LOW". .WH
Y DO YOU HAVE TO PUT IN THE STRESS MARKE
RS? SIMPLY BECAUSE THEY CAN GO ANYWHERE 
AND S.A.M. HAS NO WAY OF KNOWING WHERE Y
OU WANT THEM TO GO. THE FT-TRANSLATOR PR
ODUCTS...  DOCS BY: DOC'S "R" US BBS 914
-668-3664 24 HOURS A DAY 7 DAYS A WEEK!!
!!.
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