MUSIC CON SET
FILE INFORMATION
FILENAME(S): MUSIC CON SET
FILE TYPE(S): SEQ
FILE SIZE: 14.3K
FIRST SEEN: 2025-11-30 18:12:25
APPEARS ON: 1 disk(s)
FILE HASH
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FOUND ON DISKS (1 DISKS)
| DISK TITLE | FILENAME | FILE TYPE | COLLECTION | TRACK | SECTOR | ACTIONS |
|---|---|---|---|---|---|---|
| DOCS | MUSIC CON SET | SEQ | Sailor, Ganheden | 6 | 9 | DOWNLOAD FILE |
FILE CONTENT & ANALYSIS
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00002F90: C1 D2 20 C1 20 C2 C5 C5 D0 20 20 20 20 20 20 20 |.. . .... |
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00003910: 20 20 20 20 20 20 0D 20 0D | . . |
***************************************
**************************************.
*
*. *
M U S I C C O N S T R
U C T I O N S E T *. *
*. ***
****************************************
**********************************. TO B
EGIN PRESS RETURN IMMEDIATELY AFTER LOAD
ING THE PROGRAM. IF YOU WAIT A . FEW S
ECONDS THE MUSIC ALREADY ON THE DISK WIL
L BEGIN TO PLAY. PRESS THE SPACE. BAR TO
MOVE THE PROGRAM AHEAD TO THE NEXT PIEC
E. . MCS MUS
ICAL SELECTION IS AS FOLLOWS;
.
FILENAME (TITLE & COMPOSER)
. SCHE
RO (SCHERZO FROM MIDSUM
MER NIGHTS DREAM BY .
FELIX MENDELSOHN . CANON
(CANON IN D MAJOR BY J
OHANNES PACHELBEL . BUMBLEB
EE (FLIGHT OF THE BUMBLEBE
E BY RIMSKY-KORSAKOV . INVENTIO
N NO. 8 (TWO PART INVENTION NO.
8 BY J.S. BACH) . ALLEGRO
(SONATA IN D MAJOR, FIRST
MOVEMENT BY W.A.MOZART. TURKEY
(TRADITIONAL)
. RACKET
(BY DOUGLAS FULTON)
. PAT THE HAT
(' ')
. TEARS ON MY 6
4 (' ')
. FANFARE
(' ')
. RAVE
(' ')
. MINUET
(' ')
. OPERA
(' ')
. NEW
(LOAD THIS WHENEVER YOU ARE CONSTR
UCTING MUSIC .
AND WANT TO ERASE WHAT YOU HAVE DON
E AND START .
OVER.
. THE CONTROLS
. TO PICK UP NOTES, ETC. SO Y
OU CAN DRAG THEM ONTO OR OFF THE MUSICAL
STAFFS AT. THE TOP OF THE SCREEN, SIMPL
Y POINT AT WHATEVER YOU WANT TO PICK UP
AND PRESS. RETURN OR THE BUTTON ON YOU J
OYSTICK. (YOU CAN MOVE THE HAND AROUND W
ITH A . JOYSTICK AND/OR FROM THE KEYBO
ARD. USE A/Z KEYS FOR UP AND DOWN MOVEME
NT AND . USE THE :/; KEYS FOR LEFT AND R
IGHT MOVEMENT. PRESSIN RETURN OR THE JOY
STICK . BUTTON AGAIN WILL SET DOWN WHATE
VER YOU'RE CARRYING, WHEREVER YOU'RE POI
NTING. I PERSONALLY FOUND THE KEYBOARD C
ONTROLS MUCH MORE ACCURATE BECAUSE THE M
OVE-. MENT WAS CONTROLLED IN INCREMENTS
MAKING ALOT EASIER TO PLACE NOTES EXACTL
Y . WHERE YOU WANTED THEM.
. YOU TURN CONTROLS ON AND OFF IN THE
SAME WAY-POINTING AT THE PIANO ICON FOR
. INSTANCE AND PRESSING THE BUTTON OR R
ETURN WILL CAUSE THE COMPUTER TO BEGIN
. PLAYING WHATEVER MUSIC IS IN THE DISPL
AY. PRESSING RETURN OR THE BUTTON AGAIN.
WILL CAUSE IT TO STOP.
.
IMPORTANT TROUBLE SHOOTING FACTS: YOUR
COMMODORE 64 CAN SOUND UP TO THREE . N
OTES SIMULTANEOUSLY. (RESTS COUNT AS NOT
ES..) IT CANNOT RELIABLY PLAY COMP- . OS
ITIONS WHICH CALL FOR MORE THAN THAT. WH
EN USING TIES, PLACE THEM SO THAT . THE
COLUMN HOLDING THE NOTE BEING TIED FROM
LIES INSIDE THE TIE. YOU CAN VIEW. EXAM
PLES OF TIES ON YOUR MCS DISK UNDER THE
FILE TITLED CANNON. LOOK FOR THE . FIGUR
E THAT LOOKS LIKE A WIDE 'V'. FINALLY, I
F YOU ONLY WANT TO USE ONE STAFF. USE TH
E TOP ONE. YOUR MUSIC WILL NOT PLAY IF O
NLY THE BOTTOM STAFF IS USED . TO USE
A DIFFERENT POINTING DEVICE
. IF YOU H
AVE A KOALAPAD, YOU MAY USE IT WITH MCS
INSTEAD OF A JOYSTICK. TO DO . SO TURN O
N THE PLUG ICON (SO YOU CAN TELL THE COM
PUTER WHAT YOU HAVE PLUGGED . IN ), PRES
S THE SPACEBAR TO REPLACE THE WORD 'JOYS
TICK' WITH 'KOALA', THEN . PRESS THE R
ETURN.
. TO PLAY MUSI
C
. TO PLAY A PIE
CE OF MUSIC YOU'VE CONSTRUCTED OR LOADED
, TURN ON THE PIANO. AS . THE MUSIC SCRO
LLS BY, THE NOTES WILL SOUND WHEN THEY P
ASS THROUGH THE AREA . ABOVE THE SMALL
TRIANGULAR PLAY HEAD (LOCATED JUST ABOV
E THE WHOLE NOTE). . IF YOU WANT TO S
KIP AHEAD OR GO BACK TO HEAR A PASSAGE A
GAIN, USE THE ARROW . ICONS ON EITHER S
IDE OF THE PIANO TO SCROLL BACKWARDS AND
FORWARDS THROUGH . THE PIECE. TURNING
ON HOME (JUST BELOW THE PIANO) SENDS YO
U BACK TO THE PIECE. BEGINING.
. LOADING AND SAVING M
USIC
. TO LOAD THE MUSIC ALR
EADY ON THE MCS DISK, TURN ON THE DISK I
CON (IT'S JUST . ABOVE THE PLUG), THEN
TYPE LOAD AND THE NAME OF THE SELECTION
YOU WANT . LOAD BUMBLEBEE, FOR INS
TANCE) AND PRESS RETURN. WHEN THE RED DI
SK DRIVE LIGHT. GOES OUT, PRESS RETURN A
GAIN.
. TO SAVE MUSIC TO ANOTHER
DISK, PLACE THAT DISK IN THE DRIVE, THEN
TYPE SAVE . FOLLOWED BY WHATEVER NAME
YOU WANT TO USE AND PRESS RETURN. WHEN Y
OUR DRIVE . STOPS, REMOVE YOUR FILES DI
SK, PUT THE MCS DISK BACK IN THE DRIVE A
ND PRESS . RETURN AGAIN. TO LOAD MUSIC
FROM YOUR FILES DISK, FOLLOW HE SAME PRO
CEDURE . BUT TYPE LOAD INSTEAD OF SAVE
. YOU MAY ALSO FORMAT DISK FROM WITHIN T
HE MCS . BY TYPING FORMAT AND PRESSING
RETURN. YOU MAY EVEN VIEW THE DIRECTORY
BY . TYPING CATALOG AND PRESSING RET
URN.
. CUT AND PASTE
. TURN ON THE SCISSORS, PLACE THEM
OVER A MEASURE AND PRESS THE NUMBER KEY
ON . THE KEYBOARD FOR THE NUMBER OF MEA
SURES YOU WANT TO CUT. PRESSING 3 FOR
. EXAMPLE WILL CUT OUT THE MEASURE YO
U'RE ON AND THE NEXT TWO MEASURES TO THE
. RIGHT OF IT. IF YOU TRY TO CUT A GRO
UP FO MEASURES WITH MORE NOTES THAN THE
. CUT AND PASTE BUFFER CAN HANDLE, YOU'
LL HEAR A BEEP AND THE COMMAND WILL NOT
. BE EXECUTED.
.
TO PUT DOWN COPIES OF THE LAST GROUP FO
MEASURES YOU CUT INTO THE BUFFER,TURN.
ON THE PASTE POT, PLACE IT OVER THE MEAS
URE WHICH YOU'D LIKE THE BUFFER MUSIC. I
NSERTED IN FRONT OF, THEN PRESS THE BUTT
ON ON YOUR POINTING DEVICE OR RETURN. SP
EED, VOLUME AND SOUND CONTROLS
. THE
FIVE GAUGES IN THE CENTER LET YOU CONTR
OL PLAYBACK SPEED, VOLUME AND . SOUN
D QUALITY BY USING THE HAND TO MOVE THE
GAUGE MARKERS UP AND DOWN. POINT . TO TH
E CENTER OF A GAUGE IN THE REGION OF A M
ARKER, AND EACH PUSH OF A BUTTON. OR RET
URN WILL MOVE THAT MARKER ONE NOTCH CLOS
ER TO THE END OF THE FINGER. . SPEED-
MOVING THE MARKER UP SPEEDS THINGS UP, M
OVING IT DOWN SLOWS THEM DOWN.. VOLUME-
YOU CANNPOT CONTROL THE VOLUME FOR EACH
STAFF SEPARATELY ON THE 64 . VERSION O
F MCS. THESE TWO CONTROLS WILL ALWAYS MO
VE TOGETHER. UP MAKES THINGS. SOFTER, DO
WN MAKES THEM LOUDER.
. SOUND- THE
LEFT GAUGE IS FOR THE TOP STAFF AND THE
RIGHT ONE FOR THE BOTTOM . EACH STAFF M
AY BE INDEPENDENTLY ORCHESTRATED WITH AN
Y ONE OF 13 DIFFERENT . SETTINGS-8 WH
ICH MIMIC PARTICULAR MUSICAL INSTRUMENTS
, AND 5 WHICH CAN BE . USED FOR PERCU
SSION AND SPECIAL EFFECTS. THE FOLLOWING
NAMES, LISTED TOP TO . BOTTOM , WILL H
ELP YOU THINK ABOUT EACH INSTRUMENTAL VO
ICE: . 1) HARPSI
CHORD 8) FLUTE (THE SOFTE
ST AND SWEETEST VOICE. 2) DAMPED
HARPSICHORD 9) BACKWARDS
. 3) OBOE
10) SLAP
. 4) SMOOTHER
OBOE 11) DRUM
. 5) ACCORDIAN
12) SYNCH (COMBINES 2 DI
FFERENT WAVE FORM. 6) REGAL ORGAN
13) RING (USES RING MODUL
ATION; ADDS AND .
SUBTRACTS FREQUENCY CO
MPONENTS OF THE.
TWO WAVE FORMS AND THRO
WS THE ORIGNAL.
AWAY)
. THE BEST WAY TO REALLY KN
OW WHAT THESE CONTROLS DO IS TO LOAD UP
ONE OF THE . PIECES ON THE DISKS AND EX
PIERIMENT LIKE CRAZY. THE MORE YOU CAN F
OOL AROUND . WITH THE DIFFERENT SOUNDS T
HE BETTER UNDERSTANDING YOU WILL HAVE MA
NIPULATING. THEM.
. THE TIME SIGNATURE CONTROL AN
D BEAT COUNTER
. SETTING THE TIME SIGNATURE SET
S THE PLAYBACK SCROLLING SPEED TO MATCH
THE . MATCH THE METER A PIECE IS WRIT
TEN IN. THE BEAT COUNTER (NEXT TO THE SC
ISSORS. ICON) COUNTS ALONG AS THE MUSIC
PLAYS. IF IT FINDS A MEASURE WITH TOO MA
NY . OR TOO FEW BEATS, IT CHANGES TO I
NVERSE VIDEO (BLACK NUMBER ON WHITE BACK
GRD.. IF THE BEAT COUNTER CHANGES TO INV
ERSE FOR A MEASURE BUT EVERYTHING LOOKS
AL-. RIGHT TO YOU, START TAKING THE MEAS
URE APART A SYMBOL AT A TIME. CHANCES AR
E . YOU'VE ACCIDENTALLY PUT ONE SYMBOL O
N TOP OF ANOTHER AND THE COMPUTER IS DO-
. ING ITS BEST TO PLAY BOTH WHAT YOU CA
N SEE AND WHAT YOU'VE COVERED UP.
. THE NOTE INDICATOR
.
POINT AT A NOTE (OR SPACE OR LINE) AND
PRESS P ; THE APPROPIATE TONE WILL .
SOUND AND ITS NAME WILL APPEAR IN THE IN
DICATOR. TO MAKE THE NOTE INDICATOR . A
UTOMATICALLY SOUND A NEW TONE AND PRODUC
E RETURNS THE NOTE INDICATOR TO . MA
NUAL CONTROL (IE YOU HAVE TO PRESS P TO
MAKE IT WORK) WHEN YOU'RE CARRYING . A N
OTE, PRESSING P WHEN YOU'RE IN THE AREA
ABOVE AND BELOW THE STAFFS WILL . PROD
UCE A HELPFUL LINE SEGMENT.
. TO TR
ANSPOSE PIECES INTO ANOTHER KEY
. POINTI
NG AT THE WORD KEY AND PRESSING RETURN O
R A BUTTON CAUSES KEY NAMES TO . SCROLL
BY. PRESSING IT AGAIN PICKS WHICHEVER NA
ME IS VISIBLE AND THE COMPUTER. REWRITES
THE MUSIC TO FIT THE NEW KEY. IF YOU TR
Y TO TRANSPOSE TO A KEY TOO . HIGH OR L
OW YOU'LL HEAR A WARNING BEEP AND THE CO
MMAND WILL NOT BE CARRIED . OUT. INVER
SE VIDEO MEANS YOU'RE MOVING UP. NOTE: I
F YOU ENTER A KEY SIGNATURE. MANUALLY (B
Y DRAGGING ON SHARPS OR FLATS ONE AT A T
IME), THE KEY CHANGE CNTRL. WILL NOT SHO
W THE CORRECT KEY SIGNATURE UNTIL YOU US
E IT TO SUCCESSFULLY . TRANSPOSE TO
ANOTHER KEY.
. KEYBOARD SHORT
CUTS
. AS YOU GAIN EXP
ERIENCE WITH YOUR MCS PROGRAM, YOU'LL FI
ND THE KEYBOARD HELP- . FUL EVEN IN JOYS
TICK AND KOALA MODES: POINTING WHERE YOU
'D LIKE A NOTE, REST . CLEF, ETC. TO BE
AND PRESSING THE APPROPRIATE KEY WILL CA
USE IT TO BE DONE. . 1 THROUGH 5 - 16TH
NOTES THROUGH WHOLE NOTES S - SHARP
. 6 THROUGH 0 - 16TH
RESTS THROUGH WHOLE RESTS F - FLAT
. K AND L - 32ND NOTE
AND 32ND REST N - NATURAL
. T - TREBLE
B - BASS CLEF D - DOT
. O - OCTAVE RAISER
I - TIE
. DEL - ERASES WHATEVER'S
BEING POINTED AT
. SPACE BAR - PUTS DOWN AN
OTHER OF WHATEVER YOU PUT DOWN LAST.
. U - TURNS THE NOTE OR TIE
YOU'RE CARRYING UPSIDE DOWN.
. = - SCROLLS FORWARD ONE ME
ASURE.
. H - SENDS THE HAND HOME.
. Q - SENDS THE HAND TO THE Q
UARTER REST IN THE PARTS COLLECTION.
. P - CAUSES THE NOTE INDICATOR
TO FUNCTION.
. CONTROL S - TOGGLES THE NOTE I
NDICATOR BETWEEN MANUAL AND AUTOMATIC.
. CONTROL P - BEGINS PRINTING
.
. IF YOU HEAR A BEEP
. 1. YOU'RE TRYING TO PUT IN A LONGE
R PIECE OF MUSIC THAN THE PROGRAM CAN
. HANDLE.
. 2. YOU'RE TRYING TO CUT MORE MUSIC I
NTO THE BUFFER THAN IT CAN HANDLE.
. 3. YOU'RE TRYING TO PUT A NOTE ON TOP
OF A NOTE.
. 4. YOU'RE TRYING TO CHANGE TO A KEY TH
AT WOULD MAKE SOME OF THE NOTES IN YOUR.
PIECE EITHER TOO HIGH OR TOO LOW FOR TH
E MCS RANGE. .
5. YOU.RE TRYING TO USE THE CHANGE KEY C
OMMAND ON A SONG WHICH HAS DIFFERENT . K
EY SIGNATURES IN TREBLE AND BASS CLEFS O
R WHICH HAS SOME OTHER SYMBOL PLACED. AM
ONG THE ACCIDENTALS TO THE LEFT OF THE D
OUBLE BAR. IF YOU WANT TO TRANSPOSE. DON
'T PUT ANYTHING TO THE LEFT OF THE DOUBL
E BAR EXCEPT SHARPS, FLATS AND . CLEF
S.
. 6. YO
U'RE TRYING TO USE THE SCISSORS TO THE L
EFT OF THE DOUBLE BAR. THEY . WON'T
WORK THERE.
.
. HOW TO P
RINT YOUR MUSIC
. IF YOU HA
VE A VIC-1525 GRAPHIC PRINTER OR AN INTE
RFACE CARD THAT PROVIDES . TOTAL EMUL
ATION OF THE PRINTER, LOAD THE PIECE OF
MUSIC YOU WANT TO PRINT, . TURN ON YOU
R PRINTER AND PRESS CONTROL-P. YOUR PRIN
TER WILL STOP AFTER PRINT-. ING TWO AND
A HALF MEASURES. PRESSING ANY KEY WILL T
HEN CAUSE IT TO PRINT . ANOTHER TWO A
ND A HALF MEASURES. CONTINUE TO PRESS A
KEY EACH TIME THE PRINT-. TER STOPS UNTI
L YOU'RE READY TO STOP PRINTING. THEN PR
ESS THE DEL KEY. YOU . CAN CONTROL PAG
E BREAKS BY TURNING YOU PRINTER CARRIAGE
MANUALLY BETWEEN KEY-. STROKES. TO PRIN
T A PORTION OF A PIECE, USE THE ARROW IC
ONS TO SCROLL TO THE . SECTION YOU WANT
BEFORE PRESSING CONTROL-P.
.
. IF YOU'RE RELATIVEL
Y UNFAMILIAR WITH ALOT OF THE TERMS USED
IN HERE, AGAIN I . STESS THE IMPORTANCE
OF LOOKING AT THE PIECES BUILT INTO THE
PROGRAM AND . UTILIZE ALL THE COMMA
NDS THAT YOU POSSIBILY CAN. ALSO THE CON
TROL-S MODE IS A. NICE OPTION TO USE TO
KNOW AT ALL TIMES WHAT A NOTE SOUNDS LIK
E BEFORE YOU . PUT IT DOWN. TAKE YOU T
IME AND MOST OF ALL HAVE FUN.
. .
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